Over-Nite Sensation was the one that I was first exposed to, and it still might be my favorite. "Montana" almost brought me to tears the first time I heard it.
After that I saw a couple of movies that he made: Does Humor Belong in Music and The Dub Room Special. I have to say, I'm most favorable of his work from the seventies, particularly with Terry Bozzio. They seemed to have an indelible chemistry.
Whenever I'm at a bar that has a Touchtunes Jukebox, I like to put on "The Muffin Man" just to fuck with everyone.
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