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Trollheart 04-14-2013 05:53 PM

The Music Banter Members' Journals Monthly Update Thread
 
Dateline: April 14 2013

Message begins....

Welcome to the first edition of the New Music Banter Members' Journals Update Thread. We've finally been given out very own thread, so no more piggybacking on the "What's going on" thread! Yay!

First let me apologise for the turn the posts took recently. Having injected some humour into the update I feel I let it take over and it became more a comedy slot than a serious update. I know some people liked it, and I appreciate your comments, but in fairness the first and really only aim of this post, now thread, should always be to inform people about the journals being kept in the Members' Journal section, and to advertise them and try to encourage people to visit them. In that I feel I failed you all, and I offer my apologies. It'll be a lot saner from now on. Who said boo? ;)

Seriously: no more guest reviewers, no more lengthy comedy routines, no more "Jesus-you've-written-ten-paragraphs-and-still-not-mentioned-any-journals!" From now on, the focus is and will be detailing the content and status of the Journals Section.

With that in mind, let's get right to it!

And we have, for I think the first time in this update ever, a full page of entries! Right down to the end of page 1! Well done guys!

Antonio has not posted for nearly five months now, but he's making up for that this week. In http://www.musicbanter.com/members-j...ng-ground.html you'll find "Songs I'm diggin" with Ghost BC (who he interestingly describes as "satanic disco rock" (!), Joey Bada$$ and Odyssey, as well as looking at the soundtrack to the game "Metroid Prime". Good to have ya back Antonio!

You can always rely on the Batlord to have something weird in his journals, and in http://www.musicbanter.com/members-j...t-schemes.html he's helping us comedown easy from his True Metal Epic with as he says himself, "something completely different". That could be Mayhem, or Arcturus, take your pick. Oh, and he's pleading --- well, he don't plead: demanding, ramming it so far up your --- you get the idea --- for "General Hospital" to be taken seriously. Dunno man, never watched it, but I hate medical drama of all kinds. Now, now, put that big chainsaw dow----

Or you could delve into his other journal, where http://www.musicbanter.com/members-j...lks-about.html Believe it or not, this hard-as-**** metal god is trying to get into Country! Hey, but some Country is good. Oh yeah, but the Batlord and Country? Sounds like a marriage made in Hell, no? Anyway, his journey has now taken him into the world of the Man in Black: no, not that one! Johnny Cash! Tune on in and see what he thinks. That wasn't a request...

Big Ears is back! In his journal he's http://www.musicbanter.com/members-j...s-journal.html about Frumpy 2, from, er, Frumpy, a 70s prog rock band with a singer you will NOT believe is female!

And after a short absence CanwllCorfe, the man with less vowels in his name than you reckon there should be, is http://www.musicbanter.com/members-j...an-corner.html and is ruminating about what it is that makes him love or hate certain songs. He calls it "the thing", and you can read about it by heading his way.

Another one taking up the pen/stylus/mouse/keyboard and writing again in their journal is Kayleigh, and she's looking at songs that make her feel a certain way. Always a good move. You can check what makes her tick, musically, and how, here in http://www.musicbanter.com/members-j...s-journal.html

Having changed the name of his journal to http://www.musicbanter.com/members-j...-sessions.html Goofle11 is now trying a new way of discovering new music, by watching videos of people who display their record collections. Hmm.

Ki is back with notes on albums by Darkwater, Kokomo and, er, Bring me the Horizon? Erm, yes, quite. You'll find it all (and more) here http://www.musicbanter.com/members-j...er-things.html

Great to see a couple write about music, and Ki's ladyfriend Ladyislingering has started her own journal, http://www.musicbanter.com/members-j...ic-memory.html where she's looking at music that has a special meaning for her. Welcome and we'll look forward to more from you soon; any friend of Ki's.... :thumb:

If you haven't yet witnessed the superb art that Pedestrian creates, shame on you! Head to http://www.musicbanter.com/members-j...sswalking.html right now, realise what you've been missing and beg her forgiveness for being so late to the party!

Another amazing new journal is from The Phantasio, who is giving us what look like excerpts from a novel she's writing? And it's seriously good. You will not want to miss http://www.musicbanter.com/members-j...s-journal.html --- get in now, before she becomes a famous author and you have to buy her books!

