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You know what I like. Something a little accessible to me. No mad jumping start/stops, crazy horns, nothing too experimental or that will damage my ears or brain. Oh and while we're here, **** you and Naked City! :finger: It'll take a while to recover from that ****. |
Someone throw me a Throbbing Gristle album.
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My favorite is Autumn Aurora (obviously) and i think it's also the easiest one to get into as it's fairly "nice" sounding for lack of a better term - ie not too harsh. Blood in our Wells is maybe their most famous or critically acclaimed so also wouldnt be a bad place to start. Other favorites: Forgotten Legends and Microcosmos |
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Bill Laswell, Dave Smith, John Zonr - The Dream Membrane Masada String Trio - Bar Khoba On Leaves of Grass Psychomagia The Gift He's got sooo much stuff that I haven't heard it all, I'm only a quasi expert at this point. |
Oh.I thought it was one of your deadpan jokes. Maybe it is. Well anyway, it comes from "font of all wisdom", as in, the oracle? Font I think being short for fountain. So what I'm basically saying is you're the oracle of all things regarding avant-garde music. Make sense now? Same as I might be seen as "font of all things prog" or Batty as "font of all things metal"...
If you knew that, and were just trying to get me to write a long-winded explanation, and are now laughing, well played, sir. |
I'll check out those Zorn albums you recced, thanks.
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There's a German science fiction pulp series called Perry Rhodan, published continuously since the early 1960's and still going. The number of novels, spin-offs and background material is in the tens of thousands, it would take the average person several lifetimes to catch up.
It totally dwarfs Star Wars and Star Trek put together. Surely listening to a few dozen albums isn't that bad..... |
*Ahem*
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