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Old 10-20-2010, 06:56 PM   #30 (permalink)
clutnuckle
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Go to 3:58; in about two seconds the tempo shifts into the second part of the song.

The first half of this song is great in its own right, with some the most addictive lyrical refrains on the market ("LOTS OF NAKED GERMANS WHERE AT LAST WE USED TO CRY!"), but the second half ups the tempo and reaches for the stars. Over a period of four-ish minutes, Faust essentially took an addictive synth/guitar riff combo and kept adding static/instrumentation/addictiveness to it, making the repetition only become MORE enticing as it goes on. When it finally ends, you're bound to wish it hadn't.
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