Music Banter

Music Banter (https://www.musicbanter.com/)
-   General Music (https://www.musicbanter.com/general-music/)
-   -   Love or Hate Reborn (https://www.musicbanter.com/general-music/94075-love-hate-reborn.html)

Marie Monday 11-16-2019 12:31 PM

Frankly Mr. Shankly is silly but melodious and there is that one Johnny Marr jangle between a chorus and verse (before the 'fame fame fatal fame' part) which is one of the high points of the album

Trollheart 11-16-2019 08:35 PM

https://upload.wikimedia.org/wikiped...g_Heads_77.jpg

Right, **** it. I need a midway point between Love and Meh, so suck it. Orange is for Like.

Title: Talking Heads 77
Artist: Talking Heads
Genre: New Wave/Art Punk
Artist Reaction: Anything I’ve heard by them I like
Genre Reaction: n/a; I know who Talking Heads are so the genre is immaterial
Familiarity: Just the singles, and i think Little Creatures? Oh, and Stop Making Sense
Suggested by: Neapolitan

Uh-Oh, Love Comes to Town: Breezy and upbeat from the off, with David Byrne’s falsetto taking centre stage, nice Caribbean feel thanks to the steel pan
New Feeling: Another boppy, uptempo number, again driven by Byrne’s somewhat manic vocal
Tentative Decisions: Kind of stilted, reminds me of Ric Ocasek’s work with The Cars (god rest his soul) with a nice rolling almost military drumbeat. Some pretty fine guitar work. And some cool piano too.
Happy Day: Like the organ in this, but I have to say (ducks) nothing has actually reached out and grabbed me about this so far. I like it, but sure I don’t love it. I’m not listening to this, Talking Heads’ debut, and thinking, why didn’t I hear this a long time ago? It’s good, but just that. So far.
Who Is It?: Quite funky this one. Can’t say a lot more about it to be honest.
No Compassion: Good rocky one here, interesting lyric. Like the guitar riff.
The Book I Read: More funky guitar here. The organ lines are very effective. Good, upbeat cheerful melody and again Byrne holds court over everything here.
Don’t Worry About the Government: Whimsical melody, given the lyrical matter. Piano sounds a little Supertramp-like.
First Week/Last Week… Carefree: There’s definitely a Latin influence in most of their music, quite evident in the rhythm here.
Psycho Killer: Ah well everyone knows this so I won’t attempt to write anything further about it.[
Pulled Up: Like the clanging guitar in this, reminds me a little of early Police, touches of The Jam there too. A pretty frenetic ending.

Conclusion: I doubt I’ll ever be a real Talking Heads fan. I like their singles and I can appreciate their place in music history, but while I liked this album I found it hard to pick out any reasons why it resonates with me, and realised it really doesn’t. It’s not that I don’t like it, I just can’t point to anything that might be so great about it. Definitely wasn’t bored, but wasn’t exactly entertained either. I’ll expect the hate mail to fill up my inbox so go right ahead.

So, Love or Hate? I can't Meh it, so it's getting a Like. Can't do any better than that. Hey! Watch where you're throwing that thing! That nearly hit me!
:shycouch:

grindy 11-17-2019 02:04 AM

Don't want to be annoying but the text is really hard on the eyes if it's all colored. Any way to format just the title or something?

Trollheart 11-17-2019 05:07 AM

Quote:

Originally Posted by grindy (Post 2091097)
Don't want to be annoying but the text is really hard on the eyes if it's all colored. Any way to format just the title or something?

Done
Quote:

Originally Posted by elphenor (Post 2091074)
I'm interested in what you'd think of Remain in Light

Talking Heads are unassailable up to and including Stop Making Sense

That was on my original list for Classic Albums I Have Never Heard. I will look into it, just at the moment I'd prefer not to do two albums from the same artist, at least, not so soon after one another. I've been reliably informed that it's one of their best, all right.

grindy 11-17-2019 05:13 AM

:beer:

Trollheart 11-17-2019 05:28 AM

One thing you have to admit, that is one ugly-ass cover! My poor eyes! Flourescent green on red? I'm sure they were making some clever point about this being all students could afford or something, but Jesus!

