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Bigger and better for 2017. Well, bigger anyway... Some changes have occurred. When I started this journal it was as a sort of foil to my main journal, where reviews could be condensed and not run on for ten pages like my usual style. In the interim I've learned to be a little less wordy (no, I have) and so the idea of shorter reviews kind of doesn't make too much sense any more. Also, I now have my “Listening List” thread for that. So here I'm going to change the format. There will be no reviews. Definitely not. No way. Well, maybe. Occasionally. Sometimes. Depends on how I'm feeling. But the point is there won't always be one. The idea is that I will listen to the album, rate the tracks using my patent pending “Love or Hate?” style, and will write most likely a few short lines, maybe a paragraph in some instances about the album. Just basic stuff. In some cases, this may expand out a little but it most it will just be a line or two. Maybe. Also, some categories are going or being merged. Things like “favourite track(s)” will now be redundant, as you'll be able to see from the track listing what I thought of each one. I'm getting rid of “Initial impression” too, and the ratings will be moved to the end instead of being the first thing you see. Also, although this was originally conceived to only deal with albums I had not heard before, I will now also feature some I know, on occasion, but may either not have heard for a while or may only have listened to once or twice. Actually, you know what? I'm removing all restrictions on albums reviewed here: if I've heard it before, reviewed it before even, if it's part of The Great Discography Project or has appeared in another journal or thread, or is due to, don't care. I may look at it here too. Anything is up for grabs. Taking the Hum Factor out too, as it's really unimportant to how good or bad an album is. https://upload.wikimedia.org/wikiped...tingcrowns.jpg Artiste: Casting Crowns Nationality: American Album: Come to the Well Year: 2011 Label: Beach Street/Reunion Genre: Christian Rock Tracks: Courageous City on the hill Jesus, friend of sinners Already there The well Spirit wind Just another birthday Wedding day Angel My own worst enemy Face down So far to find you Chronological position: Fifth album Familiarity: Zero Comments: You know, I could go on smugly about how this is sub-country mixed with pop/rock and a large slice of Christian worship, but who the fuck cares? If you can put aside the overtly religious messages in the songs (which you should have expected anyway if you had done your research before beginning to listen to this) then you can enjoy this on its own merits. In places, nowhere near as preachy as I had expected, and the songwriting is good. Kind of reminds me of if Bon Jovi did Christian Rock. If that makes your blood run cold, move along; I like most of this. It is a little embarrassing when they try to “rock out” on “My own worst enemy” though. Intention: I reckon I'll check out more of their material. Who cares if they're part of the God Squad? I listen to (some) Black Metal but don't venerate Satan. This is decent music. http://www.trollheart.com/cookierating3andhalf.jpg |
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On we go... http://www.metal-archives.com/images...14067.jpg?3316 Artiste: Val Tvoar Nationality: Estonian Album: In Light You Believe ... But In Darkness You Dwell Year: 2016 Label: Independent Genre: Stoner Metal/Stoner Rock Tracks: Metal of instru The wizard named Goodbad There's no tomorrow Mind reader, the shadow The last dance I am you Three shovels of dirt The night when everything went wrong and you shot me down Dark side of mine REbornCYCLE Chronological position: Debut album Familiarity: Zero Comments: Of all the Estonian artists I've ever heard, this guy is the first. With a title like that I was expecting Doom or even Depressive Black Metal, but no. I'd have to say, we're five tracks in now and I haven't really heard anything that blows me away. It's all very competent rock, and tracks like “The wizard called Goodbad” (which basically serves as the title track) and “The last dance” stand out, as well as “The night when everything went wrong and you shot me down”, one of the heaviest on the album. But most of it is, well, all I could call it is competent really. That's not fair: it's probably great, and the guy will probably be a big star this time next year, but I just don't see much to get overly excited about personally. Intention: I'm not that sure I'd be interested in a follow-up, but I might listen to it. http://www.trollheart.com/cookierating3.jpg |
