Quote:
Originally Posted by Frownland
There are similar sounds used for MMM, but it's too diverse throughout the album for me to call it repetitious. And it's not abrasive you pansy.
I think that both theories are true: they were ideas that Reed wanted to try out and his label also would hate it. Win win win.
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It really isn't. It's actually oddly lush and euphoric, like the aural equivalent of the instant of brain death followed by seeing god. It took me a few times listening to it but eventually I got over the hump and it's now pretty fantastic and I don't even listen to noise.