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Old 07-18-2015, 09:20 PM   #39 (permalink)
ladyislingering
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Join Date: Apr 2012
Location: Seattle
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Sorry for my long absence; stuff's been crazy, I'm crazy, so on and so forth.

I think we can all agree on one thing, though.

Check Martin's killer bassline in this track.

"Thank God It's Not Christmas"



Spoiler for LYRICS BELOW:
What do I hear, what do I hear?
Chit-chat, and clinking glass
Cheap talk, a lady's laugh
After hours

What do I see, what do I see?
Some sunken hideaway
Where people go to play
After hour

There I'll spend the night
Meeting fancy thins
At bistros and old haunts
Trying very hard to sin

Then it is day end in a way
The pattern's much the same
In-spots, a matinee
Every day

Blend with the crowd, blend with the loud
Hypnotic ebb and flow
Until the day goes slowly
Into night
See the same old crowd
At bistros and old haunts
'Til the lights grow dim,
The not-so-subtle hint to be gone

Thank God it's not Christmas
When there is only you
And nothing else to do
Thank God it's not Christmas
Where there's just you to do
The rest is closed to public view

Caroling kids, caroling kids
A trifle premature, in tones so rich and pure and crystaline
Call for the day, the popular day
It's fast approaching now
But will the mood allow
One dissent

If this were the Seine
We'd be very suave
But it's just the rain
Washing down the boulevard

Thank God it's not Christmas
When there is only you
And nothing else to do
Thank God it's not Christmas
Where there's just you to do
The rest is closed to public view

Popular days, the popular ways
Are for the chosen few
Not meant for me and you
Obviously

Popular nights, poplar rites
Great things to say and do
Aren't said or done by you
Obviously

If this were Seine
We'd be very suave
But it's just the rain
Washing down the boulevard


"Christmas" wraps up side 1 of "Kimono My House"; flip that pretty bitch over and uncover this little gem about communicational errors:

"Hasta MaƱana, Monsieur"



The lyrics are especially clever in this rollicking hit delivered by a doomed romantic, unable to speak with the object of his affection.

"You mentioned Kant and I was shocked, so shocked - where I come from, none of the girls have such foul tongues!"

Spoiler for LYRICS BELOW:
I tried to tell you in the night
That with a girl like you I could do without guided tours
You tried to tell me in the day
That your leading exports were textiles and iron ore

Hasta Manana Monsieur
Were the only words that I knew for sure
Hasta Manana Monsieur
Were the three little words that I knew you'd adore

Leaving my syntax back at school
I was thrown for a loss over gender and simple rules
You mentioned Kant and I was shocked
You know, where I come from, none of the girls have such foul tongues

Hasta Manana Monsieur
Were the only words that I knew for sure
Hasta Manana Monsieur
I'm gonna do it now
C'est la vie, c'est la mort, say no more, no no more
It's all the same , whether here or there or anywhere
There's them who have, and there are the others who have not

Kimono my house mon amour
I am sure that this motion don't need no accompanying words
Guess I was wrong because you've fled
Leaving me with my Michelin Guide and half-empty foreign bed

Hasta Manana Monsieur
Were the only words that I knew for sure
Hasta Manana Monsieur
Were the three little words that I knew you'd adore

Hasta Manana Monsieur
Were the only words that I knew for sure
Hasta Manana Monsieur
Were the three little words that I knew you'd adore


However, Russell, being a bit of a francophile, is fluent in French:



As a further apology (with extended affections) for my absence, have this:



Spoiler for Sparks (Live in Concert, 1974):
Part 1 (introduced by Keith Moon!)



Part 2

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We were born to die.
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