Shameless Plug time! Plankton has very kindly asked me to review his album, which I am working on at the moment and will have posted in the next day or so in my journal, so watch out for it. Meanwhile, he's throwing some more material into http://www.musicbanter.com/members-j...um-bucket.html, with the evolving story of his journey to guitar greatness, which I have no doubt he is a gnat's whisker away from achieving!

PoorOldPo has some more http://www.musicbanter.com/members-j...ychedelia.html for you to enjoy, including offerings from Gong, Syd Barrett, Gonjasufi and Broadcast and the Focus Group. Check them out, as he says, NOW! Seriously, you do not want to mess with this guy! He's been inside! I mean it...

Another budding author is Psychedub Dude, and while I haven't had a chance to read his story, it looks pretty damn good, so head to http://www.musicbanter.com/members-j...ool-stuff.html and start reading!

Not content with starting one new journal this week, and no doubt thinking himself the Batlord or (perish the thought!) Trollheart of the Journal World --- we shall do battle Sir! --- Screen 13 has started two! In his first, the spookily-titled http://www.musicbanter.com/members-j...ies-other.html he's doing exactly what it says on the tin: looking back to the days when record shops, or malls, were king; before itunes and Youtube, when you had to actualy walk to a shop to buy your music .... you don't believe any of this, do you? Walk? Shop? Money? Bah, kids today, don't know they're born, wasn't like this in my time, Generic-Oldie-Rant-About-The-Youth-Of-Today # 1,590....

And then he's back! With http://www.musicbanter.com/members-j...album-day.html, this time going even further back in time, to the sixties. Screen, your writing is excellent and once I have a moment I will read all your entries, but the amount of new journals and updates this week (though I'm certainly not complaining!) has made it necessary for me just to skim through them in order to make the deadline for the update. Your work looks great though.

All of this updating and new journals being started makes me feel a little guilty, because I haven't touched either of my other two journals this week (though that will change tomorrow) and so you'll have to be content with http://www.musicbanter.com/members-j...d-journal.html, where I'm looking at the legacy of a-ha's runaway hit "Take on me", reviewing albums by The Dixie Chicks and the new one from Bowie, and presiding over another "Marriage made in..." Suppose that's not bad really. Still, expect more. Much more. And soon. And watch for the review of Plankton's album in the next few days.

Wrapping up 1974, Unknown Soldier has reviews of Granicus, The New York Dolls and a whole host of the usual albums that "didn't make the cut", as well as a feature on Queen! http://www.musicbanter.com/members-j...y-history.html now surely pounds its way to 1975. We wait in anticipation...

Normally that's it, unless Urban has some pearl of wisdom to shoot our way, and US is left sweeping up and locking the doors after everyone else has gone down the pub (ever think of changing your username? Sucks being last!) :D But this time he gets to scarper and join us at the bar, as the illustrious Zero makes a comeback, with http://www.musicbanter.com/members-j...nal-sound.html, where he's talking about the Chemical Brothers. Nice one, Z! Don't forget to turn out the lights: electricity ain't free ya know! ;)

And that's usually where we leave it, but from today I want to open a special new section, in which I'll be taking an extract from a member's journal and posting it here, so that anyone who can't be bothered going to the section can see what they're missing. The extracts will usually be short and hopefully interesting, and with a bit of luck will encourage you to head in the direction of the journals if you're not already reading them.

http://www.musicbanter.com/avatars/4...ine=1365523297

And there really is nobody else we could start off with, is there? The Batlord takes comedy and an abiding love for True Metal, mixes in a generous amount of fantasy and comes up with one of the most enjoyable posts I've read in ages.

Disclaimer: the Batlord uses a lot of, ahem, colourful language in his posts, and you just need to go with the flow, so if you're offended by such language, I believe he would respond thus: **** YOU!



Quote:

Originally Posted by The Batlord (Post 1289215)
The Lay of Sigurd: Remixed Part I



(YouTube video is: Iron Maiden "Caught somewhere in time")


It was a dark and stormy night. That's a lie. It was like 3 pm on a Tuesday, but that doesn't sound nearly as bad ass. So why the fuck did I even say anything? Fuck it. So, it was a bright and sunny afternoon, and I was bumpin' Somewhere In Time by Iron Maiden, when the most awesome fucking idea came to me. I should go time travelling. Hell yeah! First, I had to go tell my boss that I wasn't coming in to work today. I woulda called, but I had to throw my phone at some kid wearing a Slipknot hoodie. I went up to my job, and long story short, I hit him in the face with a brick. Now I just had to find a time machine. There was only one dude I could think of who might have one. Devin Townsend. What's that you say? Why would Devin Townsend have a time machine? Cause Devin Townsend is the mad scientist of metal, the mastermind behind Strapping Young Lad, and an uber genius who routinely kicks Stephen Hawking's ass at Scrabble. But a True Metalhead would know that. Which means that you're a fucking poseur. Don't let me catch you around here, bitch. I will fuck your mother in the ass and make her lick the shit off my dick while you watch. I guess I got kinda carried away there, but poseurs just get my goat. Anyways, now I just had to go to Antarctica and find Devin's secret laboratory.

