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Anteater 09-13-2014 08:36 PM

4 Pieces Of Cool Music Trivia You Probably Didn't Know

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4. Ole Børud, lead guitarist of progressive death metal pioneering band Extol, has a yacht rock solo career...and he sings like Stevie Wonder too!

I've been a fan of Ole for a long time, especially since albums like 1998's Burial and the Extol s/t from last year are heavy and awesome regardless of whether you like/hate "Christian" oriented metal or not. Still, going from this with your band-



To this as a solo artist-



-is definitely the sign of someone who has a ridiculous level of uncanny talent. Now THAT, amigos, is true blue eclecticism.


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3. Frank Zappa's bassist from the second half of the 70's, Patrick O'Hearn, is one of the most successful ambient / New Age artists on the planet.

Everyone who got their career started with Zappa always seem to go off to places you don't expect afterwards, but O'Hearn is a completely different beast alltogether. He was Frank's #1 bass guy on the road and in studio for the latter part of the 70's, playing on albums such as 1976's double live album Zappa In New York and 1979's Sleep Dirt. During this period, Frank taught O'Hearn everything he knew about production, studio management, etc. and encouraged O'Hearn's interest in early electronic music and ambient (such as Kraftwerk, Brian Eno, etc.). This mentorship eventually led from him doing stuff like this with Zappa-



-to a career resulting in millions of album sales in the "New Age' oriented ambient world from the late 80's all the way to the present day. Brilliant stuff in its own right, but you wouldn't think this is the same guy would ya?



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2. Daryl Hall (of Hall & Oates) almost became King Crimson's lead singer in the 80's.

To those of you unfamiliar with Sacred Songs, Daryl Hall's first solo album from the late 70's that he recorded with his best bud Robert Fripp (of King Crimson)...the results were good enough to where the two considered joining forces for a "new" band. However, because it took THREE years to get the album released, Daryl ended up staying with Oates and Fripp ended up recruiting other people....which, of course, became the iteration of KC fronted by Adrian Belew.

But again, listen to this and tell me that a Daryl Hall-fronted King Crimson might not have been pretty cool eh?



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1. Derek Shulman, lead vocalist of Gentle Giant, is responsible for signing many of your favorite and most hated bands.

This one is less of a "look how this artist did/is doing something unexpcted outside of their main musical career" and more of a "holy shit really?" sort of story.

Derek Shulman was the frontman and eldest of the three Shulman brothers who formed underdog progressive rock band Gentle Giant back in 1969-70. Most of you are probably vaguely familiar with albums like Octopus, The Power And The Glory, etc. even if you don't like progressive rock much, as the music was, indeed, genuinely progressive, interesting and even catchy in some ways. Twelve albums over 10 years is nothing to sneeze at, but GG never had the same level of exposure or success as Yes, Genesis or ELP did during the decade. By 1980 the band was completely out of juice, and broke up quietly after Civilian tanked commercially.

In a bizarre stroke of irony however, Derek ended up becoming rich in the music industry after all...just not as the frontman for a groundbreaking band. He ended up becoming the main A&R rep for PolyGram Records...and eventually CEO of both Atco Records AND Roadrunner Records down the line. The list of bands he has ended up signing and turning into multi-platinum successes, including everyone from Pantera to Dream Theater to Slipknot and even friggin' Nickelback (blergh), is absolutely mindboggling.

It just goes to show you kids: even if you get booed off the stage at a 1972 Black Sabbath concert as the opening act, you can be rest assured that someday you'll sign Bon Jovi and laugh your ass all the way to the bank. :tramp:

Anteater 09-25-2014 09:22 PM


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I'll never break down emotionally, but here's some stuff I've picked up and gone through recently. Gems and mehs abound!
http://colectivofuturo.com/wp-conten...lbum-cover.jpg

BADBADNOTGOOD - III (2014)

Someone could just as easily refer this to "the hipster's introduction to fusion" and I'd be like "Well...yeah, but everyone's gotta start somewhere". That said, love the variety here and how meticulously it flows from one cut to the next. Big step up from the first two albums.

3.5/5


http://www.blackwirerecords.com/wp-c...ke-Jehu-LP.jpg

Drive Like Jehu - Drive Like Jehu (1991)

One of the big original influencers of a lot of today's catchier math rock that I dig, and it definitely rips. Love the axework especially! Sorry I was so late to the party guyz111

4/5


http://1.bp.blogspot.com/-xSi4YeH0hj..._Metalhead.jpg

Saxon - Metalhead (1999)

I've been revisiting various eras of heavy metal pioneers Saxon for the last few weeks, but Metalhead was their only 90's album I'd never spent any quality time with previously. Glad I rectified that: its a grand, very punchy yet "proggy" production coupled with some of the best traditional metal songwriting in their entire career. Diamond in the rough for sure.

