Well, the conversations that me and my main bloke Stryder struck up with some of our seated neighbours at my college's weekly Concert Hour performance suggest that these individuals that elude general relevance of a genre have the basement music syndrome. This is when the homo primate secludes itself in a basement and exposes itself to the groundbreaking works of the apes similarly interested in the genre for years on end via the internet for a boundless wealth of knowledge on the subject. Maybe since a lot of people don't go to these types of concerts, they don't see the passion behind the common classical music audience member's repeat attendance, be it pretension, adoration of the genre, or relatability to the style through participation (the former two I subscribe to. Some say I qualify for all three, but I beg to differ).
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth.
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