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Artiste: Captains of Sea and War Nationality: Spanish Album: Captains of Sea and War Year: 2014 Label: None Genre: Post rock/Prog rock Tracks: Call again Kurtz Aboard You need to restart Far Zittersheim Five times the sea East Chronological position: Debut album Familiarity: Zero Comments: It's an odd one this. Very good post-rock but there is some singing, which I find a little odd: I always thought post-rock was exclusively instrumental? We don't hear it again until the fifth track, “Far”, by which time it really takes me by surprise, Some good stuff in here though. It's good but as ever it's hard to pin down reasons why it's good, or if it really is that great. Definitely, the addition of occasional vocals is different, and makes the band at least stand out from the hundreds of other post-rock outfits out there. Intention: I'm not really sure. Might check out their other release, but I don't feel particularly compelled to. http://www.trollheart.com/cookierating3.jpg |
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Artiste: Low Nationality: American Album: I Could Live In Hope Year: 1994 Label: Vernon Yard Genre: Slowcore Tracks: Words Fear Cut Slide Lazy Lullaby Sea Down Drag Rope Sunshine Chronological position: Debut album Familiarity: Ones and Sixes Comments: Don't think I've seen an album before that had one-word titles for every song. Oddly, having downloaded all of Low's discography after listening to and enjoying Ones and Sixes, I chose this one at random, and it turns out to be their debut. Apparently this was one of the albums that helped create the genre of slowcore. Well I can see why it's called that. Very laidback, very relaxed, very downbeat, though at times a little dreary, like on “Rope” and “Cut” but at other times quite breathtakingly beautiful, as on “lullaby” and “Slide”. The cover of “You are my only sunshine” (shortened just to “sunshine”) as the closer is clever and unexpected. Intention: I'll keep exploring this band. Reckon I'll like them. http://www.trollheart.com/cookierating3.jpg |
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Artiste: If These Trees Could Talk Nationality: American Album: Above the Earth, Below the Sky Year: 2009 Label: Metal Blade Genre: Post rock Tracks: From roots to needles What's in the ground belongs to you Terra incognita Above the Earth Below the sky The sun is in the north Thirty-six silos The flames of Herostratus Rebuilding the temple of Artemis Deus ex machina Chronological position: Debut album Familiarity: Zero Comments: What can you say about post-rock? I understand how Ki finds it hard to express why certain post-rock albums appeal to him. This is good, strong guitar-driven post rock, but then, isn't most of this genre? Is there anything different about it? Does it stand out from its fellows? No. Does that make it any less good an album? No, but it makes it hard to pin down exactly why I like this. But I do. Intention: Meh, post-rock is as post-rock does, ya know? I'd probably not avoid their next album, but I wouldn't go actively seeking it out either. http://www.trollheart.com/cookierating3.jpg |
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Artiste: Pallbearer Nationality: American Album: Sorrow and Extinction Year: 2012 Label: Profound Lore Genre: Doom Metal Tracks: Foreigner Devoid of redemption The legend An offering of grief Given to the grave Chronological position: Debut album Familiarity: Foundations of Burden Comments: Not really a lot to say. Another brilliant doom metal album, hard to pick out any favourites because they're all good, though the closer is something pretty special. Intention: They have a new one out this year. Need to check that out. http://www.trollheart.com/cookierating3.jpg |
I've tried a few times to get into Pallbearer. They're similar to Baroness for me where they're not exactly bad, but they're just uninteresting and fail to make an impression on me. I might try that album and see if that still fits.
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Artiste: Vaults Nationality: British Album: Caught in Still Life Year: 2016 Label: EMI Genre: Electronica Tracks: Cry no more Premonitions Midnight river One last night Poison Paradise Bodies Hurricane Overcome Lifespan Orphan Bloodflow One day I'll fly away Chronological position:Debut album Rank: n/a Comments: This is a pretty good synthpop/electronica debut, sort of reminds me of a slower, more downtempo version of Chvrches. Maybe. My attention was piqued with “Poison”; up to that it had been okay, but after that the album just got more and more solid and interesting. The cello accompaniment to “Orphan” is haunting and beautiful. Do a good version of Randy Crawford's “One day I'll fly away”, too. Great orchestral arrangement. Superb. Intention: Watch them: they will be big in 2017. Seems their videos already gained twenty million views before the album was released! Sounds hard to believe. Or not. http://www.trollheart.com/cookierating4.jpg |