5/5


http://www.prog-sphere.com/wp-conten...of-Silence.jpg

Anubis - A Tower Of Silence (2011)

Not all prog is created equal unfortunately. Has some fine Pink Floydian moments (the sax in 'The Holy Innocent' and the beautifully arranged title track) but if there's one thing I'm not big on in rock-related music, its plodding around without any dynamics or cool ideas. The best prog can capture your imagination for a half hour in one shot and still manage to throw in some sugary hooks or a baddass motif that the song revolves about like planets around the sun: not so here.

2.5/5



Anteater 10-05-2014 10:46 PM


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I've decided to get in on the Metal Month headbanging fun, though I'll mostly treat it as an opportunity to review stuff I actually love or feel deserves exposure to a wider audience. :beer:
So...let's begin:

Edge Of Sanity - Crimson II (2003)


Funny thing about Dan Swanö: as great as everything he's done with Edge Of Sanity is, I've heard his solo stuff, collaborations with others and all that jazz...and a lot of it is surprisingly boring, tedious or a combination of the two. It just goes to show you: some of us are meant to deliver pizza, some of us are meant to be leaders of industry, and some of us are meant to only create masterpieces under a single, inseparable moniker in our basements.

And make no mistake: I love death metal and progressive rock whether they are together or separate, but Dan was the first guy to try bringing them together in the early 90's in a coherent dazzling fashion...atleast a year or so in fact before a certain other group that starts with and O and ending with a Peth would try to do the same thing (I love them too, but that's a story for another day).

What I'm trying to get at here is that Dan Swanö is one of the few people in metal since the 80's who can make a legitimate claim to actually doing something completely new and pushing the ball forward in some way, and all you have to do is listen to something like 1992's Unorthodox, 1996's Crimson or its sequel record here to experience the difference firsthand. Huge pummeling production combined with early Dream Theater-esque keyboard runs? An uncommonly organic mix of clean and death vocals that doesn't come off as pandering to one type of audience or the other? Crimson II is a potent, compelling mixture of all these seemingly incompatible elements and yet manages to make it work.

Perhaps the thing I love most about this album is Dan's obsessive attention to detail: even the best classic death metal bands sometimes sacrificed range and dynamics in favor of a relentless energy, but this record homes in on your ears like a carefully guided missile and doesn't overstay its welcome. The keyboard work in particular serves a melodic role that you rarely hear in death metal, and like good classical pieces features a variety of recurring musical motifs (like the circular riff that shows up in 'Incantation' and 'Face To Face').

As a big fan of Dissection, Emperor and their more obscure ilk, I love extreme metal that engages you via multiple sonic avenues. A strong juxtaposition of violence and melodicism is my ideal poison, and for anyone who wants a taste of the same this minor classic gets my highest recommendation. This final release from EoS was pretty much a one-man job too: give credit where credit's due!

Oh, and there's a great complicated comic bookish degenerate sci-fi backstory behind this and the first album from '96, so that's some icing on the cake for anyone who likes a good narrative flow. :hphones:



Anteater 10-13-2014 04:00 PM


Some specific spotlighting in 2014 metal (so far). AKA, my impressions on a bunch of great albums all in one shot! :wavey:
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Revocation - Deathless

Their impressive self-titled didn't quite make the cut for me last year, but Deathless has literally clawed its way up out of the "to check out someday" pile to "holy balzak" in the space of mere hours to a few days via pure, unadulterated thrashy swagger. And I haven't even bought the damn thing yet: the full stream has been available a few days though. Booooom!




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Issues - Issues

People like to either cite this album or that Babymetal record as the worst "metal" release of 2014, but not all of us are that small minded. Stirring up some New Jack Swing, dubstep, chiptune, metalcore with a swig of Djent ranks right up there with some of the stranger stuff you'll run into all year, but such an uneasy mixture actually makes it stand out as one of the most interesting albums of the year. And Linkin Park never could have cooked up a song as good as 'Sad Ghost', that's for sure.


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Nightbringer - Ego Dominus Tuus

Black metal perfection along the lines of classic Emperor or maybe Dissection. And they're from the good ol' U.S.A. of all places too! And best of all, the production is a blood-soaked cavern where everything sounds simultaneously titanic yet somehow your ears can follow the whole thing without losing the thread.


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Teramaze - Esoteric Symbolism

My favorite progressive metal album of the year, bar-none. You've heard this "vibe" before if you've spent any time with groups like Karnivool or Tesseract, but these Australians aren't afraid to knee you in the face with roller coaster hooks to the jaw over and over again: very refreshing methodology considering how much noodling that tends to come with the aforementioned "prog" metal tag. So yeah, very straightforward with no major surprises, but that's not a bad thing when you pull it off this much finesse.



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Hail Spirit Noir - Oi Magoi

Every year has "that" one really amazing experimental metal album that doesn't fit easily into any particular box. These guys are notable as being one of the very few true-blue successful hybrids of black metal and 70's heavy psychedelia, and the experience that you get with Oi Magoi is definitely something special. I liked their previous output, but this one steps up the songwriting game considerably.



