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Old 04-19-2011, 03:25 PM   #88 (permalink)
starrynight
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Join Date: Mar 2011
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Quote:
Originally Posted by TheBig3 View Post
I think Phil Spector is over-hyped and what he contributed was, at best, benign to the times. But his philosophy, while boring in concept is amazing in practice. The wall of sound with the least amount of instruments possible (Somewhere in here, Andy Warhol becomes the creator, but I’m not entirely sure where, and its not essential for this ramble) essentially creates white noise, and with some percussion, melody, and narrative in front of it, makes it the backdrop of a person lost in the world, contemplating the finer details of “why the hell am I here?”

What we get in life is often background noise, car horns, engines rumbling, trains roaring by, planes, dogs, one-sided cell phone conversation and any number of small ticks; insects, clocks, technologies constant reminders that they’re waiting for us. This serves no purpose to the individual, and in a musical sense, it would not effect (or shouldn’t, outside the schizophrenic mind, a purpose to narrative.) If it hasn’t been made obvious yet, I’m making the connection between the individual and the narrative, which should be clear to begin with, but its being pitched differently here.
Environmental sounds have been used in music. Whether it was John Cage composing a piece of silence to show that there never is complete silence, or whether it is the environmental sound based experimental music/work of Luc Ferrari and many others.

But I would say anyway that I do think Phil Spector was involved with some good music, more so than the bands you listed anyway. He also had an influence if anyone thinks that is important as well.

As for you comparison of the individual singer against the music background, you might want to compare this to the soloist against an orchestra in classical music for example.
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