Unfortunately, I couldn't take a plane, since I was on the no-fly list. Apparently you're not allowed to go on a plane with C4 in your underwear. Long story short, if you wanna get all the way down to the tip of South America without any money and you're not willing to suck trucker cock, your only real option is hijacking a mother of two and handcuffing her to radiators in sleazy motels at night to keep her from going to the cops until you get to Chile. But that's another story. After that, it was a simple matter to stow away in a ship going to Antarctica to resupply some science base. Most of the scientists were poseurs, but I'd found a contact on the UMU (Underground Metal Underground) who worked there who could take me to Devin's laboratory. Time machine, here I come!

Once I arrived at the laboratory, I rang the doorbell and waited for several minutes until Devin's face appeared on a monitor next to the entrance. "Who the fuck are you?! If you're the pizza guy, I called you guys like six months ago, so you can kiss my ass if you expect a tip!" "No", I said, "I just wanna use your time machine." "No one but a True Metalhead may step foot in the Devlab. If you would enter my sanctuary, then you must prove that you're not a poseur. After all, anyone can buy a Morbid Angel t-shirt." "I am a Defender of the Faith until the day I die. I can pass any test." "Then answer this question: who would win in a fight between Lemmy and God?" "Dude, Lemmy is God." Then, the screen went black and the door opened. I entered the Devlab and made my way into Devin's inner sanctuary, where I found him making the Millennium Falcon out of LEGOs. Sweet. When he saw me, he asked, "So, how did you know that I had a time machine?" I responded, "Dude, you wrote City. Of course you have a time machine. So can I use it or not?" "Any True Metalhead is more than welcome to use my time machine. Follow me." With that, we left his sanctuary and went into another room with a bunch of time machiney looking shit. Use your imagination. I'm fucking lazy. Long story short, there was a pod, and buttons, and a switch, and a midget named Miguel, and before I knew it, I was a time travelling motherfucker. Kick ass.

To Be Continued...

Admit it: you want more, don't you? You want to find out what happened, where the Batlord went, what he did. Well, you're in luck, because next week we'll feature the second part of this YOU MUST BE JOKING! You want to read his epic tale you drag your sorry ass to his journal. The guy has put serious work into this and you need to give his journal the attention and honour it deserves. Seriously. You will never regret it even for a second.

Next week, something else.

Don't forget, you may not be a Metal Hyper-God like the Batlord, but you too can create your own journal. Just go to the section and post your thread. The mods will okay it and you're on your way. What are you waiting for? Do it. Now.

Oh, and if anyone currently writing a journal would like an extract published here, drop me a PM. And a thousand Euro. Okay, just the PM then. Cheap shower of....

See you next week, same time, new place.
Toodles.

The Batlord 04-15-2013 09:32 AM

Quote:

Originally Posted by Trollheart
Oh, and he's pleading --- well, he don't plead: demanding, ramming it so far up your --- you get the idea --- for "General Hospital" to be taken seriously. Dunno man, never watched it, but I hate medical drama of all kinds. Now, now, put that big chainsaw dow----

I'm not telling people to take it seriously. Just the opposite. It's so gloriously ludicrous that I can't help but be entertained. A chick got chriogenically frozen for ****'s sake! How is that not hilariously awesome? And the hospital is just a setting for cheeseball soap opera drama. Scrubs is more of a medical drama than General Hospital.

And thanks for the shout out. I love my epics, and they do take far more effort than a sane man is likely to put into something so stupid.

Psychedub Dude 04-15-2013 09:25 PM

Whoa sweet thanks for the mention Trollheart! I'll try to keep up the quality blog posts yo! :thumb:

Goofle 04-17-2013 05:09 AM

This thread is gonna be awesome sauce.

