| SATCHMO |
10-24-2011 01:26 PM |
Quote:
Originally Posted by blastingas10
(Post 1113335)
The rave movement is a sad excuse for a revolution. Electronic music requires as much human involvement as say, a classical orchestra? Ya right. Post some links of what y'all think is some great electronic music. Ill give it a chance.
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Composing electronic music is simply a different compositional paradigm, that's all. The true measure of a music's quality is not the degree of skill that it takes to reproduce it, the amount of formal theory that is involved in creating it, or the amount of practice involved in perfecting it, but rather whether or not it is true to the the intellectual, spiritual, or emotional vision and integrity of the artist.
Composing music electronically is simply a different means of manifesting an artistic concept. It can be as simple as as pressing a button and getting an arpeggiated chord sequence or manually splicing a single note and rhythmically quantizing it to fit within the greater composition, either way, it is a means of expressing the artist's vision. Does learning and mastering an instrument, or learning music theory and mastering the art of composition through it's means justify an artist's integrity anymore than someone who has learned how to compose or produce music electronically? Most who have dabbled and made accomplishments using both methods will tell you that the answer is no.
There are a lot of great examples of electronic music out there where the skill and vision of the artist(s) who produced them are apparent with attentive and critical listening-- I'd personally recommend Flying Lotus' Los Angeles album as a fantastic example of one human's astonishing involvement with electronic composition. DJ Shadow's Endtroducing is another great example and is even in the Guinness Book of World Records as being the first and, to my knowledge the only album composed entirely of found audio samples.
Music evolves much like everything else in this world and in order to gain a true appreciation that you have to understand how the contemporary creative forces at work are a reflection of the larger cultural zeitgeist. That's precisely the case with both Beethoven and Miles Davis, and it's certainly the case with the electronic music that's being created today.
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