What's impressive about Morbid Visions was Sepultura's ability to slow it down, and create space between their frantic pace. This trait was perfected later with Andreas Kisser on Beneath the Remains, but is immediately apparent on their first long-player. This creation of space and atmosphere, within this heavy speed metal reminds me of the slower tempos which were further explored by Death on Spiritual Healing. You also had Igor "Skullcrusher" Cavalera, a master percussionist, delivering a kick-_ss performances on both recordings.
Last edited by almauro; 10-14-2009 at 02:50 PM.
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