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Artiste: Annie Lennox Nationality: British Album: Bare Year: 2003 Label: RCA Genre: Pop Tracks: A thousand beautiful things Pavement cracks The hurting time Honestly Wonderful Bitter pill Loneliness The saddest song I've got Erased Twisted Oh God (Prayer) Chronological position: Third album Rank: Novice Comments: “Pavement cracks” starts like a ballad but quickly acquires teeth and a beat, and surely that's Stevie Wonder on the smoking sultry harmonica on “The hurting time”? She certainly channels Karen Carpenter on “Wonderful”. The exuberant soul swagger of “Bitter pill” contrasts sharply with the fragile vulnerability of “The saddest song I've got”. Intention: I think I'd like to hear more of this. http://www.trollheart.com/cookierating3andhalf.jpg |
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Artiste: Black Sabbath Nationality: British Album: Cross Purposes Year: 1994 Label: IRS Genre: Heavy Metal Tracks: I witness Cross of thorns Psychophobia Virtual death Immaculate deception Dying for love Back to Eden The hand that rocks the cradle Cardinal sin Evil eye Chronological position: Seventeenth album Rank: Adept Comments: Oh I like the little cheeky riff from “Black Sabbath” tossed in at the end of the opener! But I'm amazed that's not Dio on vocals; sounds just like him on “Cross of thorns”. Next one is terrible, almost more punk than metal, but then we're back on track with “Virtual death” and that big crushing guitar of Iommi. Vocal harmonies are very good too. “Immaculate deception” sounds like a song title more suited to Slayer, but in fact it turns out to be a little too proggy for its own good. Having said that, Wiki shows the genre here as Power Metal, and I'm finding it hard to argue with that. It's kind of not the Sabbath I know and love, though it is in some places. Odd. I listened to this in the hope of filling in some of the gaps in my Sabbath knowledge, and while it's not a bad album there's something definitely missing. Maybe it's that Ronnie and Vinnie had left, and Geezer was making plans too, or maybe it's that it's the first I've heard with Tony Martin on vocals (who does a really good job by the way) but it feels like the fun isn't there anymore. Sense of a wake rather than a band? As Monty Burns once said, where's the love? I don't feel it. Intention: Unlikely to be returning to this any time soon. http://www.trollheart.com/cookierating3.jpg |
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Artiste: Tears For Fears Nationality: British Album: Elemental Year: 1993 Label: RCA Genre: Pop Tracks: Elemental Cold Break it down again Mr. Pessimist Dog's a best friend's dog Fish out of water Gas giants Brian Wilson said Goodnight song Chronological position: Fourth album Rank: Apprentice Comments: Well it's good; I hear nothing I hate but nothing that piques my interest that much either. Instrumental “Gas giants” is good – oh wait, it's not an instrumental: that's what I get for not listening to it all the way through before commenting. “Fish out of water” is good too. The album ends well with two strong tracks in “Brian Wilson said” followed by “Goodnight song”. Intention: I'll probably finish off their discography at some point, though I wouldn't be in any mad rush to do so. http://www.trollheart.com/cookierating3.jpg |
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Artiste: Soul Asylum Nationality: American Album: Candy From a Stranger Year: 1998 Label: Columbia Genre: Alt-Rock Tracks: Creatures of habit I will still be laughing Close See you later No time for waiting Blood into wine Lies of hate Draggin' the lake New York blackout The game Cradle chain Chronological position: Eighth album Rank: Novice Comments: Not a lot to say. Very solid album, not a lot that makes me really look up and stop and write something effusive, but in no way a waste of my time. Intention: I'll probably check out more of their stuff at some point. http://www.trollheart.com/cookierating3.jpg |
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Artiste: Antimatter Nationality: British Album: Saviour Year: 2001 Label: Prophecy Genre: Rock Tracks: Saviour Holocaust Over your shoulder Psalms God is coming Angelic Flowers The last laugh Going nowhere Chronological position: Debut album Rank: Master Adept Comments: I don't believe either Mick Moss or Duncan Patterson are religious, but this being their debut album there's a lot of references to religion, especially Christianity. Other than the title, there's “Psalms”, “God is coming”, “Angelic”... As it goes, “God is coming” is a great piece of I don't know what to call it: ambient industrial? A very dark little instrumental anyway. As they would do throughout their career, Antimatter employ the services of guest female vocalists here, splitting duties between Hayley Windsor and Michelle Richfield, (both on “Angelic”) which leaves little chance to experience the vocals of Mick, which are considerable, as I found on the other albums. “Flowers” is typical of the kind of stark, morose beauty you get with Antimatter, with not a little Wall-era Floyd thrown into the mix, while closer “Going nowhere” is as haunting as I've ever heard this band, which is saying something. I do have to say though, this album doesn't hit me right between my two hearts as the likes of Planetary Confinement or The Judas Table did, but it's a solid effort nonetheless. Given it was theri debut I guess I can allow for that. Intention: I'm a real fan of Antimatter so I just need to hear one or two more albums of theirs and I'll have heard them all. Then it's just the long wait for whenever they release a new one. http://www.trollheart.com/cookierating3.jpg |
