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David Byrne "The better a singer's voice, the harder it is to believe what they're saying" http://www.designbrooklyn.com/content/davidbyrne2.jpg Iconic in his striking looks, unusual voice, and minimalistic songwriting, David Byrne was the posterboy of the New Wave movement in the late seventies and early eighties. As the main songwriter and vocalist for the legendary band Talking Heads, Byrne was instrumental in the introduction of African polyrhythms, alternative uses of mainstream instruments, and thought provoking lyrics probing simple topics such as "Air", "Paper", and "Animals", to western music. After Talking Heads disbanded officially, Byrne sought to create solo albums and collaborate with many artists, including legendary musician and producer Brian Eno, with whom he had previously worked (most notably on the classic Talking Heads album "More Songs About Buildings and Food"). Eno and Byrne collaborated for two albums, most recently on "Everything That Happens Will Happen Today" in 2008, with notable critical success. Byrne continues to make great music. That's all that matters. |
Heh, I was just watching Stop Making Sense the other day.
He really gives it his all when he performs, he's a weird looking guy, which gives him a special stage presence. But still, as great a songwriter and frontman as he is, credit shouldn't be taken away from the other Talking Heads. Tina Weymouth/Chris Frantz is one of the most underappreciated rhythm sections in rock music. Anyway, just for the lulz. |
He's a handsome fellow, but in a strange way.
I love the part when he asks, "Do you experiment with drugs?" and responds "I'll tell you later."' And Weymouth is as underrated a bassist as they get. Just listen to the line in Born Under Punches and tell me she's not top 30 all time material. Also, http://www.fleen.com/thumbs/1361.thumb.png |
Johnny Marr http://userserve-ak.last.fm/serve/_/...arr_guitar.jpg One of the most influential guitar players on the indie scene his distinct ‘jangly’ sound set the standards for indie guitar players everywhere. I remember the first time I heard The Smiths, the song was William It Was Really Nothing and I thought “how the hell is the guitar player playing like that” I’d never heard someone play like that before and to be honest I haven’t since. He’s the reason I started playing guitar I remember hearing the opening riff to What Difference Does It Make? and thinking "that’s it, that’s what I wanna do". Johnny Marr rose to fame in the 80’s as the guitarist and songwriter of The Smiths. Together he and singer & lyricist Morrissey formed the most important songwriting partnership of the 80’s. The Smiths throughout their career released a slew of successful and memorable singles such as Panic, There Is A Light That Never Goes Out, William It Was Really Nothing, This Charming Man, and How Soon is Now along with 4 very successful studio albums three of them reaching the top 5 in the UK albums charts and one reaching #1. After the breakup of The Smiths in 1987 Marr went on to be a brief member of The Pretenders then forming a supergroup with New Order’s Bernard Sumner where they received critical and commercial success. Marr also fronted his own band Johnny Marr and The Healers who released their debut album Boomslang in 2003 to mixed reviews. In 2006 he joined indie band Modest Mouse as lead guitarist and in 2008 also joined The Cribs. Marr is often imitated but never matched. Noel Gallagher of Oasis cites him as a major inspiration for his guitar playing, Ed O'Brien of Radiohead and John Squire of The Stone Roses do as well along with countless other guitarists. |
I readily admit that every time I think of The Smiths my mind instantly pulls up Stop Me if You Think That You've Heard This One Before (at least i think that's the name of the song). You're post hast made me second guess my preconceived notions of the band, and I think I'll be doing some exploring.
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Joe Strummer
I'm clever enough to know how stupid i am http://www.channel4.com/film/media/i...02--film-B.jpg Musically the guy was one of the most forward thinking of his peers, turning The Clash from already being one of the best punk bands at the time into a driving force music as a whole, with an ear for music from all over the globe. On stage he looked like a beast, his distinctive guitar-stabbing beign constantly pictured in my mind whenever listening to the first 2 albums, i bet that's the same with a load of punk frontmen. Stylish motherfucker too, whether he was a 50's rocker or a Godfather style Al Pacino lookalike. He showed that punk bands could be outspoken and show some brains which is carried on through to today. Cool as hell too, and very missed. |
Lol, I was considering posting Byrne at the exact same time that Rickenbacker actually did.
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Damn, I was going to do a Peter Buck one, but I guess Mr. Johnny Marr covers the jangly guitar bits.
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Van Morrison
George Ivan Morrison There is nothing like it for me, the music rooted in the sounds the 1950's and 1960's the birth of Rock & Roll Soul, from the Rhythm & Blues roots of Southern Gospel and Soul music. Direct nods to Fats, Ledbelly, Jackie Wilson, Wilson Pickett and sound reminiscent of them that resonated with me from the very first note. It's the music of my childhood changing right along with me into teen years, bachelor years and through family life into the present day. I love the music, the lyrics. the presentation. I love the way he mumbles, growls and snarls through his lyrics at times and the way he belts out poignant and powerful notes to finish a chorus or bridge. I love the acoustic guitar complimented by the flute or the violin, the horn sections he loved so much. I love the transition into Jazz-Rock. County-Rock, Adult Contemporary, none as much as his 1960's and 70's prime, but nonetheless I never lost interest for what's now nearly 40 years. |
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