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Strummer521 02-09-2007 07:16 PM

Strummer's Pop Column
 
Just a place where I'll post mini-essays and stuff when the mood strikes me. To start, a review of a single track from the album Rhymes With Orange.

"Nightshade" - Gordon Stone Band

Somewhere between shifty psuedo-klesmer and dry western instrumental stuff that could accompany a car chase across the Arizona desert highway in an 80s or late 70s movie. As with much of GSB's music, it's at it's best when the bassist takes over with a slicing bit of reggaeish stomp that Stone bluesifys over with the steel guitar. It helps that Michael Barnett is the best fiddler I've ever heard. At the age of 15, he could already make it sing and cry and fly like he invented the thing. During solos, he builds tension on the fly so quickly and tightly that it always feels in danger of careening out of the soundscape.

Strummer521 02-09-2007 07:23 PM

I was doing a thing on another forum a while ago trying to bring attention to some underrated "deep cuts" in the Beatles catalogue...

"Long, Long, Long"(The White Album)

This song cradles you softly with its sweet sincere melody and then makes you want to pump your fist when Ringo kicks in on the drums and the emotion swells. The lyrics are simple as in so many beatles songs which makes them so powerful and universal with themes like love and loss and hope for redemption that most everyone has dealt with. The guitar part is minimal but perfect and highly memorable and the melody of both the vocals and the organ are haunting and beautiful. All of these elements when added together, leave you with a song that stays with you long (no pun intended) after you hear it. It's just a shame it is a bit marred by the "experimental" noise at the end that contrasts it's beauty in an almost painfully awkward way. I think this one may be overlooked because it's not a real attenion grabber, and it takes a few listens to get the full impact, so the next time you listen to The White Album give it the attention and respect it deserves and maybe you will love it like I do.

Strummer521 02-09-2007 07:24 PM

"Run For Your Life" (Rubber Soul)

Only The Beatles could make a song about threatening to kill your girlfriend if she cheats on you this much fun. John's great voice takes the lead and blends so perfectly with Paul's adventerous soaring falsetto during the chorus. the music is minimalist or simplistic depending on your point of view but it features an early instance of George Harrison on slide guitar (an instrument he would master as time went on) and their best serving of riff rock since "Daytripper". This song in the predecessor to "Maxwell's Silver Hammer" in the vein of turning murder into a good time and from the bouncy acoustic strumming at the beginning to the na na na's at the end, you sure are in for one. But enough blabbering about it. It's one of those songs where it's hard to explain why it's so good. It just is. Ok?

Strummer521 02-11-2007 11:04 PM

The Review I promised Adidasss:

The Information - Beck

The album begins with the countoff: “One, two, you know what to do,” and it proves truly fitting. Beck knows exactly what to do and this becomes apparent as soon as the drums kick in carrying with them the airtight groove of “Elevator Music”. Nothing much is new here, as Beck spits nonsense rhymes in his too cocky to be energetic mumbling half-drawl. He’s still got that classic easygoing swagger that makes anything he says seem cooler than it would coming from anyone else, and he still has that uncanny wizard-like ability to seamlessly blend the influences of an extremely wide array of genres. His influences are usually not easily recognized, since his sound is so difficult to categorize, but somehow “Strange Apparition” winds up sounding exactly like the Rolling Stones in their golden period and could easily be mistaken for an out-take from Beggar’s Banquet or Exile on Main Street. But despite that particular song’s alt-country leanings, this disc is first and foremost, what Beck says that he set out to make it: a hip-hop album, or at least his equivalent of one. This is clearly evidenced in “Cellphone’s Dead” in which 80's synth-funk is skillfully simulated over an old-school style breakbeat. A bit of psychedelia can be found in “Soldier Jane”. From this point on the songs mostly lose their distinctiveness save a catchy chorus here (“Nausea”) and a slick bass line there (“Dark Star”). There are some nifty falsetto back-up vocals in “No Complaints” that recall the Velvet Underground, a band which Beck has name-checked as an inspiration of sorts, but pop song-craft touches like that are not enough to save the lack of accessibility and/or the lackluster material to be found on much of the album’s second half. “1000BPM” sounds obnoxious with its overzealous junkyard instrumentation and somewhat abrasively distorted vocals. It is at this point that it can safely be said that the album has devolved into a brand of off-center noise-rock that few are likely to appreciate. “Movie Theme” starts off sounding like intentional cheese which will be a waste of time, but turns into an atmospheric piece of ambient pop nicely augmented by acoustic guitars which contrast nicely with the synthesizers and drum-machine beat. This would have been a great place to end The album. Unfortunately, Beck has other plans and listeners are subjected to (or treated to, depending on the individual’s perspective) a ten-minute suite called “The Horrible Fanfare/Landslide/Exoskeleton”. Like much of this album after track four, it can’t really be said that this song is bad, but neither can it be said that it’s undeniably worth your time. Inconsistent albums like this are what itunes is for. Listeners should capitalize on this new technology by purchasing the high-quality songs on the disc (of which there certainly are a few) and forget the rest. The album itself is essential for hardcore fans and completists only. Everyone else should be satisfied still listening to “Girl”.

