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Old 03-30-2013, 10:57 AM   #1751 (permalink)
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With his new band lineup established, Rory was back in the studio before Christmas to record what would be his fourth album, and one from which many of the tracks would go on to become minor classics and requested live songs. During this period Rory would also somehow fit in a tour of the USA, Canada, and Europe --- twice! Did the man have an army of clones? And of course he always made certain to tour his beloved native country, including Northern Ireland, even at the height of "The Troubles", when few if any bands from the south would venture north across the border. This dedication to his fans, bighearted bravery and a refusal to allow politics --- or even the risk of his own safety --- to affect his live schedule increased his army of admirers and solidified the almost messianic love those who already followed him lavished on him. Never a man to boast or brag, Rory shrugged his shoulders when asked about such things and replied that he just wanted to play, and see his fans. It really was as simple as that.

Even when, two years later, the popular Miami Showband were gunned down and killed near the border, and tensions between north and south reached breaking point, when no-one from the Republic would play in the Six Counties, Rory would buck the trend and continue his practice of playing venues like the King's Hall and Ulster University, almost oblivious to the danger, as if it had nothing to do with him. Perhaps inside he was worried, but if so he never showed it, and his fierce determination not to be scared out of playing the north made him a local and national hero.

Tattoo --- Rory Gallagher ---- 1973 (Polydor)


Building on the somewhat fuller sound of tracks like "Daughter of the Everglades", the title track --- well, sort of: it's called "Tattoo'd lady", but as close to a title track as you're going to get here --- starts us off in a sort of mid-paced tempo, definitely more guitar driven this time, though Lou Martin's piano still makes its presence felt, but Rory's firing up the Strat and letting it have its head. Martin's organ is let off the leash however for another song that would become a big favourite, "Cradle rock", which, er, rocks along at a great pace, Rory adding in a good dose of the ol' harmonica for effect. Not hard to see how this became a live favourite! Rory slips on the acoustic then for "20:20 vision", with Lou adding the piano lines, and some more harmonica finds its very welcome way into the tune.Gerry threads a great walking, almost swaggering bassline through the song, and it's a real swinger.

Sounding almost like the opening to "Grange Hill" (anyone remember it?) "They don't make them like you anymore" is another rocker, with a sort of lounge/cabaret feel to it, some fast piano and another great jazzy bassline from Gerry --- yeah, I could hear this in some upmarket club as the champagne glasses clink and people talk in the background. Sort of. "Livin' like a trucker" then is a harder, more stripped-down song, with some talkbox guitar from Rory and a funky rhythm, while "Sleep on a clothesline" has a twelve-bar blues beat that Status Quo would be proud of. Plenty of honkytonk piano and squealing guitar, then like a lone gunman riding into town it's Rory's Strat that leads the way on "Who's that coming?", joined shortly by bass and drums with plenty of slide and harmonica getting in on the act, and although the song is in fairness a little repetitive, there's something about it that makes its seven minute run not seem stretched too far. Great piano solo by Lou Martin helps, certainly, but I think it's kind of more the energy and just simple fun of the song that defies you to get bored of it. In fact, I'd probably listen to a couple more minutes of it!

Another big fan favourite then in "A million miles away", and another long song, the second on the album over seven minutes, it's a blues slowburner with a lot of soul and a sense of homesickness that translated really well to the live stage. This is the only track to feature Rory on his sax again, and I must say for once it actually works well here, adding to the sense of tension and loss in the song. I think I would have preferred the album to have ended on such a strong, powerful and later classic song, but there's one more to go, and it's "Admit it", which I will admit, is not that great an ender. It's not bad but you know... Interestingly, on this album Lou Martin is credited with also playing accordion, but I can't hear it anywhere. I guess it's there somewhere, but it just doesn't stand out to me.

TRACKLISTING

1. Tattoo'd lady
2. Cradle rock
3. 20:20 vision
4. They don't make them like you anymore
5. Livin' like a trucker
6. Sleep on a clothesline
7. Who's that coming
8. A million miles away
9. Admit it

Irish Tour '74 --- Rory Gallagher --- 1974 (Polydor)

Acknowledged as one of the finest and most honest live albums by a rock artiste, this album shows Rory's determination to tour Ireland during the troubled times of the mid-seventies, when few bands would even contemplate crossing the border into Northern Ireland. Rory played Dublin, Cork and Belfast, and this album is a testament to how his audience and his fans rewarded his dedication to them, and, it has to be said, his bravery in facing what was a very turbulent time in Ireland with the stoicism and everyman courage that coloured his entire career.

