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Old 12-03-2017, 11:57 AM   #51 (permalink)
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So you're happy to light the fire but you're not going to stand around and watch it burn because that'd be wrong.
Bitch, all I did was bring the marshmallows. I'll have a s'more with you guys, but I'm not gonna camp the night with you. Ya'll are too handsy.
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Old 12-03-2017, 11:59 AM   #52 (permalink)
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Bitch, all I did was bring the marshmallows. I'll have a s'more with you guys, but I'm not gonna camp the night with you. Ya'll are too handsy.
I'm just asking you to make sense man.
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Old 12-03-2017, 12:00 PM   #53 (permalink)
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Maybe you should stop making sense.
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Old 12-03-2017, 12:02 PM   #54 (permalink)
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Nah talking behind people's backs is one of life's great joys.
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There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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Old 12-03-2017, 12:04 PM   #55 (permalink)
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It is a bit crap imo but considering Ki is reading this thread right now logged out of his account it's not really talking behind his back so crack on lads.
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Old 12-03-2017, 12:08 PM   #56 (permalink)
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Maybe you should stop making sense.
Maybe you should more songs about buildings and food.
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Old 12-03-2017, 12:11 PM   #57 (permalink)
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I think everyone should just take a step back and Remain in Light is the fourth studio album by American new wave band Talking Heads, released on October 8, 1980 through Sire Records. It was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in Philadelphia between July and August 1980 and was produced by the quartet's long-time collaborator Brian Eno.

Following the release of Fear of Music in 1979, Talking Heads and Eno sought to make an album that would dispel notions of the group as a mere vehicle for frontman and chief lyricist David Byrne. Drawing on the influence of Nigerian musician Fela Kuti, the group experimented with African polyrhythms, funk, and electronics, recording instrumental tracks as a series of sampled and looped grooves, an innovative technique at the time. Recording sessions also incorporated a variety of side musicians, including guitarist Adrian Belew, singer Nona Hendryx, and trumpet player Jon Hassell.

Byrne initially struggled with writer's block, but soon adopted a scattered stream-of-consciousness lyrical style inspired by early rap and academic literature on Africa. The artwork for Remain in Light was conceived by bassist Tina Weymouth and drummer Chris Frantz, and was crafted with the help of the Massachusetts Institute of Technology's computers and design company M&Co. Talking Heads expanded to nine members for a promotional tour, and following its completion the band went on hiatus for several years, leaving the individual members to pursue a variety of side-projects. The album was the last of the band's collaborations with Eno, though Eno and Byrne's My Life in the Bush of Ghosts would be released the following year.

Remain in Light was widely acclaimed by critics, who praised its sonic experimentation, rhythmic innovations, and cohesive merging of disparate genres. The album peaked at number 19 on the Billboard 200 in the US and at number 21 on the UK Albums Chart. Two singles were released from Remain in Light: "Once in a Lifetime" and "Houses in Motion". The record was certified Gold in the US and in Canada during the 1980s. It has been featured in several publications' lists of the best albums of the 1980s and the best albums of all time, and it is often considered Talking Heads' magnum opus. In 2006, it was remastered and reissued with the addition of four unfinished outtakes. The Library of Congress deemed the album "culturally, historically, or artistically significant", and selected it for preservation in their National Recording Registry in 2017.
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Old 12-03-2017, 12:11 PM   #58 (permalink)
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Maybe you should naked.
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Old 12-03-2017, 12:17 PM   #59 (permalink)
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Everyone should naked at house and me.
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Originally Posted by J.R.R. Tolkien
There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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Old 12-03-2017, 12:21 PM   #60 (permalink)
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I think everyone should just take a step back and Remain in Light is the fourth studio album by American new wave band Talking Heads, released on October 8, 1980 through Sire Records. It was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in Philadelphia between July and August 1980 and was produced by the quartet's long-time collaborator Brian Eno.

Following the release of Fear of Music in 1979, Talking Heads and Eno sought to make an album that would dispel notions of the group as a mere vehicle for frontman and chief lyricist David Byrne. Drawing on the influence of Nigerian musician Fela Kuti, the group experimented with African polyrhythms, funk, and electronics, recording instrumental tracks as a series of sampled and looped grooves, an innovative technique at the time. Recording sessions also incorporated a variety of side musicians, including guitarist Adrian Belew, singer Nona Hendryx, and trumpet player Jon Hassell.

Byrne initially struggled with writer's block, but soon adopted a scattered stream-of-consciousness lyrical style inspired by early rap and academic literature on Africa. The artwork for Remain in Light was conceived by bassist Tina Weymouth and drummer Chris Frantz, and was crafted with the help of the Massachusetts Institute of Technology's computers and design company M&Co. Talking Heads expanded to nine members for a promotional tour, and following its completion the band went on hiatus for several years, leaving the individual members to pursue a variety of side-projects. The album was the last of the band's collaborations with Eno, though Eno and Byrne's My Life in the Bush of Ghosts would be released the following year.

Remain in Light was widely acclaimed by critics, who praised its sonic experimentation, rhythmic innovations, and cohesive merging of disparate genres. The album peaked at number 19 on the Billboard 200 in the US and at number 21 on the UK Albums Chart. Two singles were released from Remain in Light: "Once in a Lifetime" and "Houses in Motion". The record was certified Gold in the US and in Canada during the 1980s. It has been featured in several publications' lists of the best albums of the 1980s and the best albums of all time, and it is often considered Talking Heads' magnum opus. In 2006, it was remastered and reissued with the addition of four unfinished outtakes. The Library of Congress deemed the album "culturally, historically, or artistically significant", and selected it for preservation in their National Recording Registry in 2017.

Meanwhile, husband and wife team Chris Frantz and Tina Weymouth went on to form the Tom Tom Club and would score with Genius of Love in 1981.
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