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https://jesusthecarpenter.bandcamp.c...int-soundtrack https://jesusthecarpenter.bandcamp.com/track/kerensa-2 https://jesusthecarpenter.bandcamp.com/track/mulftur https://jesusthecarpenter.bandcamp.c...enter-the-foil |
I do find it an odd phenomenon that many many threads that have really nothing to do with it end up being the latest battleground for the Chula V Frownland rivalry. Oh well...
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That's what you get when you have a bitter old man posting nonsense and a grumpy hipster willing to take him up on that nonsense.
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Whoa chill I'm getting off of your lawn! I just approached to answer your question. |
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:shycouch: Edit: Um, can I ask who are the three people voting that DT is a genius but don't seem prepared to come in here and back up that claim? Come on: you know who you are. I, however, do not. |
Townsend is trying to make a living off of his music (and his persona helps sell it), so he'll sell anything he can and probably has some influential people advising him to do so. *shrug* So goes the way of the capitalistic world of the music industry.
Have you been keeping count of Bucketheads Pikes? Yoiks. He's up to 301. These people need to sell their material in order to maintain their lifestyles regardless of what you think of their personalities, although some artists like to have an all inclusive persona that entices the consumer. It's nothing new. As for the Chula/Frown bit... different strokes for different folks and all, but I'd like to hear Frown record something with a 4/4 beat. Something bluesy. |
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Bluesy and kinda 4/4 |
I forgot about Buckethead. What's a pike though, other than a fish or an ancient weapon? Mind you, to date anything I've heard from BH has been pretty damn good, whereas I can't say the same for DT. But anyone pretentious enough to release an album called Stuff That Was Stuff Before It Was Stuff (or something) deserves at least my scorn.
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