The album is made up of half material from his previous albums, three covers and one song that resulted from a jam session, and ends with a tiny little instrumental. "Cradle rock" starts us off, as it would many of his shows, and although the announcer again gets his name wrong, calling him Galla-ger instead of Galla-her, the crowd reacts with passion and he's obviously seen as a folk hero, especially in Belfast, who at the time would have been starved of acts to play in Ulster Hall. A version of Muddy Waters's "I wonder who" is next, after Rory has introduced the band. It's a real opportunity for him to pay homage to his heroes and also to show what he can really do on that beat-up old Stratocaster! A great organ solo too from Lou Martin, then we're into "Tattoo'd lady", another song that would become a favourite at live shows.

Another cover then, in J.B. Hutto's "Too much alcohol", which goes down really well with the (probably slightly pissed anyway) crowd, then he keeps the tributes going with Tony Joe White's "As the crow flies", with some fine individual skill on the Strat, playing it almost like a banjo at times. Rory also breaks out the harmonica, which fits in really well with the kind of folk/bluegrass feel of the song. It's Rory originals though from this point on, with the immense "A million miles away" getting us started, which Rory introduces as "a new song". Well, given that "Tattoo" was only released in November of 1973 and this tour took place in January of '74, I guess not too many people would have had the chance to have heard it, so yeah, from that point of view it could be seen as a new song.

Rory extends the song by about three minutes in this live performance, and it's a joy to hear. Martin plays his usual flawless part, and it really goes down well with the crowd. Ratcheting the tempo right back up then with "Walk on hot coals", another extended version (seriously extended: an extra four minutes compared to the version on "Blueprint"!) --- okay, let's be honest: it's overstretched but you can forgive that when it's live. I remember attending a Rory gig once where he "finished" a song about six times, jumping up and down with his Strat and each time as what we took to be the last chords were hit, running off into another verse or chorus. It's showmanship, it's entertainment, and you expect it at the gigs. Nobody wants to go to a concert and hear the songs played the way they are on their albums: why go if that were the case? What would be the point?

With that in mind, a ten-minute version of "Who's that comin'?" (original length just over seven) is perfectly acceptable, and to be honest, the more Rory you could have the better. No-one ever wanted his concerts to end, I'm sure, and like Springsteen at his height, Rory gave his all every gig, playing for two, sometimes three hours, and nobody complained. Rory crammed everything into his live performances, from his music to his personality and from his talent to his very soul, and I cannot believe anyone ever went home from any of his gigs feeling anything other than exhausted and satisfied.

As indeed are these guys as they chant "Nice one Rory, nice one son! Nice one Rory, let's have another one!" And he obliges, coming back for the encore with the jamfest "Back on my stompin' ground (After hours)" which I don't think is available on any other album, so those lucky people got a brand new song there that night in January seventy-four. And that's it, apart from a little fifties-style instrumental of less than a minute. A storming gig no doubt and if you were lucky enough to have been there be thankful. I did get to see Rory live as I say (I touched his boot!) so certainly consider myself blessed. This album has rightly gone down as one of his best live performances and taken its place among the live albums you must hear before you die.

TRACKLISTING

1. Cradle rock
2. I wonder who (gonna be your sweet man now)
3. Tattoo'd lady
4. Too much alcohol
5. As the crow flies
6. A million miles away
7. Walk on hot coals
8. Who's that comin'?
9. Back on my stompin' ground (After hours)
10. Maritime
Just....YES!
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Old 03-30-2013, 11:18 AM   #1752 (permalink)
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How the hell do you not go over the five thousand word limit on your posts?!
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Old 03-30-2013, 02:06 PM   #1753 (permalink)
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How the hell do you not go over the five thousand word limit on your posts?!
I do. I actually look at the character count, and it can often be over the stated 20,000 limit. I did here too: this was supposed to be one entry, as evidenced by the "Early solo years 1971-1974" tag. If you notice, I had to stop it at 1973 and split it into two. Yes, sadly this happens to me all the time. Check the Couch Potato, and you'll see some single episodes that have had to be split. In fact, my last review, the movie "Dust Devil", ran over the max and I had to split it too.