Neapolitan 11-17-2019 11:24 AM

Quote:

Originally Posted by grindy (Post 2091097)
Don't want to be annoying but the text is really hard on the eyes if it's all colored. Any way to format just the title or something?

Ah man, you're telling me I missed a giant orange review. :(

I'm pressed for time, so I'll just elect my next album request:
Tea & Symphony - Jo Sago
https://www.progarchives.com/progres...4142962007.jpg

I've been listening to this quite often. And can't wait to hear what you don't think of it.

Trollheart 11-19-2019 10:14 AM

https://f4.bcbits.com/img/a3827502532_16.jpg
Title: Dreamclub
Artist: No Curfew Kids
Genre: Ambent/Drone/Experimental
Artist Reaction: n/a
Genre Reaction: Hard to say. Ambient is good, drone can be good. Experimental is always a crapshoot for me. Could be great, could be terrible, could be mystifying.
Familiarity: Zero though I’ve listened to MTR’s albums before
Suggested by: Who else?

Fill the Room With Light: Sounds kind of ambient with humming droning keyboard, getting louder and I guess that’s the percussion behind it? Short, as most of the tracks here seem to be, clocking in around the 1 or 2 minute mark. I guess I’d call that either a drone or an intro, as it was pretty much just the one chord held throughout the short track.
Dreamclub: Slowly building kind of hollow drumbeats with the melody building quietly up behind the beat, repetitive and I get the impression this, or most of it, will be instrumental? Pleasant enough, quite ambient again.
Squash: Harsher this time, seems to be a lot of feedback on synth and guitar, drums are very sparse and almost mechanical-sounding.
Huit: Slow, lush type synth with so far no percussion, low feedback or could be more sounds on the synth. I feel this may be a one-man project? Short again. The next track isn’t.
Squadron: One of only two tracks that go over the two-minute mark, this is six, and starts off with what sounds like a steam locomotive with a drone synth sounding a little like a church organ. I should hopefully be able to say a little more about this one as the other so far have been too short for me to formulate an opinion on them. Metallic, rolling sound effects possibly make the train sound like its going through a tunnel? Not sure: it’s called “Squadron” so I would have thought sounds of flight might have been more expected, but anyway. Kind of oriental little bell sounds, and we’re about halfway through. Some sort of riff being played now, almost like a siren or klaxon or something, or computer game music? Really hard to say what Tristan’s going for here, but it all sounds pretty well executed.
Untethered: Back to the short tracks, and they get progressively shorter for the next three. This is just over a minute, and has squarky synths (squarky? It’s a name I made up to describe those sort of squelching, honking sounds synth music sometimes make) with another possible link to computer gaming? Again it’s pretty repetitive, though that’s drone for you I guess. Some other sounds there too, so it’s well put together, just not a lot of it really.
All Time: This just barely edges the minute mark, and appears to be more computer game-style music, with loud percussion and electronic sound effects. Sort of gives me the idea of robots on a production line, perhaps getting ready to rebel against their cruel human masters?
Eyelash:And this doesn’t even get to the minute mark. A repeating tone, cutting on and off, with what sounds like drops of metal water hitting a wood floor. Huh? Yeah well, you try describing this. I’m doing the best I can.
Bright and Early: Another drone I guess, shimmering and humming but sort of not really doing a lot.
Devoid/devout: The last track is the longest, at seven minutes. Seems to have a basic riff going as it starts, mid-paced percussion, some form of melody running through it. Something like steam-driven cylinders or pistons, a lot of ticking percussion too. Kind of a staggered, staccato thing going on in the fourth minute. Fading away to nothing now and slipping back in on guitar, I think, with a sort of almost nursery-rhyme melody, possibly very (very) soft hummed vocal, though I could be imagining that.

Conclusion: Not really my thing, but I can see there was a lot of work put into this, and if it is Tristan on his own, that’s pretty impressive.

So, Love or Hate? I’ll stretch to giving this a Like.

