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Originally Posted by Lisnaholic
^ I liked both of these, especially the instrumental opening to the Richard Dawson, which I could not recognise as being a harp at all.
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I love how percussive it is and how it weaves in and out of the guitar's melody in a really awesome way.
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Regarding the flute, there's a brief solo about half-way through the Soft Machine Third version of Facelift, which, as we might expect, sounds unlike any other flute solo afaik.
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And who could forget Varese?