Stupid rule...
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Old 03-30-2013, 03:56 PM   #1754 (permalink)
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I do. I actually look at the character count, and it can often be over the stated 20,000 limit. I did here too: this was supposed to be one entry, as evidenced by the "Early solo years 1971-1974" tag. If you notice, I had to stop it at 1973 and split it into two. Yes, sadly this happens to me all the time. Check the Couch Potato, and you'll see some single episodes that have had to be split. In fact, my last review, the movie "Dust Devil", ran over the max and I had to split it too.

Stupid rule...
I find that the more experienced you become writing journal entries, the word count tends to shoot up. I do mine by lines and it's a normally a maximum of 25-30 lines per section (overview and verdict) when I first started I was doing a lot less than that.

The rule is not stupid, otherwise these journal entries would have more waffle than they should.
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Old 03-30-2013, 06:40 PM   #1755 (permalink)
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The Easter Rising, 1916

The last straw: eight hundred years of foreign occupation

The Tudors, the Normans, Cromwell: all had invaded Ireland in its past and subjugated its people, with varying degrees of success down the centuries, but Ireland had been a fiercely independent nation, an island in the most literal sense, with its own language and beliefs and its own ruling classes, and an almost fanatical determination to resist conquest. Of course, this resistance was complicated and diluted down through history due to the everpresent rivalry of opposing factions, so that when the Irish were not fighting the English or some other invader they were invariably fighting among themselves. It's no way to establish a stable government.

In 1169 a loosely-affiiliated band of Norman knights landed in Ireland, with the blessing of the pope of the time, who wished the then-pagan island civilised and, more importantly, to levy taxes on Ireland. He then granted permission to King Henry II of England to assert his dominion over Ireland. In typical Irish fashion, this invasion was sponsored by an exiled Irish prince, Diarmuid of Leinster, who could only see as far as regaining his own throne, and was prepared to sell his country out to the invaders as the price of that restoration of power. This would happen a lot throughout Irish history, not just with the English but with the French, Scottish, Spanish ... anyone a disgruntled or out of favour Irish lord could use as a means of regaining his power. We whine and bitch about "the English invaders", but it's sobering to think that we actually invited them here in the first place!

However, as soon as Henry was recalled to England to deal with pressing matters of state, factions arose within both the Irish and Norman camps, and rival groups, knights and kingdoms faced off against each other. Ireland was again at war. In 1495, as a backlash against rising powers within Ireland --- Norman knights who had "gone native" or indeed former kings or high kings of Ireland before the invasion --- the king imposed English statute law on Ireland. This took power from the previously more or less autonomous Irish Parliament, and in 1543 made Ireland a kingdom, thus coming under the direct control of the English monarch. The secession of Henry VIII from the Catholic Church following his difficulties with the pope regarding his wives, meant that English law required Ireland, as a kingdom of England, to practice the protestant religion, with catholicism, the then dominant belief in Ireland, outlawed and its adherents punished. Henry had monasteries and abbeys confiscated, monks priests and abbots slain, and generally sowed the seeds of discontent among his new subjects.

When his successor, Elizabeth I, was declared by the pope to be a heretic and excommunicated, this set the Irish on an even more direct collision course with their English masters. Devoutly catholic since Norman times, the vast majority of the Irish did not want or intend to change religions, and most had remained catholic in secret during Henry's reign. Elizabeth had taken a different tack, allowing people to keep their religion and refusing to impose Protestantism on Ireland. To the catholic Irish then, this proclamation against the person they saw as their main oppressor and overlord, by the head of their faith, God's spokesman on Earth, hardened their resolve and vindicated in their hearts their right, even duty to rebel and overthrow the English. With the enacting of Plantation policy, whereby English settlers were moved to Ireland to colonise and Anglicise it, Irish lords lost their lands and the native population began to feel like they were being squeezed out by the new invaders. This then led to the Irish Rebellion of 1641, under which the country regained its own government, after a fashion, and catholicism thrived until the arrival of Oliver Cromwell in 1649.