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Artiste: Evergrey Nationality: Swedish Album: Recreation Day Year: 2003 Label: Inside Out Music Genre: Progressive Metal Tracks: The Great Deceiver End of your days As I lie here bleeding Recreation Day Visions I'm sorry Blinded Fragments Madness caught another victim Your darkest hour Unforgivable Trilogy of the damned Chronological position:Fourth album Rank: Novice Comments: It's a decent album as it turns out, but kind of doesn't really catch my attention until “I'm sorry”, a cover of the song by Swedish singer Dilba, a really nice ballad. After that it sort of catches fire and it's solid to the end. The bonus track at the end is killer. Intention: I'll probably give them another go. http://www.trollheart.com/cookierating3.jpg |
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Artiste: Gazpacho Nationality: Norwegian Album: Firebird Year: 2005 Label: Racket Records Genre: Progressive Rock Tracks: Vulture Symbols Swallow Orion I Orion II Prisoner Jezebel Black widow Firebird Do you know what you are saying? Once in a lifetime Chronological position: Third album Rank: Appremtice Comments: One of the albums made before Gazpacho signed to a major label, this has the often dour tone of their records, though it is more uptempo than say Missa Atropos. It's the old problem though: I can never remember any of these songs. I'm pretty sure I liked the album – wasn't anything on it I didn't like, anyway – but I would be hard-pressed to point to one specific track and say what I liked about it, and later on I won't even remember the album. I could play it again right now and it would all sound new. It's almost like nothing is going in, and it's not me, because I've reviewed god knows how many albums now here, and though some do occasionally pass me by, there is always that one track that stands out. But here: nothing. Weird, as I do like these guys, but I could not hum or sing or even remember one single track from any of the, now four, albums of theirs I have listened to. This has led to me being unable to assign the album a rating or rate any of the tracks. Yeah: a few days after I had written this review I came across one of the tracks in a shuffled playlist; I hit NEXT. That's not good, is it? Intention: I'll keep plugging away, trying to get into their music. It ain't easy though. |
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Artiste: Gerry Rafferty Nationality: British Album: On a Wing and a Prayer Year: 1992 Label: Epic Genre: Pop Tracks: Time's caught up on you I see red It's easy to talk I could be wrong Don't speak of my heart Get out of my life woman Don't give up on me Hang on Love and affection Does he know what he's taken on The light of love Life goes on Chronological position: Seventh album Rank: High Priest Comments: It's quite amazing to watch the progression of a breakup through the track listing, as this album came about while Raffery was in the throes of divorce from his wife of twenty years. Tracks like the opener, “Time's caught up on you”, which sounds reflective, move on to “I see red”, which is self-explanatory, though it is something of a ballad with some really nice brass, then the somewhat accusatory “It's easy to talk” and on to bitter songs like “Don't speak of my heart” (although again a ballad, and a beautiful one into the bargain) and the angry “Get out of my life woman.” This is immediately followed by what sounds like second thoughts or fears in “Don't give up on me” with a great latin beat and some fine mandolin and “Hang on”, a snide dig at the ex-wife and her new lover in “Does he know what he's taken on” and ending on the philosophical acceptance of “Life goes on.” Beautiful orchestration in “The light of love”. Superb album. Intention: There are still some of his I need to listen to. http://www.trollheart.com/cookierating4andhalf.jpg |
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Artiste: House of Lords Nationality: American Album: The Power and the Myth Year: 2004 Label: Frontiers Genre: Prog rock Tracks: Today All is gone Am I the only one Living in silence The power and the myth The Rapture The man who I am Bitter sweet euphoria Mind trip Child of rage Havana Chronological position: Fourth album Rank: Novice Comments: I tried to get into this album a long while back, but it didn't impress me. Let's give it another go. Yeah, not as bad as I remember but really I have a hard time remembering any of these tracks and very little stands out. The ending on “Mind trip” is nice and bluesy, and I like “Am I the only one”. The opener's good too, but nothing that's really making me sit up and take much notice. Okay, “Child of rage”, the closer, is amazing. But it's too little, too late. Don't see myself coming back to this for a third try. Intention: I really enjoyed their latest, so who knows? Maybe this is just a bad example of the band. http://www.trollheart.com/cookierating2andhalf.jpg |
