Quote:
Originally Posted by Neapolitan
I love that album - don't know why. There is a saying that goes something like "your reputation precedes you" (not you specifically but "you" meaning like anyone out there) for me that's true about Marquee Moon, because I read some reveiws about it, and read about the band in guitar magazines, long before I bought the CD. Richard Lloyd is very interesting person/gutiar player. Television is sometimes called Punk sometimes, Proto-Punk, the latter is a retronym given to bands that were influential to Punk. He didn't consider Television as proto Punk, he simply thought of Television "street" music. I can understand why Television is labelled as Art Punk, because when I listen to it I approach it the same way as "art music" it something where you listen to developement of different musical ideas, within the song. An other example of what I would find intellectually interesting as music is Duster/Stratosphere, it's space-rock and not something you would play at a dance part for your friends. But it is an album that is worth a listen. I mean I don't know why I mention duster/stratosphere, but I was thinking hey that is another example of an album that doesn't jump out and grabs you with it's catchy-ness of a Pop tune, but is intellectually provocative when you soley concentrate on the guitars.
I wouldn't totally give up on Richard Lloyd, I mean like at the time he joined forces with Robert Quine and both of them had made a formidable contribution to Mathew Sweet's album, Girlfriend.
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I think "Marquee Moon" is a great if not necessarily classic album and as you say it does revolve around the guitars especially the interplay with Verlaine and Lloyd which at times is hypnotic especially on the title track, also the manic signing style of Verlaine. Also, a lot of other punk and new wave bands at the time weren`t very good musicians, whereas Television were very adept in that department. On a whole, I still see this as one of the most important if not necessarily the best new wave albums of the that era and like most American bands of the time it found initial success in the UK rather than in their native USA.
I think the big negative that goes against this album, is that they recorded just one more album after this before splitting, meaning that as a band they were never really able to build on the success of "Marquee Moon."