"The most hated man in Irish history"

Although revered and feted in England as a reformer and a leader, Cromwell's name is forever spat with disgust and contempt here. His invasion of the country was a brutal affair, and the stories told of the atrocities his armies carried out, while perhaps coloured and embellished a little, seem to be mostly accepted by historians. Cromwell seemed to view the Irish as savages, hardly human at all and nothing more than an impediment to his assuming total control over both Ireland and England in the wake of the English Civil War. Cromwell, a fanatical Puritan, hated the catholic Irish and saw them all as being heretics. He was also incensed by previous massacres carried out by the Irish in the 1641 Rebellion, and determined to make the blasphemers pay for this slaughter.

Cromwell landed in Dublin and quickly overpowered the attackers who had come to prevent him taking Dublin Castle, where the Parliamentarian centre of power was located. With the capital city secured, and with it a port at which to land his army, Cromwell marched on Drogheda where, after defeating the garrison there, he slaughtered everyone, despite surrender being offered. While one of his lieutenants marched to the north to retake Ulster, Cromwell moved on to Wexford and began negotiating terms of surrender, but in the midst of this his troops broke down the city gates and massacred the inhabitants, burning much of the town. Although he did not order the attack, it is pointed out by historians that he didn't reprimand his men for the act afterwards --- was it some sort of medieval "black op", allowing him what we now call plausible deniability? Whatever the truth, the action became a two-edged sword: some towns, fearing the brutality of his New Model Army, surrendered to Cromwell without a fight, whereas for others their resolve was only hardened, seeing that even if they surrendered they were likely to be butchered anyway.

By contrast, Cromwell's treatment of the surrenders of Kilkenny and Carlow was quite the reverse of that of Wexford and Drogheda; he accepted their surrender terms and honoured them, and no massacre took place. This however may have been in recognition that his excessive use of force and lack of mercy previously was having the opposite effect on his enemies. The re-conquest of Ireland took over two years, and in 1652 the resistance of the Irish was finally and decisively broken when Galway was taken. Following this defeat, the rebel Irish waged a campaign of guerilla warfare against the invader, though eventually even this token resistance melted away as the Irish were allowed to depart the country to serve overseas in other wars, as long as they did not take up arms against England or her allies.

During the colonisation of Ireland by Cromwell, Irish catholics were executed en masse, had their lands confiscated or were deported to the West Indies to work as indentured labourers, essentially slaves. His scorched earth policy produced a massive famine in Ireland, and his hatred of and massacres of catholics fuelled the fires of anti-Protestantism in Ireland which continue even to this day.

The Rising

In 1800 the Act of Union finally brought Ireland under the rule of the English sovereign, and the powerbase of the English goverment in Ireland was established in Dublin Castle. Ireland though never accepted English rule, and resisted it through various methods, such as the Home Rule bill (defeated twice), the Land League and the Repeal Association, as well as an outright uprising in 1848, but as World War One took the attention of the British away from Ireland, rebel factions there decided the time was right for another rebellion, one that would this time be successful and bring Ireland her own parliament and self-determination. The outrage at the fact that Irish men would be forcibly conscripted into a war that had nothing to do with them just added fuel to an already raging fire. The leaders of the Irish Republican Brotherhood (IRB) therefore devised a plan which called for two of their number to visit Germany and secure the help of the German army and navy, who would stage a landing on Ireland's west coast. A rising would be planned and executed in Dublin to divert the attention of the British army from the German presence and to pull forces away from responding to it.

The plan however failed, as Sir Roger Casement, an English consul, returning to Ireland on a German U-Boat was arrested and the ship carrying the vital arms shipment was intercepted by the Royal Navy. The date for the Rising though was set and it went ahead as planned on the morning of Easter Monday, April 24. With four key strategic locations being identified for capture, it is the GPO (General Post Office) in O'Connell Street which has gone down in Irish history as the iconic location of the rebels' last stand, and indeed it was their headquarters, though they did abandon it under heavy shelling from the British. Also taken were Jacobs Biscuit Factory, the Four Courts and Liberty Hall, though there were other areas too, such as Saint Stephen's Green public park and Bolands Mill.