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Artiste: David Roberts Nationality: ? Album: Better Late Than Never Year: 2011 Label: Avenue of Allies Music Genre: AOR Tracks: Best thing I never had Better late than never Someone else's song Before I go Stay with me tonight Be gentle with my heart Eighth wonder This is how I say goodbye If I woulda been there What I've been missing Chronological position: Second album Rank: Noob Comments: Try as I might, I have not been able to find a scrap of information on this guy. Even the nationality tag on Discogs says “Europe”. Thanks a lot! So I've no idea who he is, if he was with some big AOR band, or if he's even still alive. No thanks to Wiki or even Google, who keep sending me to the wrong pages. Anyway, this is his second album and I'm in the mood for some AOR I've not heard before. Fergie Frederiksen was a real find a few years back, so maybe we'll hit gold again. Or regret ever hearing the name David Roberts. Meh, nothing really grabbing me so far. “Stay with me tonight”, though a nice ballad, borrows way too much of its melody from Steinman's big hit for Air Supply, “Making love out of nothing at all” to impress me on its own merits. “Be gentle with my heart” reminds me of another song (Richard Marx's “Quit playing games with my heart” I think) and “Eighth wonder” is just terrible. I'm hearing a hodge-pog of third-rate AOR, disco and some soft rock/pop; almost a pastiche of everything that is bad in the genre. This guy ain't no Fergie! Oh, and a trite Country ballad to end. Sigh. Intention: Never again http://www.trollheart.com/cookierating1andhalf.jpg |
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Artiste: Pretty Maids Nationality: Danish Album: Pandemonium Year: 2010 Label: Frontiers Genre: Hard Rock Tracks: Pandemonium INVU Little drops of Heaven One world one truth Final day of innocence Cielo Drive It comes at night Old enough to know Beautiful madness Breathless Chronological position: Twelfth album Rank: Noob Comments: I remember reading about these guys in Kerrang! And thinking what an odd name they chose for their band. If they were all women I would understand, but no, not a pair of tits between them. Nevertheless, to date they've released fifteen albums, so they must be doing something right! Woo-hoo! Four tracks in and I already love this! And it just gets better. Not even a single track I would consider weak, and most of them are just totally kickass perfect. Intention: Must hear more http://www.trollheart.com/cookierating4.jpg |
^^^
Got that album on my hard drive but haven't listened to it yet (just started it though). Got into their Future World album a little while ago and it's quite a'ight. |
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Artiste: John Martyn Nationality: British Album: Grace and Danger Year: 1980 Label: Island Genre: Folk Rock Tracks: Some people are crazy Grace and danger Lookin' on Johnny Too Bad Sweet little mystery Hurt in your heart Baby please come home Save some (for me) Our love Chronological position: Tenth album Rank: High Priest Comments: Superb stuff, as I remember. Right from the off, “Some people are crazy” is a great slab of smoking soul folk, if you can imagine such a thing, whereas the title track rocks all over the place before “Lookin' on” takes Martyn back to his jazz roots. Unsurprisingly, not one of my favourites on the album. Not too crazy about “Johnny Too Good” either; it's okay but nothing special. But then we get the sublime “Sweet little mystery”, just beautiful, and from here it just keeps getting better. “Hurt in your heart” is a bittersweet ballad almost on a par with the previous, better-known track, with some gorgeous fretless bass and soft tender percussion from Phil Collins. “Baby please come home” is simple and yearning, but “Save some” has Collins's annoying handprints all over it, very poppy, even electronic and teeth-grindingly aggravating. Back to the soul of the opener for the closer, with “Our love” being the only song on the album co-written by his wife. Intention: I have all his albums. Must make time to check out some more. http://www.trollheart.com/cookierating4.jpg |
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Artiste: Raven Nationality: British Album: The Pack is Back Year: 1986 Label: Atlantic Genre: Heavy Metal Tracks: The pack is back Gimme some lovin' Screamin' down the house Young blood Hyperactive Rock dogs Don't let it die Get into your car and drive All I need Nightmare ride Chronological position:Fifth album Rank: I covered Raven in my NWOBHM article, so have heard a few of their albums Comments: So this is the one that almost made Raven into Def Leppard/Praying Mantis, eh? The one where they were convinced to soften their music and tailor it more to the American AOR market than the headbanging thrashy UK metal one? This could be interesting. Hmm. The opener tries so hard to be, well, hard, but fails miserably, and putting Spencer Davis Group's “Gimme some lovin'” on the album sounds like a desperate attempt to get a single. It failed. The album didn't even chart. “Young blood” shows us the Raven we had come to know and love, though it sounds like there are keyboards in there. Keyboards? Oh Jesus! And horns on “Hyperactive”? Horns? It's a terrible song too. As is “Don't let it die”. Yeah, it's pretty much a fail. No wonder it didn't sell. Thank God Raven went back to doing what they do best after this abortion. Intention: Try to wash the memory of this from my mind and ears! http://www.trollheart.com/cookierating2.jpg |
