|
|||||||
| Register | Blogging | Search | Today's Posts | Mark Forums Read |
Welcome to Music Banter Forum! Make sure to register - it's free and very quick! You have to register before you can post and participate in our discussions with over 17,000 other registered members. After you create your free account, you will be able to customize many options, you will have the full access to over 300,000 posts.![]() |
|
|
Thread Tools | Display Modes |
|
|
|
|
They call me Tundra Boy
Join Date: Sep 2005
Location: In your linen cupboard.
Posts: 1,208
|
A neapolitan sixth is a major chord whose root note is one semitone above the root note of the tonic chord.
In simpler terms, if you're playing in E major, the neapolitan sixth is the F major chord. If you're playing in E minor the neapolitan sixth is also the F major chord. If you're in B major, the NS is C major. In B minor its C major and so on. Its called a 'sixth' because the neapolitan chord (the F major chord is the first example) is played in its first inversion. That means that instead of the bass note being an F, you use A as the bass note... the 6th semitone in the chord. Overall, its meant to give a 'spooky/ghostly' feel to the piece, this is what is was mostly used for in classical music. Its used regularly in jazz, funk and latin music though, so the only consistent effect it really has is to make the music sound like it 'drifted' upwards and then will sound like it has been 'lowered' back down when it returns to the tonic (which it usually does). |
|
|
|
|
|
|
|
Last of the Musicologists
Join Date: Dec 2005
Location: swansea, wales, uk
Posts: 1,478
|
heh, i gave up on theory, learnt enough to get by and show off to people who haven't a clue, and that's all i'll ever need.
![]()
__________________
My Myspace. My Bands Myspace - Please Show Some Love Here. My Youtube. My Ultimate Guitar. |
|
|
|
|
|
|
|
Account Disabled
Join Date: Mar 2004
Location: Sydney, Australia
Posts: 646
|
Compound time doesn't necessarily mean it's swing.
And I dunno about my favourite key and tempo, it changes every day :P. I guess I love minor chords, but susses get me hard. And I wouldn't mind a little augmented action as well. 5/8 played after/before 4/4 is probably my fav time sig change. The best example of a neapolitan chord is in Beethoven's "Fur Elise." |
|
|
|
|
|
|||||
|
They call me Tundra Boy
Join Date: Sep 2005
Location: In your linen cupboard.
Posts: 1,208
|
Quote:
Quote:
Quote:
Quote:
|
||||
|
|
|
|
|
||||
|
Account Disabled
Join Date: Mar 2004
Location: Sydney, Australia
Posts: 646
|
Quote:
Quote:
Quote:
|
|||
|
|
|
|
|
|
|
Last of the Musicologists
Join Date: Dec 2005
Location: swansea, wales, uk
Posts: 1,478
|
oh yeah well im so profound when it comes to the learning of guitar wankage then i have to practically lube up the strings with my own manly essence before i play my dream theater solos, so im not so fast that it rips the skin from my hands.
![]()
__________________
My Myspace. My Bands Myspace - Please Show Some Love Here. My Youtube. My Ultimate Guitar. |
|
|
|
|
|
||
|
Last of the Musicologists
Join Date: Dec 2005
Location: swansea, wales, uk
Posts: 1,478
|
Quote:
__________________
My Myspace. My Bands Myspace - Please Show Some Love Here. My Youtube. My Ultimate Guitar. |
|
|
|
|
![]() |
| Thread Tools | |
| Display Modes | |
|
|