Music Banter - View Single Post - The Cars-The Cars

sufferinsukatash · 05-12-2020, 07:19 PM

Not only was The Cars the first album by the band of the same name, but was also the first album among a list the would eventually come to be remembered as the New Wave of American rock and roll. Like many other firsts of this (sub)genre (The B-52's self-titled debut and Devo's Are We not Men? for example) it was arguably the strongest of their careers. The album was included in Rolling Stone magazine's list of the 500 greatest albums of all time, has a 5 star rating at allmusic.com, has many singles that to this day resonate across classic rock radio and has been jokingly referred to by members of the group as The Cars' Greatest Hits album due to the number of singles that the album heralded and the overall quality of the tracks themselves.

Though dubbed new wave, The Cars had a sound distinct from other groups given a similar moniker. While Devo was heavily induced with social criticism and concept art and The B-52s weird "Parliament for white people" sound emanated from funk, surf music, and disco, The Cars are more inline with the New York group Blondie whose subject matter and song structures more closely resemble traditional rock and roll and garage rock.

The songs are sung by Ric Ocasek, whose vocals are something like a baritone Buddy Holly which suit the lyrics which are largely about youthful infatuation (Just what I Needed, My Best Friends Girl) and odes to rock music itself (Good Times Roll, Moving in Stereo). The album is an early example of the synthesizer in a pop record which, along (and in noticeable equality) with the lead guitar, provide radio-friendly hooks that soar over the steady and sure rhythm section). Any guitar solos are short and melody-driven with a clear intent to avoid any of the experimentation common in the progressive rock and havy metal of the time as well as the mood and approach of a blues rocker.

Arguably the reason the group became so well known, one of the songs (Moving in Stereo) was even featured in the famous maturbation scene in Amy Heckerling's film Fast Times at Ridgemont High as an accompaniment to Judge Reinholdt's sexual fantasy. An importsant record for the genre, as well as for the development of other genres and groups who would eventually come to carve their own place in pop music history, [I]The Cars[I] is a very accessible album regardless of when it is being heard and has melodic sensibilities that are still well and alive in many alternative acts today.

Track pick: an album that is basically incredible from front to back; but if one had to choose "Just What I Needed" is a perfect example of teenage love that evades the obvious trappings of having written such a song.

05-12-2020, 07:19 PM	#1 (permalink)
sufferinsukatash Music Addict Join Date: May 2020 Location: Canada Posts: 166	The Cars-The Cars Not only was The Cars the first album by the band of the same name, but was also the first album among a list the would eventually come to be remembered as the New Wave of American rock and roll. Like many other firsts of this (sub)genre (The B-52's self-titled debut and Devo's Are We not Men? for example) it was arguably the strongest of their careers. The album was included in Rolling Stone magazine's list of the 500 greatest albums of all time, has a 5 star rating at allmusic.com, has many singles that to this day resonate across classic rock radio and has been jokingly referred to by members of the group as The Cars' Greatest Hits album due to the number of singles that the album heralded and the overall quality of the tracks themselves. Though dubbed new wave, The Cars had a sound distinct from other groups given a similar moniker. While Devo was heavily induced with social criticism and concept art and The B-52s weird "Parliament for white people" sound emanated from funk, surf music, and disco, The Cars are more inline with the New York group Blondie whose subject matter and song structures more closely resemble traditional rock and roll and garage rock. The songs are sung by Ric Ocasek, whose vocals are something like a baritone Buddy Holly which suit the lyrics which are largely about youthful infatuation (Just what I Needed, My Best Friends Girl) and odes to rock music itself (Good Times Roll, Moving in Stereo). The album is an early example of the synthesizer in a pop record which, along (and in noticeable equality) with the lead guitar, provide radio-friendly hooks that soar over the steady and sure rhythm section). Any guitar solos are short and melody-driven with a clear intent to avoid any of the experimentation common in the progressive rock and havy metal of the time as well as the mood and approach of a blues rocker. Arguably the reason the group became so well known, one of the songs (Moving in Stereo) was even featured in the famous maturbation scene in Amy Heckerling's film Fast Times at Ridgemont High as an accompaniment to Judge Reinholdt's sexual fantasy. An importsant record for the genre, as well as for the development of other genres and groups who would eventually come to carve their own place in pop music history, [I]The Cars[I] is a very accessible album regardless of when it is being heard and has melodic sensibilities that are still well and alive in many alternative acts today. Track pick: an album that is basically incredible from front to back; but if one had to choose "Just What I Needed" is a perfect example of teenage love that evades the obvious trappings of having written such a song.