enemyat_thesix

Some call it the future of metal, others call it the death. Regardless, no one can deny the monstrosity that deathcore has become. In the past year, the former fringe genre has exploded into the single most saturated genre in metal. On the wave of this influx have ridden a number of misconceptions concerning deathcore. As an avid hardcore and metal fan, it brings me great pain--and anger--to see the term being applied to any and every band.

Deathcore--in my opinion--was established by bands such as ASP, pre-Malice TTEOTD, pre-Animal Animosity, ABRB, and a few others. These bands infused metalcore with death metal influence. ASP brought the guitar solo to metalcore, something not many bands in the genre did. TTEOTD, Animosity, and later ABRB brought death metal style riffing and song construction to metalcore, as well as the blastbeat--I can't think of many metalcore bands before them that used the blast. These bands also began to adopt death metal style vocals, that is, darker, lower register growls, rather than the higher register shrieks and cookie monster growls of metalcore. However, they retained the breakdown and two-step devices from metalcore.

Deathcore was still relatively underground; I only stumbled upon it through hxcmp3.com, from which I downloaded a couple TTEOTD songs--keep in mind, this was four or five years ago, maybe more. I had been listening to metalcore for quite awhile; but this sounded different, and I liked it.
I delved into the genre a bit, discovering Animosity and ASP, who expanded the musicianship of the genre.

Then came JFAC, specifically, "Entombment of A Machine". Now, I am not a metalhead, but I blame this song for the explosion of deathcore. I can't even remember how I came across it, but again, I had heard nothing like it*. By "it" I mean the "bree", or "pig squeal" approach to vocals (ASP had used it some, but sparingly enough to where I hadn't considered it a separate style of vocal). Somehow, this song spread like wildfire, at least in the circles I knew. The breakdowns appealed the metalcore kids, and the furious rif***e appealed the metalheads. Copycat bands began springing up everywhere, jumping on the Breewagon.

Fast forward two years, to present day. Very few bands are producing true deathcore. A term more appropriate to today's scene is mosh metal. Bands such as Suicide Silence, Whitechapel, UTG, AOAA fall under this category--a genre I also call Spacecore, for obvious reasons. Every band is the same; musicianship and originality has been thrown to the wind. Generic riffs are recycled over and over, as are generic breakdowns. Everybody and their mom plays mosh metal; and somehow, the kids love it. Ten more bands spring up everyday; even their names are formulaic, seemingly made with a Mad Lib: "(noun) From A (noun)", "(noun) After (noun)", "(noun) For A (noun)", etc. Oh, and alliteration is a must.

But I'm straying away from the music itself. My point is, deathcore is dead. The **** that's being put out now by clone bands like The Argent Dawn, Here Comes The Kraken, Knights of the Abyss is mosh metal. Just as importantly, stop applying the term "deathcore" to bands like The Acacia Strain.
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What do you guys' think? Is deathcore dead, or is it merely changing? Do you think this new style of music is different enough to receive its own label?





* I know now that this style, along with the--what I call--burping style of vocals had been used much earlier in brutal death.

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