Frownland

Looking at the noms from that year, I guess Good Night, and Good Luck should have won. Haven't seen Brokeback (because I'm a secret homophobe) or Munich, but Crash was like a movie by a director who had a history of great films who was just phoning it in and Capote was just standard biopic fare that I've grown tired of.

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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth.