|Register||Blogging||Search||Today's Posts||Mark Forums Read|
|View Poll Results: How did you like the album?|
|Not Bad. Not Great.||0||0%|
|Alright I guess, I won't play it again.||1||50.00%|
|This was god awful! Run away!||0||0%|
|Voters: 2. You may not vote on this poll|
||Thread Tools||Display Modes|
|12-10-2013, 02:30 PM||#1 (permalink)|
Join Date: Aug 2004
Location: Boston, Massachusetts
Iron & Wine - Ghost on Ghost
Released April 16, 2013
Genre Indie pop, indie folk, jazz, blues
Label 4AD, Nonesuch
Producer Brian Deck, Sam Beam
Iron & Wine is the rare act that, while abandoning the sound of their opening albums, have only improved over time. And Ghost on Ghost adds to the giant leap that Kiss Each Other Clean gave us from previous albums. As with both albums, the concept is hard to put your finger on. Its certainly not folks, but it isnít anything else on a charted map either, and rather than fall into the ridiculous trap of trying to find a genre title to satisfy everyone, lets just call it Iron & Wineís new album.
While it isnít in any one location, Sam Beam has clearly been few places on the musical landscape, and Ghost on Ghost sounds like a scrapbook of his explorations while he was traveling; Horns, harmonies, a low-fi jazz that somehow combines New Orleans Jazz with the Cool Jazz of the major cities. He edges toward an organic version of trip hop, and all of its anchored by his stoic, unflinching almost-monotone delivery that seems to be the only constant in his universe. If we could make a correlation to anything, his vocals are Miles Davisís trumpet. An unchanging beacon in an ever changing world of chaos, sound, and the occasional bout of music.
And Beamís lyrics, which heís said he intentionally leaves vague, or without real meaning behind them, only help to sell this ďlost in AmericaĒ sound thatís found on his album. On Low Light Buddy of Mine he sings ďHe's a buddy of mine but that won't lastĒ Ė in Ghost on Ghost, its as close to the real thing as youíll get. Even on songs that sound and seem positive have an underlying sense that the truth isnít all there, and the luster of magic in Joy is as fleeting as the honey moon phase of a new relationship.
Somehow this album manages to masterfully combine the American Gothic ethos with a urban jazz feel that combines to feel like the unease a stranger feels in any new town when it looks like Steppford, and feels like Amityville.
Singers and the Endless Song
Low Light Buddy of Mine
Caught in the Briars
|12-12-2013, 09:32 PM||#2 (permalink)|
I love Puck
Join Date: Sep 2005
Location: British Columbia
Great review...still really haven't grasped the album. Sam Beam's songwriting has definitely just continued to get better and better with each album somehow. Such an incredible objective lyricist.
I actually feel his singer songwriter versions of the tracks in his studio or radio sessions are far better than the album. Goes for Kiss Each Other Clean as well in my opinion.
We are entirely smooth, We admit to the truth, We are the best at what we do.