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Artiste: Jennifer Rush Nationality: American Album: Out of My Hands Year: 1995 Label: EMI Genre: Pop Tracks: Tears in the rain Out of my hands In the arms of love Fortress Shocked Who wants to live forever Untouchable Only Heaven knows Crazy 'bout you Cry, baby Nights in white satin Chronological position:Seventh album Rank: Apprentice Comments: When I first heard “The Power of Love” I wrote Jennifer Rush off as another one-hit wonder, but something made me buy the album Heart Over Mind and man was I impressed! Not a duff track and some really excellent ones. I thought, here may be a proper star in the making. So I bought her other albums, listened to them but somehow was never quite as impressed as I had been by that first listen to her material. I haven't heard much from her in the last few years – wasn't even sure if she was still alive; you never can be sure these days – but it seems she's still churning out the albums and having the odd hit. So I decided to check this one out. I'm a shade disappointed to find so many covers on it – Robin Beck's “Tears in the rain” is beautiful, and an excellent opener, and her version of Queen's “Who wants to live forever” (one of my favourite Queen songs) with Brian May on guitar and vox is decent but not a patch on the original (don't like the ending) – but then you have some standard disco/synthpop dross like the title track and I'm beginning to think that HOM was her best, or at least most mature album, the one I would venture to describe as rock, which may be why I was so let down by the other albums I heard from her. Still, as it goes on it seems that title track might be the exception and the rest is proving pretty solid if not mindblowing. Her version of the Moody Blues' classic “Nights in white satin” is a decent closer. Intention: I'll probably drop the odd album in now and then, in the hope of her ever recording a worthy successor to Heart Over Mind. This is quite close, but it ain't it. http://www.trollheart.com/cookierating3.jpg |
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Artiste: Pendragon Nationality: British Album: Men Who Climb Mountains Year: 2014 Label: Toff Genre: Progressive Rock Tracks: Belle Ame Beautiful soul Come home Jack In bardo Faces of light Faces of darkness For when the zombies come Explorers of the infinite Netherworld Chronological position: Tenth album Rank: Apprentice Comments: Although I've only heard one full Pendragon album all the way through, I've managed to hear most of the rest of their stuff via playlists, and almost invariably, what I've heard I've liked, so I'm expecting big things from this, their latest offering. Three times now I've listened and three times I've missed the break which separates “Belle Ame” from “Beautiful soul”, though both appear to be excellent tracks. There's some beautiful reflective guitar in “Come home Jack”, the tale it would seem of a traveller and what he has seen, with a typical mix of styles and sections in the ten-minute opus. It's a pretty superb track, favourite so far, and given the quality of the other two tracks that's saying something. I really like the way that, although there's no title track, the idea of exploration and conquering obstacles runs pretty solidly throughout the album. Lovely piano work from Clive Nolan on “Faces of light”, and the song really builds up well, seguing nicely into its opposite, “Faces of darkness”, with some appropriately dark, breathy synth and ominous guitar, and just as ominous and creepy is “For when the zombies come”. This is absolutely excellent. Love everything on it, no exceptions. Truly tremendous. Intention: I'm currently reviewing the entire Pendragon discography in depth in my Prog Journal, so there'll be a full review there at some point. http://www.trollheart.com/cookierating5.jpg |
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And the title is weirdly inappropriate too! In this case, far better the latter than the former. Take my word for it. |
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Whoever came up with the concept of soft rock should be shot in the back of the head btw.
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Too bad you guys don't know anything about soft rock. Though I did attempt to educate in the past...sigh.
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