I don't know, I kind of liked it. Disappointed a tad I had to crank up my volume to max even to hear it, though. Very unique, however. Reminds me a lot of experiments I used to do loading non-audio files into audacity as binary. The one thing I really like about this is the assumption that it uses no drum machine(and if it does, don't tell me, it'll break my heart) but produces those perfect beats simply with the strange tones. Something really enthralled me about how it'd break into a techno-beat every once in awhile but utilizing completely non-drum machine means.
Occulthawk complains a lot above about this being a sterile album. I feel that's almost like complaining a horror movie is too disturbing. The point of is to be very sterile, and mechanical. It's kind of the dry feeling of living in a technologically subdued society. The boldness in being that 100% anti-pop, and not giving the listener an easy ride, is what makes this album truly unique truly, as the label denotes, avant-garde.
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Terence Hill, as recently confirmed during an interview to an Italian TV talk-show, was offered the role but rejected it because he considered it "too violent". Dustin Hoffman and John Travolta declined the role for the same reason. When Al Pacino was considered for the role of John Rambo, he turned it down when his request that Rambo be more of a madman was rejected.
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Al Pacino = God
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