adidasss 02-13-2007 05:39 PM

Goddamnit!! You tricked me! It's not a positive review!
Will write a response tomorrow, too tired now.

Strummer521 02-13-2007 06:03 PM

Quote:

Originally Posted by adidasss (Post 336000)
Goddamnit!! You tricked me! It's not a positive review!
Will write a response tomorrow, too tired now.

I said it was moderately positive, and I think it is. It says that a lot of the songs are good. It's tempered. Not gushy but not overly negative either.

Kevorkian Logic 02-13-2007 07:17 PM

Quote:

Originally Posted by Strummer521 (Post 335499)
The Review I promised Adidasss:

The Information - Beck

The album begins with the countoff: “One, two, you know what to do,” and it proves truly fitting. Beck knows exactly what to do and this becomes apparent as soon as the drums kick in carrying with them the airtight groove of “Elevator Music”. Nothing much is new here, as Beck spits nonsense rhymes in his too cocky to be energetic mumbling half-drawl. He’s still got that classic easygoing swagger that makes anything he says seem cooler than it would coming from anyone else, and he still has that uncanny wizard-like ability to seamlessly blend the influences of an extremely wide array of genres. His influences are usually not easily recognized, since his sound is so difficult to categorize, but somehow “Strange Apparition” winds up sounding exactly like the Rolling Stones in their golden period and could easily be mistaken for an out-take from Beggar’s Banquet or Exile on Main Street. But despite that particular song’s alt-country leanings, this disc is first and foremost, what Beck says that he set out to make it: a hip-hop album, or at least his equivalent of one. This is clearly evidenced in “Cellphone’s Dead” in which 80's synth-funk is skillfully simulated over an old-school style breakbeat. A bit of psychedelia can be found in “Soldier Jane”. From this point on the songs mostly lose their distinctiveness save a catchy chorus here (“Nausea”) and a slick bass line there (“Dark Star”). There are some nifty falsetto back-up vocals in “No Complaints” that recall the Velvet Underground, a band which Beck has name-checked as an inspiration of sorts, but pop song-craft touches like that are not enough to save the lack of accessibility and/or the lackluster material to be found on much of the album’s second half. “1000BPM” sounds obnoxious with its overzealous junkyard instrumentation and somewhat abrasively distorted vocals. It is at this point that it can safely be said that the album has devolved into a brand of off-center noise-rock that few are likely to appreciate. “Movie Theme” starts off sounding like intentional cheese which will be a waste of time, but turns into an atmospheric piece of ambient pop nicely augmented by acoustic guitars which contrast nicely with the synthesizers and drum-machine beat. This would have been a great place to end The album. Unfortunately, Beck has other plans and listeners are subjected to (or treated to, depending on the individual’s perspective) a ten-minute suite called “The Horrible Fanfare/Landslide/Exoskeleton”. Like much of this album after track four, it can’t really be said that this song is bad, but neither can it be said that it’s undeniably worth your time. Inconsistent albums like this are what itunes is for. Listeners should capitalize on this new technology by purchasing the high-quality songs on the disc (of which there certainly are a few) and forget the rest. The album itself is essential for hardcore fans and completists only. Everyone else should be satisfied still listening to “Girl”.


