Quote:
Originally Posted by mr dave
that's pretty cool. reminds me of a mash-up of pantera and meshuggah. good recording quality too, what did you guys use? or did you pay for studio time?
my one concern with the method you describe above is that it's an easy way to trap yourself into a corner. you seem to have a good attitude to get around that though, so long as you remember that sometimes 'not' playing a single note is more challenging than playing the entire scale.
as for CO's 5-string hate, whatever  my co-worker thinks they're redundant instruments too. i can understand people not liking the extra width of the neck, that's quite understandable and it 'was' an adjustment when i made the jump. on the other hand, crapping on the instrument because you think the extra string is superfluous is foolish.
for me it's all about tone, it's the same reason one of my guitars is tuned down to C. my approach is not that i'm playing bass so i should plunk down some root notes on my low-B, but to consider its full potential range and to apply it to the moment as necessary. |
Hey, thanks a lot, man. Pantera was a very transitional inspiration for us. We actually used to be a classic rock cover band, playing 4 hour shows when I was 11-15. It definitely helped to develop necessary chops and hand strength. But then Pantera, Rage Against the Machine, Alice in Chains and puberty took over, and we went in our own direction with our original material.
I hear you on the whole genre-trap folly. That's always been a trap that we've been wary to avoid. Our full-length should demonstrate that pretty well. And I've always been grateful for bands that have had the guts to expand their repertoire regardless of initial scene notoriety. A good example I think is Between the Buried and Me.
S
hit, we're getting totally off-topic here, aren't we? You think we start another thread?
