Eh, not that I don't like that Daughters album but I get what they accomplish from Oxbow in a bigger way. Their dynamics make the visceral, damning elements a lot more hard hitting. Eugene S. Robinson's vocals push it over the edge, mainly. Their strangeness and physicality is like being attacked by a schizophrenic, except as you become more immersed in the music it begins to feel like you're the schizophrenic. Marshall's vocals on YWGWYW are more like a banker yelling at a slave in his sex dungeon.
Honestly they should collab.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth.
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