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I think LCD Soundsystem's reunion is more interesting than Axl's bitch punk ass band :finger:
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Axle doesn't have an e.
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I'm a guitar player, so this is a bit biased, but here's one good example of my stance on this: It's funny how everybody creams their pants over the guitar solo in November Rain when it's just Stash bending a note to a minor, and then there's Reb's work on Witness that had gone mostly unnoticed because it didn't get any limelight. In my personal opinion, this outro solo is one of the most soulful and emotional guitar solo's I have ever had the privilege of putting into my earholes. It's got more feeling in just a few tremolo bends than any of Stash's phoned-in crap. Starts @ about 4:00 |
I don't like either of them, but I think that playing appropriately for the music that you're making is a greater sign of talent than complexity and technical ability. That being said, I 100% agree with Plank that Slash plays his guitar via phone.
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His hat is pretty cool though.
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Here, have some funny:
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That's a bit too scary for me, I'll pass.
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I’m not here to defend Slash—I think he’s kind of one trick pony who hasn’t done anything worthwhile since the heyday of G’n’R. I’m saying G’n’R worked not as individual pieces, but as a whole. They were more than the sum of their parts and they made some great music at one time. |
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As for GnR... I've never liked them. I think their popularity stemmed more from their personification of the rock and roll lifestyle (and they all played into that illusion really well) more so than having actual talent, which was the point. Sure they were talented, but Winger has more. In my humble opinion. Quote:
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I'm aware of that. I just think of it as more important than technical or even emotional elements (although emotion is very high up on my list) when determining talent.
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I don't like Whitesnake, but I love John Sykes playing.
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But surely they wouldn't have been the biggest band, or ever were. I agree. I'm just saying that they did well back then. And I knew a reunion of some sort would happen eventually. Doesn't excite me really. Cool I guess. |
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As far as GNR'S reunion, I saw them in their heyday with the Stones and they are a horrible live band from my standpoint. Appetite still holds up as a good rock n roll album. I never considered them a hair band either with regards to the debate. They always looked like they needed a shower and shot heroin, hair bands typically looked like they spent hours on their hair and were more about the skirts then their music. |
Flex-able is the only one I like because he wasn't Satch 2.0 by that point. He was more like Zappa lite, which is much preferable to the usual "hey look, I can solo over this."
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All I care about is the guitar playing. |
Winger...I could never stand that band and it wasn't until I started posting on the guitar forums I found there are more than a few that really dig the band, mostly due to Reb's playing. I can't knock the dude's playing, but it is Winger for ****'s sake! Stewart from Beavis and Butthead rocked a Winger shirt hahaha! Another thing that really led to my dislike was hearing Reb talk much crap in several interviews about Kirk Hammett due to the video of Lars, darts, and a Winger poster in the Nothing Else Matters video - Kirk has always come across as a really laid-back person and hearing Reb trash his playing was just pathetic coming from a dude who poofed his hair-up and played on such crap as Seventeen. That and ol' Kip making the ridiculous comment " I’ll ****ing challenge those chumps to a fight any day of the week, but we could play their music with our hands tied behind our back. "
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lol
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Would anybody be surprised if I said this is the first time I've heard of Winger?
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Love Flex-able. 100% agree with Frownland about it and Vai. (mark your calendars folks!)
Beach's playing gets lost on way too many folks because of the Winger baggage BS. The dude is easily amongst the best of the slinger era guitarists technique wise (his melodic tapping is only rivaled by Vito Bratta and Steve Lynch). Plus as Plank noted he can reduce a fellow slinger to tears with his phrasing. Many have heard this song as a joke but take a real listen to the main solo and then the outro. Un-freaking-believable stuff. Also a great showcase for Kip's vocals. |
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