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Mozart Flute Quartets (2017, PentaTone) Ulf-Dieter Schaaff, Philipp Beckert, Andreas Willwohl, Georg Boge Spotify album playlist |
Max Richter seems to be on repeat for me a lot these days.
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Backwards from Winter Douglas Knehans (2020, aBlaze Records) Spotify playlist |
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J.S. Bach Suite No. 3 in C major, BWV 1009
great commentary (People don't emphasize the dance aspect of his work enough, imo.) |
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https://images-na.ssl-images-amazon....18PX98V0ZL.jpg 1996 Ryuichi Sakamoto (1996, Milan) A kind of greatest hits assemblage from Sakamoto, with spare string arrangements featuring the famed film composer on piano. YouTube playlist Spotify edition |
Sonata in D Minor for bassoon solo, C.P.E. Bach Apparently Bach arranged this piece from the Flute Sonata in A minor by Mordechai Rechtman. The performance was a part of this musician/student's dissertation. He's got a great tone! |
Bösendorfer Klavier performing Haydn, Beethoven and Smetena live. |
The discography featuring The Orchestra of St. Luke's isn't extensive but this J.S. Bach lp, featuring soprano, Battle, and violinist, Perlman, is excellent. I'm about to watch their live virtual program titled, Musical Revolutionaries, in five mins. |
Piston: Chamber Music: Quintet for flute & strings / String Sextet / Piano Quartet / Piano Quintet by Naxos American Classics (2006-08-01)
This Walter Piston record deserves to be listened to and anyone who likes the classic American sound associated with Aaron Copland, and frankly you should, owes it to themselves to check this great recording out. |
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Kewl
Deborah Richards Koechlin: Piano Works https://cps-static.rovicorp.com/3/JP...er=allrovi.com https://en.m.wikipedia.org/wiki/Charles_Koechlin Interesting French composer. |
https://www.youtube.com/watch?v=NzCL9uLkQSI I just watched Chefs Table BBQ this morning and was reminded of this gem. I broke out the guitar and tried playing along a bit. lol Nope. Put the guitar down, dude. |
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Beethoven: The Piano Concertos (1997, Philips) Pianist, Alfred Brendel, had recorded the cycle before but (from what I hear) James Levine and the Chicago Symphony Orchestra were a better fit, though many claim they did not come up to Brendel's level of passion or artistry in these live recordings of all five piano concertos from June, 1983. Critics also balk at the less-than-optimal sound quality in the Chicago music hall. The 2000 remastered edition is the one to go for though the '97 release is fine. It's the one I own and yes, there's a just a slight touch of distortion at the upper registers but almost negligible considering the talent on display. Highly recommended. Here's the first movement from Concerto No. 1 in C Major: |
Brendel again. This time live at Avery Fischer Hall circa, '96 with Kurt Mazur and the New York Philharmonic performing Piano Concerto No. 5 in E♭ Major. Video & sound are less than stellar but at least we have a record. Bravo to the poster.
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Wilhelm Kempff Beethoven Piano Sonata No. 8 in D Minor (Pathétique) (1996, DG) |
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Johannes Brahms Chamber pieces:
Quintet for Strings in G major, op. 111 Allegro non troppo, ma con brio Adagio Un poco allegretto Vivace, ma non troppo presto Ida Kavafian, Pinchas Zukerman, Paul Neubauer, Cynthia Phelps, Gary Hoffman Two Songs for Voice, Viola and Piano, op. 91 Gestillte Sehnsucht Geistliches Wiegenlied Jessye Norman, Pinchas Zukerman, David Golub Intermission & Interviews Piano Quintet in F major, op. 34 Allegro non troppo Andante, un poco adagio Scherzo: Allegro Pinchas Zukerman, Ida Kavafian, Paul Neubauer, Gary Hoffman, David Golub |
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Kremer Plays Schnittke - Concerto grosso No. 1 / Quasi una sonata / Moz-Art a'la Haydn / A Paganini |
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Quasi Una Sonata is an orchestral re-orchestration of the original piano and violin arrangement which (imo) improves with repeated listens. The polystylism movement is not one I'm familiar with but can appreciate with someone as committed as Kremer. :) |
J.S. Bach: Partita No.1 in Bb major, BWV 825
Dylan Skye Hart, horn Andrew Synowiec, guitar |
Watching and Listening to this one - the best doc on Beethoven I've ever seen: Phil Grabsky's In Search of Beethoven. It's the best in his In Search of... series of major classical composers, imo. Never stays on YouTube long. Enjoy it (free) while you can.
