I guess death metal proficiency is more sterile and emphasizes abrasiveness while jazz proficiency would place more value on complex interplay that's tight but still fluid. That distinction for jazz lends itself to jazz music though, so without any genre crossover I don't see where it'd be relevant beyond the trivia of jazz musicians making metal. Jazz is hard to explain man, it's a feeling.
Anyways maybe Mondo will come through with something.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth.
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