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Old 12-14-2009, 03:33 AM   #34 (permalink)
Gavin B.
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Excuse the corny video footage I've embedded below, but this Cale version of Hallelujah is brilliant. Cale has recorded at least two other versions of this song....one is at a slower dirge-like tempo and on another session he added a string section.

This version I've embedded is my favorite rendition because of the sparse beauty of Cale's plaintive voice and his forceful but ornate piano playing. Cale's gifts as a piano player are underappreciated. Cale has been singing the once obscure Cohen song for nearly three decades... long before the current crop of vocalists discovered the lyrical magic of the song.

The song's composer Leonard Cohen's version of Hallelujah is a guarded and modest understatement compared to Jeff Buckley's effusive and spine tingling version which comes close to being a histrionic overstatement. I also have a recording of an Imogen Heap's acapella version of Hallelujah. Imogen's version is haunting but she cuts the song short after singing only two verses and it sounds like an unfinished project.

There's probably 100 other covers of Hallelujah out there, but the Cohen, Buckley, Heap and Cale versions are the real standouts. You'd have to be a masochist to suffer through versions of Hallelujah by a legion of singers like kd lang, Il Divo, Allison Crowe, Rufus Wainwright, Damien Rice, Bon Jovi, Amanda Jenssen (American Idol), Regina Spektor, the Roches, the Silent Monks and the rest of the usual musical suspects, just to prove to me that a better version of the song exists. Be my guest... It's seems that everybody and their uncle is doing a cover version of Hallelujah these days. Stay tuned for a Celine Dion version.

Buckley's version is dazzling and a formidable interpretation of Hallelujah . Many people mistakenly think Buckley (not Cohen) wrote the song because of the widespread recognition of his version of the song on the album Grace. A lot fewer people have heard Cale's version which trumps even the glories of celebrated Buckley version. I heard the Cale version long before Buckley version was recorded. Early on, I was under the spell of the Buckley version and Buckley's rendering almost eclipsed my devotion the Cale version. However there was a point in time when I returned to playing the Cale version and rediscovered my undying passion for his version. The Cale recording of Hallelujah is the one I'd run to rescue, if my house were burning down in the middle of the night.

Buckley's pristine voice was capable of leaping octaves over, under and around Cale's vocal range, but it's Cale who really owns the song like no one else. Buckley's version draws the listener's attention to the beauty and range of his singing voice while Cale's version directs the attention of the listener to the beauty of Cohen's lyric and music. And as Frank Sinatra once said, a good vocalist showcases the song, not his voice.

Cale's rendition is one the most soulful renditions of a song I've ever heard.



Last edited by Gavin B.; 12-14-2009 at 09:19 AM.
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