There's a riff in The Mars Volta's "Day Of The Baphomets" that sounds like it was ripped directly from a John Coltrane tune that I can't remember the name of.
And TMV's "Cicatriz ESP" seems to be primarily based around a short riff from "Arcarsenal" by their previous band, At The Drive-In.
Uhmmm...
Bob Marley re-used the exact chord progression from "Put It On" in another song - can't remember the name right now. Will try to find it.
John Frusciante admittedly used Hendrix's "Purple Haze" riff as the groundwork for his solo in "Dani California". Also, the main riff in that same song is quite similar to Tom Petty's "Mary Jane's Last Dance", though it's a common chord progression in rock music so I doubt it was consciously lifted. If anything, I'd accuse Froosh of re-hashing that riff from "Fallout", a song on his third solo album.
A particular section of "Song For The Dead" by the Queens Of The Stone Age showcases the exact same drumbeat as Black Flag's "Slip It In", though Josh Homme claimed that it was merely a homage to one of his favourite bands.
Mazzy Star's "Be My Angel" sounds a lot like their later surprise hit, "Fade Into You". Apparently, though, it wasn't so much a re-hash as it was a re-write. The same can be said about the Melvins' "Night Goat" and "A History Of Bad Men".
Nirvana were accused by the band Killing Joke of stealing the "Come As You Are" riff from their song, "Eighties". According to Jaz Coleman (the band's singer), Nirvana admitted to plagiarizing it. Nirvana also supposedly admitted to lifting the "Smells Like Teen Spirit" riff from Boston's "More Than A Feeling".
Some have accused Pearl Jam of lifting the "Yellow Ledbetter" intro from Jimi Hendrix's "Little Wing", but it's not so much a rip-off of the riff/progression as it is a different riff/progression played in a very similar style, with a similar guitar tone.
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Last edited by Wayfarer : 05-01-2008 at 04:00 PM.
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