Screen13 04-17-2013 06:29 PM

Thanks! I will try to make sure that the music in the journals is varied and kept interesting while my information is as accurate as possible. I'm also doing a lot of research on the business surrounding the "Golden Age of Cut Outs", so I hope I can get everything together for posts focusing on that soon.

Trollheart 04-21-2013 05:00 PM

Update for week ending April 21 2013
 
Welcome to the second update of the Members' Journals here in our new home. Let's get right down to it then, shall we: there's a steak and onion pie in the oven as we speak with my name on it!

Batlord gets us going, and in http://www.musicbanter.com/members-j...t-schemes.html he lets us into a little secret: there's a band he loves but has never heard any music from. Why does he love them? The name. What's the name? Shee! You think I'm going to do all your work for you? As he'd say himself, click the link, mutha! He's also looking at earlier incarnations of a favourite of many here, doom metal merchants Electirc Wizard. Over in his other journal, http://www.musicbanter.com/members-j...lks-about.html, the random *** he's currently listening to is ... yeah, still Country. But he's got taste. Jason and the Scorchers (whose "Thunder and fire" is a brilliant album by the way) and good ol' Townes Van Zandt are his picks. Sweet. We'll have ya wearin' a stetson and hopping on a rodeo bull yet man!

Now, if Country ain't your thang and you're more into extended keyboard solos and lyrics about dragons and wizards (sorry) then check out http://www.musicbanter.com/members-j...s-journal.html, where Big Ears is starting a whole new series dedicated to answering the age-old question that has plagued Man for, um, several years: what is progressive rock? This way, this way, folks: welcome back my friends to the show that never ends. Well, it's just beginning actually, and you're right on time. Step right up!

That takes us to K, where Ki is looking at Daft Punk in his "Flashback " series and also having a Rant (have to have the capital R!) in http://www.musicbanter.com/members-j...er-things.html about the things that, well, annoy him.

And all the way down to S we go, with a new journal from scleaves, where in http://www.musicbanter.com/members-j...ic-career.html he promises to let us in on his musicanship and post some of his music. Looks interesting! Watch this space!

S is also for Screen13, who has as we know two journals on the go. In the first, the amazingly creative and fresh http://www.musicbanter.com/members-j...ies-other.html he's looking at the self-titled debut from The Firm. Remember them? No, not the Tom Cruise movie, idiot! Jimmy Page? Paul Rodgers? No? Oh, you need to head to his journal in a hurry! Also he keeps a link to this in http://www.musicbanter.com/members-j...album-day.html, where he's talking about, among other artistes, The Yardbirds. Now you KNOW they were the precursor to Led Zeppelin, don't you? Thank goodness for that! He's also throwing a shoutout to one of my favourite artistes, Bob Seger, as well as music from Ike and Tina Turner and MC5, among others. Great stuff!

And so back to me. Sorry but Bitesize is undergoing something of a lean period at the moment, as I concentrate more on my other two journals, but there's plenty happening there to keep you entertained. What? Don't leave. You'll like it here. Really. Please? Ahem.

So, in http://www.musicbanter.com/members-j...d-journal.html there are reviews of albums by Tom Waits, Steve Winwood, a triple review of Virgin Steele and most importantly of all, the one you've all been waiting for, the review of the first album from our own Plankton! And is it worth listening to, let me tell you! Over at http://www.musicbanter.com/members-j...-emporium.html there's another episode from Spooks, another New Statesman and an introduction to my favourite TV programme ever. What is it? You'll have to go to my journal to find out. Oh, all right then: it's "The Onedin Line". What do you mean, never heard of it? :yikes:

http://www.musicbanter.com/members-j...y-history.html reaches 1975, but not before Unknown Soldier hits us with a serious writeup on Hawkwind! He says '75 was " a lean time for hard rock", so it'll be interesting to see what examples he has for us from that year.

And once again he escapes without having to do the washing-up, nipping smartly out the door and leaving Zero with the task of locking up. In http://www.musicbanter.com/members-j...nal-sound.html, he's revealing how talented he is in programming for the Android OS. Geeks and would-be geeks this way!