Kudos to you, that was one of the most artfully done reviews I have ever read. I love it.

Strummer521 02-13-2007 07:21 PM

Quote:

Originally Posted by Kevorkian Logic (Post 336038)
Kudos to you, that was one of the most artfully done reviews I have ever read. I love it.

Thanks a lot. And thanks for reading. If you happen to post a poem or review or something I'd be happy to return the favor.

Sparky 02-13-2007 07:34 PM

i liked it. I had the same mixed feelings as you, i ended up skipping through tracks more then i had hoped for. I though "nausea" was the best single on the album,just because of how "beck-catchy" it is(dont know how to define that term yet, but beck fans know what i mean) and if you using itunes i really only reccomend that and a couple other tracks.

good thing for me i didn't pay for it, though i kind-off wish i did, i heard it came with stickers!

Strummer521 02-13-2007 08:30 PM

Quote:

Originally Posted by matious (Post 336053)
i heard it came with stickers!

Indeed it did my friend. Magical stickers one could place where ever one liked.

Sparky 02-13-2007 08:36 PM

Quote:

Originally Posted by Strummer521 (Post 336075)
Indeed it did my friend. Magical stickers one could place where ever one liked.

:)

Crowe 02-13-2007 09:25 PM

Quote:

Originally Posted by Strummer521 (Post 336075)
Indeed it did my friend. Magical stickers one could place where ever one liked.

This sounds vaguely erotic. Keep this up and I'll read the Strummer Pop Column every day, giggity.

Strummer521 02-14-2007 12:38 PM

Quote:

Originally Posted by Crowe (Post 336096)
This sounds vaguely erotic. Keep this up and I'll read the Strummer Pop Column every day, giggity.

I'll try to do it fairly often...but starting tomorrow, I'll be away from the computer for a little over a week.

right-track 02-14-2007 12:45 PM

How will you breath? :confused:

Strummer521 02-14-2007 12:59 PM

Quote:

Originally Posted by right-track (Post 336218)
How will you breath? :confused:

I'm bringing an oxygen tank.

But yeah....It's gonna be tough.

Sparky 02-14-2007 04:21 PM

i had to live on a farm for six weeks...
i missed my porn..

Kevorkian Logic 02-14-2007 05:08 PM

poor baby

adidasss 02-14-2007 05:42 PM

I've decided that you're right for the most part. The album get very diluted after 1000BPM, but up until then (and that's the 11th track) it pretty much rocks my socks off. I'm a big fan of this cooler-than-most white boy, but I think I'm also a fair judge of his music; not everything he did so far was brilliant, Sea Change being the low point, but The information rates right up there with Odelay and Guero as some of his best work. I love a good beat, I love his white boy rapping and I love that he's gone eclectic but still retained his characteristic style...Plus, this is probably the most original CD I ever bought, with the make-your-own-cover and the bonus DVD with the coolest videos ever that complement the music so perfectly.

So no, I wouldn't say it's for die hard fans only or completists. There's plenty to choose from in those 11 songs, some songs even better than "Girl".

Sparky 03-03-2007 05:50 PM

gliding action?

i dont remember jesus being able to glide..

Strummer521 03-03-2007 05:54 PM

Quote:

Originally Posted by matious (Post 344822)
i dont remember jesus being able to glide..

The man could do anything :).

Sparky 03-03-2007 05:57 PM

not sit through an entire episode of greys anatomy. Seriously, that show sucks.

Strummer521 03-03-2007 05:58 PM

I wouldn't know. I get my television-based doctorization from Scrubs.

Sparky 03-03-2007 06:02 PM

didn't zack braff try to commit suicide?
whatever, i like that show too.

Strummer521 03-03-2007 06:25 PM

Quote:

Originally Posted by matious (Post 344830)
didn't zack braff try to commit suicide?
whatever, i like that show too.

Not that I know of, but I guess it's possible.

Kevorkian Logic 03-03-2007 06:36 PM

Grey's anatomy does suck.

I vaguely saw an article titled. Zach Braff: He's Actually Depressed.

