Oriphiel |
03-27-2015 11:55 AM |
Quote:
Originally Posted by Chula Vista
(Post 1570230)
First: The monolith on Jupiter (which is infinitely larger than the ones on the earth and moon) is the gateway to the Alien's home galaxy. The worm hole.
They buried the one on the moon because they rightly anticipated that by the time mankind had the advanced technology to discover it, they'd have also used that technology to develop weapons sufficient to destroy the Earth.
Second: Daisy was one of the first programs that HAL had implanted during his early stages of development. As Dave broke down HAL's memory he regressed back to being an "infant" and fell back on that early program. (a very sad scene in retrospect)
Third: Because he is Stanley Kubrick and that's the way he operated during his peak "mind f*ck" years.
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First: The massive monolith was so large because it coincided with the final part of humanity's journey: the creation of artifical life (HAL) and attaining enlightenment (The astronaut).
Second: HAL is supposed to be the perfect being, and yet he breaks down into infancy (his most basic programming) when confronted with death. He symbolizes the final leg of humanity's intellectual journey: realizing that even though we are biologically programmed (just as HAL was literally programmed), biological life has the ability to override that programming. We, at our most basic level, exist to live and breed, and when confronted with death we resort our most basic instincts to survive. And yet we have the ability to overcome the fear of death, and even learn to understand and cherish it. We have the potential to change our programming, and to completely override the very things that are supposed drive us. HAL is a commentary on a rigid and mechanical way of thinking; cold logic can only take you so far, before you have to confront the idea of death. Whether you believe there is life after death or not, thinking about it is an act of trying to understand the unknown, and either way is an act of faith in the evidence we have been presented with (but can't ever be 100% known or proven).
Third: Rather than just rehash what Clarke was saying, Kubrick decided to offer up a completely different story from the same inspiration (which makes sense. Why bother having two people tell the same story in the same way?) Rather than come up with a story about aliens like Clarke, he made a story that lets the audience decide just what exactly is going on. Let me ask you this: Why do you think that they both wrote different stories, rather than just make one definite one in both the movie and the book? Why do you assume that both have to be companions to the other, rather than standing on their own as different interpretations of the same inspiration? Kubrick told the story he wanted to tell, and Clarke did the same. Stop trying to mix the two together, when they clearly wanted them to be seperate.
See? Even though we watched the same movie, and are approaching the same questions, we both have different answers. And the best part of the movie (which I still dislike, by the way =p) is that Kubrick made it so that neither of us is wrong.
Quote:
Originally Posted by grindy
(Post 1570209)
Oh, and I love Sergio Leone. Kudos for growing up watching him.
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Thanks! :laughing:
Lastly, am I the only one here who's going to play the devil's advocate? Because if so, this is going to get pretty boring pretty fast.
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