Come and See, for it's terrifying ambient/drone stuff mixed with classical.
Eraserhead, for it's droney, grating background ambience. Bladerunner, because I love how Vangellis builds a really moody electronic noir soundtrack. The Good, The Bad and the Ugly, because spaghetti western music is so ****ing cool, and because Ennio Morricone. |
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I had read somewhere that people hated The Holy Grail when it didn't have a soundtrack, but when they added music to it, they did what us modern folk do and loved it. |
I think it goes without saying for me.
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Don't think anyone has mentioned The Departed or Boogie Nights, so either of those.
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The Billy Preston theme song from the Split is one of the greatest movie themes of all time. But my favorite original soundtrack ever is really tough. The Lost Man Soundtrack by Quincy Jones is definitely up there. The Quiller Memorandum soundtrack, The Great Silence soundtrack, and the Revenge soundtrack by Jack Nitzche are all also very beautiful. Bernard Herrmann's soundtracks are also great, Taxi Driver, Sisters, Twisted Nerve.
You know what I think my favorite soundtracks are the soundtrack albums Elvis did: Loving You, King Creole, G.I. Blues, and Roustabout. Pretty much all the other soundtracks by him sucked a fat one but those four are four of the best records I've ever listened to. |
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And of course. |
The actual answer is probably Superfly, Trouble Man, or The Good, the Bad, and the Ugly, but I'm going to be more pretentious than any of you and say AKIRA by Geinoh Yamashirogumi.
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^Haven't seen Akira. Do you think pretentious people with no real interest/knowledge in that style would like it?
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