Leading the rebels were James Connolly, Padraig Pearse, Eamonn Ceant, Tom Clarke, Sean MacDermott and James Plunkett, the last of whom had travelled with Roger Casement to Germany the previous year. The rebellion was poorly planned: a chance to take Dublin Castle was spurned, as was the opportunity to secure Trinity College, despite both being somewhat lightly guarded. Irish people in the main had not been aware of the Rising and so were taken by surprise and, it is said, treated roughly at some locations including Jacobs and Bolands when they tried to prevent the rebels taking these strategic locations. The fatal undoing of the rebels was their failure to lock down either of the two train stations in Dublin nor the two seaports, which if taken would have denied the British access for the reinforcements they sent as the Rising moved into its second day. By the end of the week, slightly over 1,000 men had increased to nearly 16,000, against a total Irish force of less than two thousand. In many of the areas --- GPO, Jacob's, Boland's, Stephen's Green --- there was little actual combat, as all the British had to do was shell the strongholds or deploy snipers.

"Doomed to failure"

The Easter Rising was over within a week. With heavy casualties on both sides, the Irish rebels were nevertheless easily outgunned and outmanned, and there seems to have been something of a fractured strategy on the part of the rebels. Also, the eternal schisms and arguments between different factions within the IRB led to a weakening of the force that was supposed to rise up, leaving less than two thousand to face the might of the British Army. If indeed they had been intended to, the people did not rise with the rebels; in fact many resented the way they were treated --- some beaten, some shot --- and were unlikely to support them. The GPO, headquarters of the rebellion, was abandoned when the shells landing there set fire to the place, and from their secondary base in Moore Street the rebels could see no way out, and so sued for surrender. On Saturday April 29 Padraig Pearse issued the order to surrender, and the Easter Rising was over.

The reasons for its failure are many, among them the capture of the shipment of German arms being brought to Kerry by Roger Casement, divisions within the leadership, divergent ideas as to what the Rising was about and what its aims were, and what should be done afterwards, and what appears on the surface to have been staggering naivete on the part of the leaders, or commandants of the IRB. Had they secured the train stations and ports then no channel would have existed for the British to ferry in their reinforcements, and the rebellion might have had a much better chance of succeeding. The famous GPO stand appears to have amounted to the leaders holing up in the place and awaiting their fate, as no major offensive was carried out by them, though it's assumed they tried to direct the rest of the Rising from there; mind you, how they communicated I don't know. Also the failure to take Dublin Castle, a fat and waiting target and surely if nothing else a hugely symbolic victory had they achieved it, seems to have been passed up despite the possibility of securing it.

In the end, it would appear that the Easter Rising was badly planned, by men who did not agree on much and that power struggles within the leadership of the IRB led to opportunities slipping by and plans not being properly executed. It's possible that, had all the elements been in place, 1916 would still not have succeeded, but it certainly would have had a better chance than it did.

Aftermath: Legacy and Irish independence

The leaders of the rebellion were all executed by the British. Most if not all of them are now commemorated in street names, many close to where they fought. James Connolly, who had been wounded in the ankle in the battle, had to sit in a chair to be shot. Sir Roger Casement, as the only actual British subject, was tried for high treason and hanged. However, although the Easter Rising was a failure in the immediate sense, the reverberations and repercussions from it continued long on into the next decade. In 1918 the rise of Sinn Fein was almost directly a result of the nationalist feelings awoken by the Rising and more particularly the execution of its leaders. Sinn Fein won 73 seats in the House of Commons but refused to take them in protest, assembling instead in Dublin where in 1919 they formed Dail Eireann, the Irish Parliament which is still today the seat of power in Irish politics, and declaring the creation of the Irish Republic. Thus began the Irish War of Independence, which ended 1921 with a truce and the establishment of the Irish Free State.

Ulster, overwhelmingly Protestant and therefore loyalists to the Crown, sued to be allowed secede from the new State and remain part of the United Kingdom, a boon the King and Parliament in London was only too pleased to grant. This essentially weakened the new Irish Free State, and has ever since remained a bone of bitter contention over the partition of Ireland, as the minority of catholics in what became Northern Ireland felt that they had had no say in the decision, or had been effectively shouted down and shut up. This led to the thirty-year period of sectarian violence and upheaval we refer to as "The Troubles", but that is a story for another day.

