Quote:
Originally Posted by Rubato
It doesn't have to be made up completely of diatonic chords to keep its tonal center, tonality isn't that fragile, especially in this case where we have a Parallel key.
If you take this progession
and elaborate it with secondary dominants
it changes nothing in the function of the initial triads.
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Secondary Dominants function as passing chords, just like any notes other than A B C# D E F# G# would function as passing or lead tones in the key of A Major.