In
Unweaving the Rainbow, Richard Dawkins appeals to our deepest, aesthetic understanding by asking us to "[t]ry to imagine Beethoven's
'Evolution Symphony', Haydn's oratio on
'The Expanding Universe',or Milton's epic
'The Milky Way.'"
Also, try to imagine how radically different humanity would be today if Michelangelo had painted 'The Akashik Field,' or if Mozart composed 'The Birth of Consciousness.'
I recently (about two years ago) discovered a group who expressed a seminal example of avant-garde music, at least from my musical frame of reference; they are one of the
very few virtuosos to induce a tremendous sense of wonder.
A writer for allmusic.com, named François Couture also acknowledges that "...
Deathprod's music creates its own space out of time, so the chronological aspect (or the "newness" of the music presented here) has little relevance."
Before you pass 'go,' or even pick up the dice, look for
Deathprod's
Morals and Dogma.
I rattle my whole neighbourhood (well, most certainly the neighbours below me) with these tracks (the first six do not appear on
Morals and Dogma :
-
Deerstalker
-
Dora 3
-
Nebulizer
-
H
-
Kakonita
-
Ulysses
-
Cloudchamber and
Tron are my favourite tracks from
Morals and Dogma.
-
Deathprod's earliest works,
Treetop Drive 3, and particularly
Towboat
Without fail, these
massive soundscapes make my friends say "
holy sh!t!"
To truly capture the essence of this music, it
must be played with a good sound system. The sound seems more immense than VY Canis Majoris.