Quote:
More brilliant albums need to have bootleg versions.
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As long as they really exist. Like some of Dylan’s best stuff is his bootleg late release series. On the other hand, some records, like Rumours, they should’ve just kept the outtakes in the closet. The bonus track infatuation is at its worst in the world of jazz. You have to be careful and cut the CD when the original is over or you’ll find yourself stuck in 30 minutes of repetitive outtakes. Sketches of Spain and Ascenseur Pour L'échafaud come to mind. Jazz completists can **** off.