If I don't have creative control of my project, be it writing, performance, artwork, direction, what have you, then there's no point in me doing it.

I'd sell out unless it was utterly horrid, then put together a side project that was what I wanted to do and hope my new found fame created more interest.

Then I'd wake up, shower, shave, dress and go to work.

Oh that is easy sell out and then when you become so huge the record companies are forced to pander to you changing your sound completely back to what you sounded like prior to hitting it huge and the kids won't care they will buy anything with the band name on it!

Honestly, I'm probably going to sell out (like it will happen - ha!). But Kiwi artists like Kimbra who has stuck to her soulful/bluesy roots impresses me big time. But surprise, surprise it was a pop song that launched her into stardom.

Kimbra is so pretty.

I KNOOOW! She looks really unique too, not the usual generic pop star. I personally am in love with her wardrobe! :D Have you heard much of her music?

Yeah, a few songs :) I looked her up after listening to Gotye.

this.

There are elements to the equation that don't make sense to me. If you're enjoying some level of success, but not making any money, exclusively in the microcosm of your hometown, then what is drawing A&R's attention your way? If they don't have faith that your sound will sell records, then there must be something about your image that's drawing them to you, but then why would your music be suffering a secluded existence if your image is drawing industry scouts to your shows?

Second, it's really not very coercive to suggest before signing the deal memo that the band's sound might have to be changed, or streamlined. Usually that comes long after lawyers have met and a contract has been negotiated. It's part of the grooming process that the A&R rep takes on after you've been signed and are working on your first album/single. The record company would most likely hire a producer that will work with the band and A&R rep (who's basically the record company's liaison in the whole mix) to mold the sound to something more accessible to a wider audience.

The point being that it's almost never the stereotypical scenario of the devil wanting you to knowingly sell your soul for fame and wealth, just sign on the dotted line. If that were the case, nobody would get signed, but the industry is a lot more clever than that.

But if I have to answer the question, I say I'd tell them to **** off, because where there's one talent scout there's usually at least one or two more on the way, and if I've already managed to get their attention, then I must be doing something very right.