Tristan_Geoff 11-19-2019 11:45 AM

Quote:

Originally Posted by Trollheart (Post 2091350)
https://f4.bcbits.com/img/a3827502532_16.jpg
Title: Dreamclub
Artist: No Curfew Kids
Genre: Ambent/Drone/Experimental
Artist Reaction: n/a
Genre Reaction: Hard to say. Ambient is good, drone can be good. Experimental is always a crapshoot for me. Could be great, could be terrible, could be mystifying.
Familiarity: Zero though I’ve listened to MTR’s albums before
Suggested by: Who else?

Fill the Room With Light: Sounds kind of ambient with humming droning keyboard, getting louder and I guess that’s the percussion behind it? Short, as most of the tracks here seem to be, clocking in around the 1 or 2 minute mark. I guess I’d call that either a drone or an intro, as it was pretty much just the one chord held throughout the short track.
Dreamclub: Slowly building kind of hollow drumbeats with the melody building quietly up behind the beat, repetitive and I get the impression this, or most of it, will be instrumental? Pleasant enough, quite ambient again.
Squash: Harsher this time, seems to be a lot of feedback on synth and guitar, drums are very sparse and almost mechanical-sounding.
Huit: Slow, lush type synth with so far no percussion, low feedback or could be more sounds on the synth. I feel this may be a one-man project? Short again. The next track isn’t.
Squadron: One of only two tracks that go over the two-minute mark, this is six, and starts off with what sounds like a steam locomotive with a drone synth sounding a little like a church organ. I should hopefully be able to say a little more about this one as the other so far have been too short for me to formulate an opinion on them. Metallic, rolling sound effects possibly make the train sound like its going through a tunnel? Not sure: it’s called “Squadron” so I would have thought sounds of flight might have been more expected, but anyway. Kind of oriental little bell sounds, and we’re about halfway through. Some sort of riff being played now, almost like a siren or klaxon or something, or computer game music? Really hard to say what Tristan’s going for here, but it all sounds pretty well executed.
Untethered: Back to the short tracks, and they get progressively shorter for the next three. This is just over a minute, and has squarky synths (squarky? It’s a name I made up to describe those sort of squelching, honking sounds synth music sometimes make) with another possible link to computer gaming? Again it’s pretty repetitive, though that’s drone for you I guess. Some other sounds there too, so it’s well put together, just not a lot of it really.
All Time: This just barely edges the minute mark, and appears to be more computer game-style music, with loud percussion and electronic sound effects. Sort of gives me the idea of robots on a production line, perhaps getting ready to rebel against their cruel human masters?
Eyelash:And this doesn’t even get to the minute mark. A repeating tone, cutting on and off, with what sounds like drops of metal water hitting a wood floor. Huh? Yeah well, you try describing this. I’m doing the best I can.
Bright and Early: Another drone I guess, shimmering and humming but sort of not really doing a lot.
Devoid/devout: The last track is the longest, at seven minutes. Seems to have a basic riff going as it starts, mid-paced percussion, some form of melody running through it. Something like steam-driven cylinders or pistons, a lot of ticking percussion too. Kind of a staggered, staccato thing going on in the fourth minute. Fading away to nothing now and slipping back in on guitar, I think, with a sort of almost nursery-rhyme melody, possibly very (very) soft hummed vocal, though I could be imagining that.

Conclusion: Not really my thing, but I can see there was a lot of work put into this, and if it is Tristan on his own, that’s pretty impressive.

So, Love or Hate? I’ll stretch to giving this a Like.

Thank you :) I really didn't expect you to like it but I liked how detailed you went into describing the synth sounds

Trollheart 11-19-2019 12:00 PM

Yeah, for what it is it's pretty cool. Is it just you doing all that as I suspected?

Tristan_Geoff 11-19-2019 12:03 PM

Quote:

Originally Posted by Trollheart (Post 2091365)
Yeah, for what it is it's pretty cool. Is it just you doing all that as I suspected?

Indeed no collaborators.

Neapolitan 11-24-2019 10:05 PM

Quote:

Originally Posted by grindy (Post 2091097)
Don't want to be annoying but the text is really hard on the eyes if it's all colored. Any way to format just the title or something?

Quote:

Originally Posted by Trollheart (Post 2091117)
One thing you have to admit, that is one ugly-ass cover! My poor eyes! Flourescent green on red? I'm sure they were making some clever point about this being all students could afford or something, but Jesus!

