What I think is that it's trendy to write your opinions about music and the music scene in a music magazine and to complain about lack of originality while still buying the same louduptempoamplifiedguitar/bass/drums/vocalssunginEnglish music or softdowntempooneguysingingwhilestrumminganacoustic music despite the huge variety of music available with all sort of combinations of instruments, languages, speeds, dynamics and all other types of musical expression.
To make an analogy, it's easy to complain about the lack of variety of books which have been written if you only ever look at the same shelf in the same bookshop. Anybody who complains about a lack of original music is stupid, even if you insist on looking for originality within the straightjacket of any one narrow genre of guitar music there is still a lot to be had. And even if it isn't readily available in recorded form or at gigs (for polishing music for recording or performance can lose a lot of originality) then somebody who really cares could always rock up at practise and listen as a band is writing a new song and hear music in it's nascent, messiest form.
Generally, if you want something really original but also want it to come in your own preffered format (at a gig, on a stage, with guitars, drums and vocals, on at 10, off at 11) then there's a good chance you'll be let down.
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Originally Posted by Katyppfan
When Pete plays it is 100% live , your music if that's what you call it doesn't sound so good either? so you can't really critercize can you ?
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