Quote:
Originally Posted by Lisnaholic
^ I liked both of these, especially the instrumental opening to the Richard Dawson, which I could not recognise as being a harp at all.
Regarding the flute, there's a brief solo about half-way through the Soft Machine Third version of Facelift, which, as we might expect, sounds unlike any other flute solo afaik.
^ If you don't know Charlie Musselwhite, you might like him too:-
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Yes! I have I believe his debut album, "Stand Back!..." which is fantastic. Also really like Paul Butterfield. I got into those guys when I went on a major blues kick about a year ago.