What is clear is that without the Easter Rising in 1916, though independence probably would at some point have come for Ireland, it would not have been so soon, and the hand of the British would not have been forced as it was. After the rising, as the smoke cleared so to speak, people began thinking about how they had been treated under British rule, particularly in recent times, and nationalist fervour climbed to a peak, resulting in first the formation and then the victory of Sinn Fein in the General Election of 1918, which itself led by a somewhat circuitous route to the holy grail of Irish independence. Ireland owes, and always will owe, a massive debt to the men who gave their lives for the cause of freedom and independence, and even now, almost a century later, their names are revered in story and song, and their places of honour in Irish history is assured, and unassailable. It's the sort of legacy that led people here recently to ask, in the wake of our ratification of the Treaty of Lisbon which effectively told us to bend over and take whatever Brussels gives us, taking completely away our right to govern ourselves and handing power over to the faceless bureaucrats in Europe, "is this what the lads fought for in 1916?"

A very good question.
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Old 03-31-2013, 05:11 AM   #1756 (permalink)
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I find that the more experienced you become writing journal entries, the word count tends to shoot up. I do mine by lines and it's a normally a maximum of 25-30 lines per section (overview and verdict) when I first started I was doing a lot less than that.

The rule is not stupid, otherwise these journal entries would have more waffle than they should.
I guess it all depends on your style of writing. I've never been that disciplined as a writer: I always tend to "run off at the mouth" so to speak, but I do check my entries back and if there's anything unnecessary --- waffle, as you say --- I cut it out. Nevertheless, I usually have a lot to put into my entries and they do often exceed the max count: it's just annoying when that happens.

I guess most people's posts would be well within the limit and I'm probably one of the exceptions, but I still like to write as much as I want, as much as I feel the topic requires. Admittedly, it's usually the larger sections on which I overrun the character count, hardly ever if at all on album reviews or anything like that.

I do hate it though when I go to post and I get that "exceeds character count please reduce" note...
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Old 03-31-2013, 10:20 AM   #1757 (permalink)
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This is amazing if anyone hasn't seen it. Cromwell killed 25% to 33% of the irish population through, hanging, burning, or slaughter. Burning villages were found all over the midlands with women and children hanging off of trees.Then thousands others died of starvation and famine because he had burnt their crops.Thousands other sent overseas as slaves. I found the docuentary interesting because i had no idea that the most slaughter of the campaign happened under a different general, not cromwell, but his son in law, and yet we attach his name to the events.


Irish History Cromwell,God's Executioner Part 1. - YouTube



Irish History Cromwell,God's Executioner Part 2. - YouTube
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Old 03-31-2013, 12:00 PM   #1758 (permalink)
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Mirage --- Fleetwood Mac --- 1982 (Warner Bros)

A more radio-friendly outing for a Fleetwood Mac which was already splitting, "Mirage" was a huge commercial success, with several hit singles. With Stevie Nicks and Lindsey Buckingham back in the fold, albeit one temporarily, it was the last album the band would put out for five years, before their smash comeback, the multi-platinum "Tango in the night". There are some great tracks on it --- "Gypsy", "Eyes of the world", "Wish you were here", "Only over you" --- but some weak ones too.

As usual the girls take the spotlight, Christine and Stevie singing the best tracks on the album, but you can hear the cracks widening as the discomfort in particular Stevie and Lindsey feel at being back together show. Five years later they seemed more reconciled, but here there's definite tension. Didn't hurt the sales of the album though, and five years apart seemed to have rejuvenated and revitalised the band, who came back in 1987 with an album that blew away just about everything they'd ever done, bar "Rumours".

Perhaps there was something in the title: though you don't hear it in the music, much of the cameraderie here has less substance than that mirage.

TRACKLISTING

1. Love in store
2. Can't go back
3. That's alright
4. Book of love
5. Gypsy
6. Only over you
7. Empire State
8. Straight back
9. Hold me
10. Oh Diane
11. Eyes of the world
12. Wish you were here
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Old 04-01-2013, 08:23 AM   #1759 (permalink)
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^^^

tl;dr
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Originally Posted by J.R.R. Tolkien
There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.
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Old 04-01-2013, 08:36 AM   #1760 (permalink)
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Rory's fans are unanimous in their praise for his honesty, genuinity and simple down-to-earth courtesy to those who put him where he is today. He never lost that everyman touch, and you could, by all (and there are many) accounts expect to run into him in the bar of the club he had just played, having a pint and relaxing, and he would never be above talking to you or shaking your hand, or even, in one case related below, getting you a hotel room! The following accounts are all taken from Barry Barnes' excellent Rory Gallagher site, Sinnerboy, and used with his permission. Barry plays in a Rory tribute band, and you can see excerpts of some of his performances on his site, well worth a look. I haven't noted names, as I have not obtained permission from each individual person to use their accounts.

