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it's a par
Join Date: Feb 2008
Location: the Wastes
Posts: 408
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(presume you're asking me) nope, only In the Court and In the Wake of Poseidon. Neither of them particularly set my world alight (god knows I have made the effort with the debut over the years, please don't ban me) but I'm big on jazz fusion so I'm looking forward to delving into Red and Lark's Tongues in particular. But wasn't Frippy just swell on Scary Monsters?
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Substix blog 'Institutionalised cruelty is one thing. But the twisted brainwrong of a one-off man-mental is quite another.' |
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it's a par
Join Date: Feb 2008
Location: the Wastes
Posts: 408
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Have spent some time listening to Lark's Tongues In Aspic for the first time today; it's still early days obviously but it's clear - I can understand now why people criticise Yes' albums of this era of falling short of KC's work (stupidly had not realised Bruford was in the band at this point).
I love the instrumentation, the violin and Fripp's acoustic guitar. It's refined and ambitious on it's own terms, a refreshing lack of grandiosity... The guitar in 'Easy Money' is really something, brings my impressions of Fripp's style full circle - he knows when to hold back. Really should read your review now BooBoo, forgive this humble Crimson noob ![]()
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Substix blog 'Institutionalised cruelty is one thing. But the twisted brainwrong of a one-off man-mental is quite another.' |
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