Welcome to Music Banter Forum! Make sure to register - it's free and very quick! You have to register before you can post and participate in our discussions with over 70,000 other registered members. After you create your free account, you will be able to customize many options, you will have the full access to over 1,100,000 posts.
I love the whole suite but I would go with Neptune for the haunting choir ending, which according to stage direction were meant to be in an adjacent room, as the choir fades a door was to be slowly closed.
I just bumped this and voted for the "all" option. As a standalone favourite, I'd have to go with either Jupiter, Mars, or Neptune—which I see are the three most popular choices
__________________ Everybody's dying just to get the disease
I don't really get this work. I guess Neptune is the one I'd go for because it has vague echoes of Debussy, but overall not my thing. With rare exceptions I don't get British classical music or even most orchestral music.
__________________
"There is no way to enshrine counterfactual assertions about the self as a basis for inclusion without coercion and repression of those living in reality."
Interesting, this is one of my favorite classical works. I saw it performed some time ago and it was incredible. I especially like how at the end of Neptune, it is intended for the choir to fade out in a way that represents eternity, which is achieved further by having doors slowly close to fade the sound out.
Linear Mode