Note: some of these "just start" as many of them are a little long and set the scene in ways. In these instances I've truncated and abridged the accounts to only reflect the story as it pertains to Rory. Everything is transcribed directly, including any spelling grammatical or punctutation errors.

We went for a drink in a nearby bar, I was driving so it was a quick one...probably 4 or 5, I was young and daft then!!?? So off home we set. We walked past the studio, what timing - who was exiting? Yes, yours truly. I went up very shyly as I respected this man more than any person I'd met, actually no-one to this day has ever come close musically, nor as a person for that matter. I could see he had to be somewhere else, I went for my pocket .. I had paper but no sodding pen, He went back in and got one!!!!! so I have his autograph


I was standing on the sidewalk outside a club in New York (I'm afraid to say I can't remember the name of it) I was about three hours too early for the Rory concert that night but I was determined to take in all the atmosphere I possibly could, I was busy taking fotos of the posters outside the venue when a black sedan started to pull out into the street, the car suddenly veered onto the sidewalk and out of the front passenger seat came Rory Gallagher! There was some vibes coming from inside the car like "Hurry up Rory, we've got to be somewhere" but the man walked straight up to me and said "I hope you enjoy the concert, I can't stop, I've got a radio interview" He shook my hand and jumped right back into the auto which moved on down the street


Anyway I went to the bar to order the drinks, the barman held my gaze and was just about to serve me, when up stands Rory (He was sat in the corner with the band and a few roadies, his brother could have been there as well) anyway the barman went to serve Rory first, but Rory insisted that he serve me first, I insisted that he served Rory, and so it went on, so the barman took it on himself to serve Rory first, a little while later two pints of lager came over and a thumbs up from Rory!!!!! well this made my day as you can imagine, but what impressed me more than anything and I have never forgotten to this day when I got up to leave the pub, to get ready to walk over the road to see him perform, I went over to him to shake his hand, I felt compelled to do this (I don't normally intrude on anyone's space) when I thrust out my hand rather awkwardly to shake his hand he stopped his conversation and rose to his feet to accept my hand, he asked me if I was going to see the show and told me to have a good night, he was really genuine, modest and down to earth, just having a drink like everybody else in the pub, what a star.

The only building next to it was the pub. I was in the pub for about 10 minutes when the man himself, Rory walked in with all of the band members. After a few more minutes they were joined by all of the musicians from the smaller bands too. Rory introduced me to all the other band members and we all drank and had a craic together ‘til closing time.

I then decided to go and try and find a place to stay, as I had no place booked. So I walked up the avenue from the pub to see if I could find a local B&B which would consist of a loft full of hay! As I was walking up the avenue I could hear a car coming up behind me. It was an automatic Mitsubishi, Donal Gallagher was driving the car and Rory was in the passenger seat. When Rory saw me he opened the window of the car & he said to me “Mick, where are you off to?” I said I was looking for somewhere to put my head down and he said, “Why don’t you come back to our hotel?” which was in Cookstown. It was a new hotel built after the old one had been blown up by the IRA. It was a beautiful hotel; I still have the menu and guest book at home!

I drank in the lobby of the hotel with Rory, Donal, and all the other band members from the smaller bands that had played that day. We drank Guinness until 3 in the morning until just Rory, Donal and myself were left. Rory then said to me about 3.30 “We have about 10 or 12 rooms booked for the various bands” so Rory brought me up to a room and said “This is your room, you can stay here tonight at our expense” The room had a big double bed, and a big bathroom with a Jacuzzi! Rory smiled at me and said “Have a nice sleep, see you in the morning” and walked away.

When I got up in the morning there was nobody left……. they were all gone….. and I never got the chance to thank him……

As I was standing alone, a guy came towards me in a plaid shirt, long hair and shall we say possibly a bit tipsy. I had a little panic, so decided to cut him off at the pass by asking him the time. He asked me if I would be OK standing on my own, a very little girl with very big eyes. I thought to myself "Oh no, not another poet!!!" He explained that I was standing outside his Mum's house. I told him that I had a lift in a few minutes and then the car pulled up and he left - The guys were all yelling at me "What did you say to Rory?" I said "Rory Who?"
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