I missed out on your all orange review with a tad bit of green in it. It must have been just as blinding as the album cover.
Quote:

Originally Posted by Trollheart (Post 2091070)
https://upload.wikimedia.org/wikiped...g_Heads_77.jpg

Right, **** it. I need a midway point between Love and Meh, so suck it. Orange is for Like.

Title: Talking Heads 77
Artist: Talking Heads
Genre: New Wave/Art Punk
Artist Reaction: Anything I’ve heard by them I like
Genre Reaction: n/a; I know who Talking Heads are so the genre is immaterial
Familiarity: Just the singles, and i think Little Creatures? Oh, and Stop Making Sense
Suggested by: Neapolitan

Uh-Oh, Love Comes to Town: Breezy and upbeat from the off, with David Byrne’s falsetto taking centre stage, nice Caribbean feel thanks to the steel pan
New Feeling: Another boppy, uptempo number, again driven by Byrne’s somewhat manic vocal
Tentative Decisions: Kind of stilted, reminds me of Ric Ocasek’s work with The Cars (god rest his soul) with a nice rolling almost military drumbeat. Some pretty fine guitar work. And some cool piano too.
Happy Day: Like the organ in this, but I have to say (ducks) nothing has actually reached out and grabbed me about this so far. I like it, but sure I don’t love it. I’m not listening to this, Talking Heads’ debut, and thinking, why didn’t I hear this a long time ago? It’s good, but just that. So far.
Who Is It?: Quite funky this one. Can’t say a lot more about it to be honest.
No Compassion: Good rocky one here, interesting lyric. Like the guitar riff.
The Book I Read: More funky guitar here. The organ lines are very effective. Good, upbeat cheerful melody and again Byrne holds court over everything here.
Don’t Worry About the Government: Whimsical melody, given the lyrical matter. Piano sounds a little Supertramp-like.
First Week/Last Week… Carefree: There’s definitely a Latin influence in most of their music, quite evident in the rhythm here.
Psycho Killer: Ah well everyone knows this so I won’t attempt to write anything further about it.[
Pulled Up: Like the clanging guitar in this, reminds me a little of early Police, touches of The Jam there too. A pretty frenetic ending.

Conclusion: I doubt I’ll ever be a real Talking Heads fan. I like their singles and I can appreciate their place in music history, but while I liked this album I found it hard to pick out any reasons why it resonates with me, and realised it really doesn’t. It’s not that I don’t like it, I just can’t point to anything that might be so great about it. Definitely wasn’t bored, but wasn’t exactly entertained either. I’ll expect the hate mail to fill up my inbox so go right ahead.

So, Love or Hate? I can't Meh it, so it's getting a Like. Can't do any better than that. Hey! Watch where you're throwing that thing! That nearly hit me!
:shycouch:

Thanks for the review. I wished you gave thought on the song Psycho Killer, even though you and everyone heard it before. I am not looking to score high on your color chart. I just wanted to know your opinion. I hope you didn't give up on this thread.

The Batlord 11-24-2019 10:32 PM

Quote:

Originally Posted by Neapolitan (Post 2092062)
I missed out on your all orange review with a tad bit of green in it. It must have been just as blinding as the album cover.


Thanks for the review. I wished you gave thought on the song Psycho Killer, even though you and everyone heard it before. I am not looking to score high on your color chart. I just wanted to know your opinion. I hope you didn't give up on this thread.

"Psycho Killer" is a sweet song but I always saw it described as an actual expression of a serial killer, which makes me think that the people who wrote it were bland as **** middle class people who had no business exploring the psychology of a sociopath, cause it's just a good pop song and nothing more.

Mondo Bungle 11-25-2019 02:00 AM

really it's just about being on meth and pissed about living in a trailer with a flaming bed


The Batlord 11-25-2019 02:11 PM

Quote:

Originally Posted by elphenor (Post 2092074)
I think it can both be the actual description of serial killer thoughts and a metaphorical expression of the anxiety and jitters that define Talking Heads

it is a lot more than just a good pop song in any case

Whatever, whitey.

Mondo Bungle 11-25-2019 06:13 PM

a decent amount yeah


All times are GMT -6. The time now is 10:36 PM.


© 2003-2024 Advameg, Inc.