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Old 12-29-2015, 10:01 AM   #3 (permalink)
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Originally Posted by Trollheart View Post
I guess it's hard to be "progressive" in the way prog rock used to be, when just about everything has been done now. When prog rock got going in the seventies, the idea of using, say, violins in rock, even pushing keyboards to the front of the mix was quite new. Songs were constructed in a formulaic way (verse-verse-chorus-verse-chorus etc) and generally short. Prog rock giants like Yes, ELP, Genesis etc took this formula and kicked it out the window, leading to a lot of excitement at the time because all of this "new" music was different.

Prog rock bands of today, while there are some good ones, are basically copying the same sort of music as their idols/inspiration, with the result that it's hardly what could any longer be called progressive. Prog Rock is basically now just a label, like extreme metal. It's all been done.

I suppose the most progressive of bands these days are ones labelled as experimental or avant-garde, who actually ARE doing new things. Most are not my cup of tea, but they're probably doing more to advance the ideas in music than so-called prog rock bands such as Spock's Beard, Arena or IQ, though I love these bands.

Perhaps the term progressive rock, with respect to those and other bands, should be redefined. Retro-progressive? Retrogressive? Maybe just Keyboard Rock? I don't honestly think any of the bands around in the last ten or twenty years can claim to be moving the music forward and therefore could not, in the strictest sense of the term, be regarded as progressive.

And I'm a lifelong prog head!

I just listened to a band called Comedy of Errors. Good band, but one of the most obvious melding of bands like Yes and Spock's Beard. I still use the term progressive rock for the bands who play like that, who I like, but really as I say, to find true progressive rock you probably need to look outside the genre, to the experimental bands. They're the ones who are actually taking chances, breaking moulds and perhaps trying to set new trends.
I agree that the genre has failed because of the misnomer that to be progressive bands have to keep changing the sound radically or be experimental, innovative etc. Prog is just a genre like any other. It has a style and a way of doing things, just like any other genre. Usually it is defined by the rhythm section. For instance, let's do a reggae version of "Help". The drummer plays a reggae beat and the bassist the same just using the root note.

All the great prog bands had jazzy drummers. It's a rule of the genre (in the classic sense) You don't need to bring in electronica beats to keep it "progressive" Bring in Bill Bruford, not Moby.

Rock is usually pounding the downbeat. A prog guitarist is going to bring in jazz or classical chops into the rock format. Same with the keys. Jazzy horn solos over prog beats makes it Prog.

I have a lot of thoughts about it.
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