I didn't bother reading, but depression makes suicide possible

Strummer521 03-03-2007 07:13 PM

I've just returned from Mississippi where I was with a group pitching in on the hurricane relief effort. On our last day, we spent some time in New Orleans before heading to the airport.
When we walked into the House of Blues, We were surprised at it's appearence, and lack of a cohesive, appropriate motif. There was a wealth of Eastern imagery, Buddha posters on the walls and Hindu terms (like Dharma) on the plates. Cradle of Filth was billed to play.
It took me a week to finally understand it (and I mean the buddha stuff, because I'll never understand Cradle of Filth). The logic is in the juxtaposition.
The Blues is based in pain wrenched from the depths of the human soul. Buddhists and Hindus ideally achieve an ultimate sort of calm from the act of giving humanity up. Eastern philosophy is sort of the logical conclusion for one who's feeling the blues.
The blues is like an amorphous, metaphysical structure (or house) of worship and spirituality for those too touched by real life to be clean enough for the church, and the House of Blues is meant to stand as a beacon of hope, surrounded by sin as it is, in the heart of the Big Easy, where sex and liqour are like air and water.
It sort of fails, since it gives in hipness and the idea of moving with the times, at the expense of integrity. But hey, there are action figures being mass produced which prove that even Christ can be co-opted.


http://z.about.com/d/actionfigures/1.../0601jesus.jpg

tdoc210 03-03-2007 10:17 PM

^ i want one
I want it now >;-[ angry face

Strummer521 03-04-2007 12:38 PM

Dang. I should never have posted that pic. Now the stupid action figure's getting all the attention instead of my lil' essay.

adidasss 03-04-2007 01:03 PM

That should teach you, never distract a teenager with shiny objects.

Oh and I totally disagree with the essay, I can't exactly imagine many budhists singing the blues. Most blues artists were Christians, and Christians like to bitch a lot. The ultimate peace and salvation can also be found in Christianity.

Sparky 03-04-2007 01:04 PM

^yeah. I didn't actually read any of it.

Strummer521 03-04-2007 01:15 PM

Quote:

Originally Posted by adidasss (Post 345112)
The ultimate peace and salvation can also be found in Christianity.

But it rarely is these days. Granted, I think the House of Blues is latching on to a popular trend (because Buddhism is considered hip and "new-age", which is ironic). But I'm saying that in general I can see a connection between the two. Now keep in mind also, I'm not talking about people born as Buddhists being into the blues in any way. I'm talking about how people who feel the strong emotions that are catalysts for the blues could benefit from adopting some of the ideas found in Eastern religion, but still accepting the fact that they're probably too deeply "of the world" to be a true Buddhist. I know most blues singers were Christian (although it's said that Robert Johnson made a deal with the devil) but Christian imagery would probably turn off tourists, and part of my point is that the House of Blues has traded integrity for "keeping with the times".

adidasss 03-04-2007 01:32 PM

Quote:

Originally Posted by Strummer521 (Post 345118)
I'm talking about how people who feel the strong emotions that are catalysts for the blues could benefit from adopting some of the ideas found in Eastern religion, but still accepting the fact that they're probably too deeply "of the world" to be a true Buddhist.

They could benefit from it as people, but not as musicians. And HOB (according to Wikipedia it's a chain of restaurants and hotels?) is supposed to be dedicated to mostly dead musicians so it strikes me as somewhat disrespectful to decorate it buddhist style. Like pissing on their graves.

Strummer521 03-04-2007 03:08 PM

Quote:

Originally Posted by adidasss (Post 345129)
but not as musicians.

Yeah. That's what I mean. As people. And yes. It is dumb that they decorate it with Buddhist imagery. As I said. It fails to be what it's trying for.

Moon Pix 04-01-2007 07:40 AM

What happened to Strummer?

Strummer521 07-08-2007 08:30 PM

Quote:

Originally Posted by Moon Pix (Post 355208)
What happened to Strummer?

Good Question. And hello MusicBanter. Long time, no see. I think that since I'm still doing the same type of stuff I was doing here in my new blog, I'll link to that...

Strummer's blog= Live@TheGrouchoClub

Sparky 07-08-2007 10:48 PM

strummer is gonna stay forever now or ill ban him >.<

Strummer521 07-09-2007 05:14 PM

oooh... ^^this guy's intense... :rolleyes: ;)


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