And now, the Showcase for this week. Already breaking my own rules, I want to focus on an entry from a journal that has not been updated this week, in fact has not been so for some time, but like many good journals it's one that when the author updates it's more than worth the wait.

http://www.musicbanter.com/avatars/4...ine=1359799172

A realtively recent resident in Journal Land, Mankycaant has been writing his journal http://www.musicbanter.com/members-j...er-abroad.html since last November, but some of the entries in it have been pure gold. Not one to fill it out with YouTubes and album reviews, the man who was once Muttley the pigeon-chasing, snickering dog and is now both Bowie AND Jagger takes a more considered approach, both to what he writes and how he writes it, which is why waiting for his often infrequent updates is never disappointing. Here's an example.

Quote:

Originally Posted by Mankycaaant (Post 1259773)
Alright, so I was at the casino last tonight. Now, the casino on a Friday night is a little different to the casino on a Tuesday afternoon.
During the days, and into the early hours of the morning; the casino is home to the diehards. Either those so masterful at their craft that they can make a living out of their winnings or those so disillusioned by the aura and magic held within its confines that they play for hours on ends, running up their credit card bills in the slim hope of one day breaking even.
The verdict's still out on which one of the two categories I fall into.

Ever since I first laid eyes on the game of roulette I've been hooked. There's something so alluring about a game which honours the brave and exposes peoples true characters.
I have literally seen a middle aged man, sporting a wedding ring drop to the floor in despair upon one simple spin of the wheel.
The responsibility that he holds in everyday life; diminished. He was broken by the wheel of fortune.
The fact that something so humble, so meagre as a coloured wheel and a tiny ball could evoke such strong emotions in people; ranging right from jovial ecstasy down to the most harrowing sorrow has always kept me fascinated.
Add to this; the bright lights, a range of fine spirits and the unmistakable big-win atmosphere that the casino environment always teases and it's enough to get sane, right-thinking people hopelessly addicted.

So, Friday night rolls round. For those who come to the casino most days, it holds no extra significance. Sure, the bouncers will be more vigilant, there'll be trophy wives dressing to the nines akin to the proverbial mutton dressed as lamb and the drink prices will take an astronomical rise, which I believe violates Bar Licencing Laws but alas for an industry that contributes little in corporation tax despite being one of the highest grossing, breaking simple regulations won't phase them.
Friday night seems to attract the moths like a massive light. By moths, I mean city-slicking high-rollers who swan around the casino in a flurry of affluence and ego.
In the 9-5 world of board meetings, video conferencing, stock holding and tailored suits these men are the pinnacle of their working environment.
In the casino, they are nothing. Little more than moths.

You see, the casino is like time itself. It will always win. No one can out last it, no one can ever truly defeat it.
As with time, the casino will change you. Sure, you may take minor victories from it on your way but ultimately at the end of the day, whom is the one standing tall preparing to do it all over again for eternity.
I see these 'business men' swan in with their fancy clothes, their wives who have escaped the pretension, finely cut lawns and personal trainers of Suburbia and their wallets full of various cards and pound notes.
I see these same people cashing their money in for towers of chips. Just like many of the companies these men represent, I see their towers falling, their empires crumbling as spin by spin, the House takes from them what the downturn in the economy took from their annual bonuses.
It's a great feeling of liberation and satisfaction seeing these men lose hundreds, even thousands of pounds and become just like everyone else. Losers. In the casino, their stature, their reputations mean nothing. The game of Roulette treats everyone as equals and is not discriminating in who it will rape.

There's almost a divinity to it. A God like presence, in that Roulette treats us all as equals and both rewards and punishes us more fairly than any God could.
Perhaps this is why the Bible and various other religious hyperbole scriptures warn off gambling. They try and paint it as evil.
The Bible the very same manifesto that promotes discrimination, that was written in blood and violence and has caused waves upon waves of mindless persecution and war has the audacity to claim something else as 'evil' is the greatest irony of all.
The Bible would have us believe that two men who are in love with each other, two men who follow the law, respect and treat others equally and are capable of raising children in a loving household are evil because of the way the feel about each other. The Bible would have its followers persecute these men. Their crime? They love one another.
The Bible believes that this is not natural and that is why we must condemn it. Well, Reverend, evolution is ****ing natural and you try to deny its existence!
Roulette is more divine than God. It treats everyone equally, be it a gay couple, a house-wife who spends her days ****ing the tennis coach whilst her husband ****s his secretary, or be it me a 19 year old, straight white male who is little more than an observer in all of this.
The Roulette wheel does not believe in 'karma' nor does it believe in racism, homophobia, xenophobia, sexism, ageism or any other form of hate that religion breeds.
It's impartial and unbending. It doesn't matter who you are, where you're from, what you did and it sure as Hell doesn't matter if you like the Backstreet Boys, Roulette will treat you as fairly as it does the next person.

