Music Banter - View Single Post - The Identity Matrix Hall of Fame
View Single Post
Old 01-08-2016, 01:07 PM   #61 (permalink)
Plainview
 
Plainview's Avatar
 
Join Date: Dec 2014
Posts: 721
Default

Quote:
Originally Posted by The Identity Matrix View Post
What a way to start 2016...

Blackstar by David Bowie


Year: 2016
Genre: Art Rock/Progressive Jazz
Nationality: English

The Review: I am a big Bowie fan. I just wanted to preface this review with that in case you want to take my review with a grain of salt or not. I try to be as unbiased as possible so bear with me on this one. From Aladdin Sane to Ziggy Stardust to the Next Day to now Blackstar I have hit up every before now and after work that Bowie has produced and released under his moniker. Each album has a little something new for me to enjoy. I am not going to say his discography is perfect, because it most certainly is not, but I will say I enjoy it immensely. Blackstar is something that I was not expecting. The sounds and lyricism and atmosphere on this record was something that blew me away. Obviously my first taste of the record was the title track's spacey jazz influenced experimental sound that I was hoping that it would represent the overall record. Well it did, but not in the way I was expecting it to. This album is driven by the progressive and free jazz instrumentation that dominates the tracks on this record. But the spacey atmosphere of Blackstar never leaves. From the haunting delivery of Girl Loves Me and the wondrous Lazarus I see a very cohesive style surrounding the album. Something that doesn't always happen with these kinds of records. There are some expletives on this record which can be sometimes a turn off for me. But only if they feel forced. On here it feels like these tracks are completed by them. I did get lost between the tracks Girl Loves Me and Dollar Days. On the first listen I couldn't actually differentiate between the two tracks. I do not like that when that happens as it makes the album at that point feel too cohesive. I need to be able to distinguish between each track. However that doesn't make either track weak in any way shape or form. I enjoy the single power of Sue (Or in the Season of Crime) and it might be my favorite song, at least for right now, off of the album. I cannot stop listening to this record, and I need to because of other reviews. Excellent instrumentation, thoughtful lyrics, beautiful atmosphere... You cannot go wrong with that combination.

Blackstar receives a 8.9/10

Standout Tracks: Blackstar, Lazarus, Sue (Or in the Season of Crime), I Can't Give Everything Away

Weaker Tracks: I guess Dollar Days would be the only track I don't see myself listening a ton too.

If this were too be the last Bowie record... what a send off... Thats all I can say...
__________________
Nice review. I think the album's really stellar. Love the Jazz meets Progressive Rock meets DnB. Has elements of Outside and Earthling in that respect, but I think it's the best realisation of that sound Bowie's created thus far. He should have done more 10 minute opening title tracks, as Station to Station and now Blackstar are absolutely killer.
__________________
Quote:
Originally Posted by DeadChannel
The overuse of babe/baby, the lack of any sort of discernible originality, the melodrama and the general sense of an especially heinous sort of hardcore vapid stupidity all make me want to jab my eyes out with a drill-press and then hang myself from the CN Tower with an electrified rope that sends shocks in excess of 10,000 volts through my body as I slowly die. While listening to Dream Theater.
Plainview is offline   Reply With Quote