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Douglas Knehans: Backwards from Winter Australian Premiere (LIVE) Antonis Pratsinakis, Douglas Knehans and Judith Weusten https://angartwork.akamaized.net/web...46835&size=296 (2019, Ablaze) |
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True Stories & Rational Numbers Chris P. Thompson (2020, Bandcamp) Perfect minimalist piano music for my current mood. Spotify edition |
https://images-na.ssl-images-amazon....1CUsm2UyRL.jpg Unico Wilhelm van Wassenaer (attributed to Pergolesi): Concerti Armonici 1-6 Academy of St. Martin-in-the-Fields Conducted By Neville Marriner (1983, Argo) Spotify edition Listening to the disc. Not crazy about the lack of movement breakdowns on the Spotify edition. But it's a nice sampling of this relatively obscure composer. |
JOHNSTON,BEN
Ruminations: Settings of Rumi & Billie Holiday I just cannot seem to develop an appreciation for spoken word or almost any type of language based vocals in contemporary classical music. There’s an exception here or there but almost always it just annoys me. I’m like STFU! |
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Or it could be that you just don't like the approach of contemporary classical singers. And it's funny you should mention the subject as I was just musing to myself about the need for singers of the English language to embellish their delivery with rolling Rs and unduly elongated vowels. Something about the "art song" must lend itself to this kind of thing. To wit, Ian Bostridge singing the second movement aria from early 20th century composer Gerald Finzi's Dies Natalis (1938): Rhapsody (Recitativo Stromentato) Will you see the infancy of this sublime and celestial greatness? I was a stranger, which at my entrance into the world Was saluted and surrounded with innumerable joys My knowledge was divine. I was entertained like an angel With the works of God in their splendour and glory Heaven and Earth did sing my Creator's praises And could not make more melody to Adam than to me Certainly Adam in Paradise had not more sweet and curious Apprehensions of the world than I All appeared new, and strange at first Inexpressibly rare and delightful and beautiful All things were spotless and pure and glorious The corn was orient and immortal wheat Which never should be reaped nor was ever sown I thought it had stood from everlasting to everlasting The green trees, when I saw them first, transported and ravished me Their sweetness and unusual beauty made my heart to leap And almost mad with ecstasy, they were such strange and wonderful things O what venerable creatures did the aged seem! Immortal cherubims! and the young men glittering and sparkling angels And maids strange seraphic pieces of life and beauty! I knew not that they were born or should die But all things abided eternally I knew not that there were sins or complaints or laws I dreamed not of poverties, contentions or vices All tears and quarrels were hidden from mine eyes I saw all in the peace of Eden Everything was at rest, free and immortal Gerald Finzi, lyrics by Thomas Traherne None of that artful approach is in this rendition of Kurt Weil's Alabama Song from the OPERA, The Rise & Fall of the City of Mahagonny (1930) - Audra McDonald, Cast Well, show me the way To the next whisky bar Oh, don't ask why Oh, don't ask why Show me the way To the next whisky bar Oh, don't ask why Oh, don't ask why For if we don't find The next whisky bar I tell you we must die I tell you we must die I tell you, I tell you I tell you we must die Oh, moon of Alabama We now must say goodbye We've lost our good old mama And must have whiskey, oh, you know why Oh, moon of Alabama We now must say goodbye We've lost our good old mama And must have dollars, oh, you know why, yeah Well, show me the way To the next little girl Oh, don't ask why Oh, don't ask why Show me the way To the next little girl Oh,… |
I don’t think I’m likely to develop an appreciation for that stuff.
I like for example St Luke Passion (Penderecki) but it’s in Latin so I’m distracted by whatever the **** they’re saying. And there’s Lejaren Hiller as a rare example of a composer who can pull it off but only in a very surreal context. |
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Contemporary classical vocal music comes in a myriad forms with as many composers. Just have to explore. |
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Avalanche, Nightmare Music, Suite for Two Pianos, Computer Music for Tape |
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Francisco Geminiani Concerti Grossi, Op.7 Café Zimmermann (2018, Alpha) Spotify Edition I'm marveling at how much better the Café Zimmermann recording of this Geminiani piece sounds compared to the St. Martin In The Fields disc. I prefer the playing on the Iona Brown led ensemble but the audio sounds almost muted compared to the more recent Zimmermann. |
https://image.bugsm.co.kr/album/imag...461/546151.jpg Weber: Clarinet Concertos Nos. 1 & 2; Clarinet Concertino (1992, Philips) Andrew Marriner & Academy of St. Martin in the Fields & Sir Neville Marriner Spotify edition Concerto No.1 in F minor, Op.73 - 1. Allegro |
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Hammerklavier Live Beth Levin, piano (2020, Gramola Records) Spotify edition |
Earlier this year I really got into Franz Schmidt's 4 symphonies.
And lately I've been listening to the symphonies of Ralph Vaughn Williams. |
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Been listening to my usual copious amounts of C.P.E. Bach. Here's a nice performance of his Oboe Sonata in G minor, Wq.135 |
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