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Now vote, you ****er! :laughing: |
Ugh, this album was really frustrating. I can't enjoy it. It's just much too bland musically and I've never been a lyrics person. Even then the lyrics on this aren't that great. I could only think about how edgy he must be trying to sound this whole time. There are a couple songs that are good, a couple that are fine, and a couple that are awful, so it overall averages out to a mediocre album. I'll call it a 5/10 and say meh.
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Occult, you heard And the Ass Heard the Angel?
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This is one of my favorite albums and probably my favorite Nick Cave album. "The Curse Of Millhaven" alone makes it worth the price of admission and "Song of Joy" is one of the creepiest tracks every recorded.
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No thanks. I’d rather just read it. Another friend who’s also Irish told me it’s really good.
I really don’t understand how you aren’t familiar with the Birthday Party. When Elph wrote that I thought that’s ridiculous. Why the **** not? Without being too rude about it, dude, correct that. |
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See, I got into Cave from The Good Son and Henry's Dream, and went forward (I actually heard "The Ship Song" on a latenight TV show and loved it) and though I bought his previous albums, none of them clicked with me, so I think I'm more a fan of "later" Cave material, maybe. |
Nick Cave and the Bad Seeds - Murder Ballads
While Tender Prey is probably the peak of Nick Cave's singer-songwriter career for me, Murder Ballads is easily one of the best overall productions of his career if we're talking about arrangement and sound design. You hear it especially on 'Lovely Creature', which waxes and wanes with ethereal female backing vocals over an ominous rumbling riff that makes it an instant standout to me here. I'm not the biggest fan of Nick's overtly spoken word approach as a general rule, but the stories are entertaining in doses and there's some massive chemistry going on with his backing band too. While there are other records cut from a similar musical cloth to this that I enjoy more and I think are better albums overall (David Sylvian's Secrets Of The Beehive, Devin Townsend's Casualties Of Cool project, Dan Fogelberg's The Innocent Age) this is a great album taken on its own merits and it works very, very hard to elevate its (at times) Lynchian subject matter as much as it can. 10 out of 10 |
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