Both songs (no doubt) are great from beginning to end. The micro moments for me is when they cue have a change, or when they start to jam.

When the synth goes "dnt, dnt, dnt" ~ 14:12 - 14:13 cause after that they start jamming like no ... buddies ... business.
Yes - Close To The Edge


In Willow Farm from Supper's Ready after "We watch in reverence as now Narcissus is turned to a flower." around 11:02 that part that goes "A flower?" womp, womp, womp, womp
the again with the whistle and door slamming ~12:26.

Genesis - Supper's Ready

Two moments at 0:43-0:44 and 0:52-0:53.

They have these four down notes that I just love. First thing I thought of.

4:59

Chills every time.

At 2:35:

https://soundcloud.com/fred-brum/ethereal-rough-mix

At 3:15, the riff hits.

It's so invigorating. Heard this track at least 100 times and I'm still not tiring of it. Not something I can say for a lot of songs.

The guitar part at 0:38 is so simple but so effective. It's basically what got me interested in Can as it was the first song I heard by them and it really grabbed me.

That part at 0:49 when the verse comes in with the heavy effects makes for a really interesting spaced out effect combined with the beat.

0:44 - 0:51

In Im Abendrot from the Four Last Songs by the 84 year old Richard Strauss, his final work, when he quotes the transfiguration theme from his earlier 'Death and Transiguraton' after the words 'Ist dies etwa der Tod?' (Is this perhaps death?). One of the most moving moments in music: hell, the whole ending is...(really, the whole cycle).

4:19 and on:

1:53 one of my favorite things ever put to tape