Necromancer

(I dont believe that I quoted Prince as being within the P-Funk genre, but within the Funk genre). You can find this article online. You will notice the P-Funk artist George Clinton & Funkadelic is mentioned in this article along with Prince also, its not that hard to find examples that relate different genres with each other on the internet. (.But since you have brought it to my attention, personally....I would say that Prince surely has material that would fit within the P-Funk catagory).

Funk creates an intense groove by using strong bass guitar riffs and bass lines. Like Motown recordings, funk songs used bass lines as the centerpiece of songs. Slap bass' mixture of thumb-slapped low notes and finger "popped" (or plucked) high notes allowed the bass to have a drum-like rhythmic role, which became a distinctive element of funk. Some of the best known and most skillful soloists in funk have jazz backgrounds. Trombonist Fred Wesley and saxophonist Maceo Parker are among the most notable musicians in the funk music genre, with both of them working with James Brown, George Clinton and (PRINCE). Sometimes 1960s/70s funk bands are divided to "hardcore funk" and "sophisticated funk", the former concept referring to earthy sound in the vein of James Brown or Funkadelic, while "sophisticated funk" refers to artists such as the first Kool & The Gang, Tower Of Power, Earth, Wind & Fire, The Blackbyrds or The Brothers Johnson, who use softer sounds and usually incorporate soul ballads into their material.

Funk utilized the same extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths. However, unlike bebop jazz, with its complex, rapid-fire chord changes, funk virtually abandoned chord changes, creating static single chord vamps with little harmonic movement, but with a complex and driving rhythmic feel.

The chords used in funk songs typically imply a dorian or mixolydian mode, as opposed to the major or natural minor tonalities of most popular music. Melodic content was derived by mixing these modes with the blues scale. In the 1970s, jazz music drew upon funk to create a new subgenre of jazz-funk, which can be heard in recordings by Miles Davis (On The Corner) and Herbie Han**** (Head Hunters).

In funk bands, guitarists typically play in a percussive style, often using the wah-wah sound effect and muting the notes in their riffs to create a percussive sound. Guitarist Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic were notably influenced by Jimi Hendrix's improvised solos. Eddie Hazel, who worked with George Clinton, is one of the most notable guitar soloists in funk. Ernie Isley was tutored at an early age by Jimi Hendrix himself, when he was a part of The Isley Brothers backing band and lived in the attic temporarily at the Isleys' household. Jimmy Nolen and Phelps Collins are famous funk rhythm guitarists who both worked with James Brown.