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Fallujah - The Flesh Prevails

Death metal is rarely "beautiful" beyond the aesthetics and tropes people who are already fans of the genre look for, but the vast spacious production these guys choose to play in makes you feel like your falling through the sky while listening, and that's a rare thing outside of, say, the land of Devin Townsend and his ilk. The guitar textures that serve as "scenery" throughout The Flesh Prevails are simply mindblowing.


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Yob - Clearing The Path To Ascend

The kings of contemporary sludgy doom that eats into your bones over and over and over again. Pallbearer and Bongripper are good n' all, but this album is on a dimensional plane all of its own.


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Malpractice - Turning Tides

Progressive pop-punk metal with a juicy early 90's alternative rock edge that drew the uninitiated among us to bands like Failure and Faith No More back in the day. These guys have struggled to find an audience for years now despite their knack for crafting some helluva memorable material, and if this album doesn't finally wake people up then I'm going to be really pissed.


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Sanctuary - The Year The Sun Died

Sure it ain't Refuge Denied or Into The Mirror Black, but what is? Warrel Dane is is fine form here and the songwriting is better than the last few Nevermore outings. Plus there's something oddly satisfying about hearing vaguely late 80's USPM material being filtered through a more modern lens. Little things like that are what warrant repeat listens to an album that's been talked about for years but nobody ever thought would see actual release.



Trollheart 10-14-2014 05:22 AM

Yay! Metal Month II has extended beyond the boundaries of The Playlist of Life! Great job Ant and cool reviews: maybe I'll grab one of those albums for the show. Which would you suggest? I'm thinking Sanctuary, for some reason...

Anteater 10-14-2014 06:58 AM

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Originally Posted by Trollheart (Post 1497552)
Yay! Metal Month II has extended beyond the boundaries of The Playlist of Life! Great job Ant and cool reviews: maybe I'll grab one of those albums for the show. Which would you suggest? I'm thinking Sanctuary, for some reason...

You'd like the Sanctuary album, so I'd definitely recommend it. You might want to reacquaint yourself with the two late 80's Sanctuary albums I mentioned plus Nevermore for reference though. :)

Trollheart 10-14-2014 09:12 AM

Ah, work, work, work! ;)
http://imageenvision.com/450/19389-s...t-by-djart.jpg

Anteater 10-18-2014 04:48 PM

^ Have I ever led you astray? You should have faith in my recommendations at this point amigo. :beer:

Anyway, time for some moar metulz-


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5. HammerFall - Fury Of The Wild (from 2005's Chapter V: Unbent, Unbowed, Unbroken)

One of the earliest power metal songs I was exposed to as a youngster, and even all these years later it doesn't fail to get my blood pumping. Its a key track on HammerFall's best album, so I suppose there's that too. There's nothing mindbendingly original about the chord progression or anything, but the chorus + riff will definitely get stuck in your head like delicious peanut butter.


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4. Balance Of Power - Day Breaker (from 1999's Ten More Tales Of Grand Illusion)

Balance Of Power are one of those relatively obscure bands from the 90's who didn't fit too cleanly under one umbrella: were they neo-classical, power metal, or a more European sounding Queensryche? A bit of all three it turns out, and 'Day Breaker' exemplifies everything they do so well: Lance King's huge vocals, that killer riff and a drummer who is going so fast you think he's gonna snap his wrists off before they even get to the chorus.


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3. Crimson Glory - Red Sharks (from 1988's Transcendence)

An interesting, thrashier take on the early power metal sound. Crimson Glory are considered alongside Helloween and a few others as the biggest influencers on the direction power metal would take into the 90's and beyond (I've reviewed their discography previously), and this song has a tasty discordant undertone that complements Midnight's distinctive shrieks. Fun, but heavy.


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2. Helloween - I Want Out (from 1988's Keeper Of The Seven Keys Pt. II)

Who wouldn't include this song and band? Essential listening for the initiated and uninitiated alike. It was either this or some early Blind Guardian, so I flipped a coin. :wave:


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1. Pagan's Mind - Supremacy, Our Kind (from 2005's Enigmatic: Calling)

Easy #1 for me, as these fellas are also arguably the best band working in power metal since the early 2000's, and definitely in the top five groups ever in the genre by this point. They peaked in the '05 through '07 with this and their next album God's Equation, but these guys have always been a little bit special. Their songs often surprise you with hooks and progressions that are catchy yet somehow endlessly inventive, lead guitarist Jørn Viggo Lofstad is some kind of superhuman, and vocalist Nils K. Rue is so good you want to see some of these intergalactic yarns in graphic novel form to accompany the music.



Anteater 11-11-2014 09:07 PM

Well, after taking a relatively short hiatus due to being a busy bee in real life (running your own business ain't no cakewalk), I'm back to announce my journal's next theme for awhile, a "style" of music I am intricately well versed in. I will be covering interesting songs, stories from the "scene" as well as laying down my top 30 albums or so in the fantastic, wonderful genre known as...




...AKA, Westcoast-AOR. Stay tuned.
;)


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