Mrd00d

Well here's some info from Prog Archives that adds a little more perspective:

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This is the first I've heard of this band, Ambrosia. I've only given the album one spin in order. I've gone back to "Nice, Nice, Very Nice" a few times since. We open with this track, which surprisingly grabbed me within the first thirty seconds. The nearly six minute track really does great in introducing the album. As "Time Waits For No One" fades in, I'm brought to a fairly happy place. The guitar exceptionally takes me away, and with a drum roll, I've let loose. The vocals enter and soothe.
I can certainly relate to this sentiment and this logical conclusion. And the band all the while is jamming. I've got to give it to these fellows.

"Holdin' On to Yesterday" enters with a sweet, sweet bassline. This song has the groove. Pack's vocals here are not reaching me. I'm just not there at that level. I can appreciate his soul-singing here, but I'm not feeling this yet. But the band really pulls this song together for me to where I don't feel the need to skip it, I just won't be raving about this track. "World Leaves Me Alone", for me, suffers from cheesy lyrics syndrome. These may be someone else's meaningful words, though. Again, North, Puerta, Pack, and Drummond keep churning out great jams. North is not a bad keys player, either.

"Make Us All Aware" opens after a silent, delayed start. The keys/spoken word intro really feel theatrical. The rock worms its' way in and out briefly between more keys/vocals heavy sections. And then, thankfully, there is an amazing instrumental section with a very wicked effect. There's a space bumblebee floating around in my ears, and I like it! The drums enter to pick up the pace and build anticipation as we end and enter "Lover Arrive", which brings us to a haltingly slow, haunting tune. I was very tempted to skip it. It all became unbearable for me. I finished it. I wished I'd skipped it. That was a downer.

"Mama Frog" to the rescue, right in time! It's still hard to shake that nasty feeling from the last song, though. But the band as a whole is back to shining brightly. By the halfway point, the shock from "Lover" should subside and the instrumental awesomeness should take you on an imaginary run through a cyberjungle. It's like ... kind of awesome. The way they turned it from that cheery feel back into the ominous, and with a long sustained bass tone and an odd, eerie vocal section (samples?), we are brought nearly to paranoia, insanity and the music comes back. Only to taunt us with eccentric instrumentation and insane laughing and acidtrip like laughing.

And we seamlessly fade into "Drink of Water"...
Normality ensues so quickly again, you're left feeling a bit insane and out of place listening to something so 'square' again. Just as earlier when I was still feeling brought down by "Lover Arrive" only to have that feeling resurface soon, "Mama Frog"'s eccentricities were still in my head for the first half of "Drink". And as I expected, things got wild again. After all, this is the final track on the album. But things mellow out again quickly as to wind down. And it winds down in a very mellow way.

Overall, I'd listen to the album again. But I will especially be listening to "Nice, Nice, Very Nice", "Time Waits For No One", and "Mama Frog" in the future. I don't have much criticism against their instrumental style. I was a bit worried it was going to suck a lot more. I liked it, in general. I'm glad I checked it out. I'm pleasantly happy with how well these fellows play. Vocals, hit or miss, but I'm picky. Some good ones, some eh...

I'd like to propose 81/100

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