Quote:
Originally Posted by GuitarBizarre
It'll do everything a real amp and cab will do, including cleaning up when strumming softly.
The amps modelled are, in order:
AC Box (Vox AC-30)
Bass Pro (Ampeg SVT-2 Pro)
Citrus (Orange Overdrive OD120)
Cool Plex (Seems to be a modified plexi with slightly less gain and a different tone stack)
Gratifier (Mesa/Boogie Dual Rectifier)
High White (Hiwatt DR-103)
Hot Plex (As above, but with more gain instead of less)
Hot Solo+ (Soldano SLO-100)
Jazz Amp (Roland Jazz Chorus-120)
Jump (This is a Marshall JCM800. The early versions had 4 inputs, which you could cross patch to get more gain out of them. I'm guessing this one is patched to get LESS gain.)
Lead 800 (Marshall JCM800 Lead, this one is probably patched the traditional way, to get MORE gain)
Plex (Marshall 1959 SLP)
Rammfire (Based on a modified dual rectifier, made with the input of Ramsstein's guitar player Richard Kruspe)
Twang Reverb (Fender Twin Reverb)
Tweed Delight (Fender Tweed Deluxe)
Tweedman (Fender Bassman)
Ultrasonic (Bogner Überschall)
Van 51 (Peavey 5150 or Peavey 6505)
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Hahaha I love knock off names like this. Tweed delight it my favorite. My rig consists of a BBE sonic maximizer and a Ibanez L7 lo fi pedal. I use the BBE sonic maximizer in the effects loop of my mustang amp to clean up distorted tones (you would be amazed how convincing they become once you put the thing in there) and use the Lo fi pedal when I am going through my 65 reissue twin reverb only when using vocals through it though. Usually I just run straight into my twin most of the time. In a live setupthe mustang gets used for vocals and keyboards and the twin gets used for guitar and my friend runs straight into an AC30.