Perhaps this is why my friends and I find solace in it. Now, by no means is this a cult movement. I do not worship the wheel of fortune. I find more truth in it than I do most things.
It's honest. Anyone who enters the casino does so on their own accord. Anyone who loses money at the Roulette table does so of their own choice.
In a life full of prejudice and unfair treatment, the casino is one of the few Mecca's where the laws of the concrete jungle don't apply.
Sure, the House has the edge. Look at the Roulette wheel. 36 standard numbers, 6 even chance columns; Red, Black, Even, Odd, High (19-36), Low (1-18), 3 sections; the first, second and third twelve numbers and three rows; top, middle and bottom. Then there is of course the House's great equaliser Zero.
The unknown quantity. The enigmatic anti-hero who always rears its head in the most inappropriate of times to ruin it for those who bet with probability in mind.
Zero is the Casino's secret weapon, the added feature that tilts the odds ever so slightly in their favour.
Zero is the Jesus Christ of the Roulette God.
However, what are the chances Zero will come up upon a spin of the wheel.
37/1. It doesn't take a betting man to realize that they have greater chances of winning on a row, on a section, or on an even chance column than Zero coming up.
However, when it does. You have not been tricked. You know Zero is a factor. It's painted a distinct green, it's given a sizeable part of the board to show itself. Everyone who plays knows it's there. So, when it comes up, you know that you have willingly bet against it.

I enjoy soaking up the atmosphere of the casino. Sometimes I go only for a few Canadian Clubs as I watch the game of Roulette unmercifully tear through the bank accounts of those who think they can defeat it.
Will they ever learn? Will I?
Sure, I've lost more money there than I can ever begin to estimate, yet I am drawn back more than most. Does this make the contents of this entry somewhat hypocritical. Perhaps.
I do feel that I have come to appreciate the beauty of the game.
Despite what the old Asian guy with the notepad and pen may believe, there are no patterns in Roulette. How can there be. It's the randomisation of wheel and ball coming together.
It can humble even the most ego-maniacal and wealthy. Just as there is no 'karma' (sorry weed-smoking teens) in real life, if there were, explain to me how George W Bush remains rich and healthy, there is no 'karma' in the casino. No matter how nice you are, Roulette doesn't care.
No matter how much of a **** you are, Roulette equally could not care.
It will take from and reward you randomly.
It's a game of chance, nothing more, nothing less yet it holds more power than and can evoke greater emotions than any religion ever could.

Regards

MC

And that's why you should read these journals. Some of them --- most of them really --- are just places you could spend hours, grow old and wonder when you finish what those silver saucer-shaped things buzzing through the sky are, and why you feel suddenly so hungry? Yes, time can slip by but in the most pleasant way possible, and who knows, you may get the bug yourself. If you do, if you think you can do as well as or better than us, come and have a go if you think you're hard enough! You know what to do.

Until next Sunday,
Toodles!

scleaves 04-22-2013 08:44 AM

Thanks for the mention. I posted two songs I wrote to be approved and I will be singing them soon for people here to hear.

The Batlord 04-22-2013 09:46 AM

Quote:

Originally Posted by Trollheart (Post 1309702)
But he's got taste. Jason and the Scorchers (whose "Thunder and fire" is a brilliant album by the way)

I sort of lost interest in them after hearing their next album, Lost and Found. Seems they lost their original bassist before that album who was sort of the punk half of the band with Jason Ringenburg being the more rock'n'roll side. After he left the band went more rock'n'roll on Lost and Found and lost a lot of their energy and became dull.

PoorOldPo 04-22-2013 01:55 PM

Woah look! I'm famous! Awesome!

Trollheart 04-29-2013 08:26 AM

Update for week ending April 28 2013
 
Apologies for the lateness of the update, but as some of you may have heard, I was without internet access for most of last week, so am way behind in just about every way. I had intended to read everyone's journals more thoroughly, to be able to give a better flavour of what everyone is writing about, but last week put the kibosh on that. However from this week I will do my best to keep up with everyone's writing. If anyone is planning anything special they would like to advertise, let me know and I'll include it in the update. If it becomes popular I may make a regular "Watch this space" or "Coming soon" feature out of it. Not surprisingly, I'll be pushing my own journal in this capacity, so don't miss the chance to let your readers know what you're planning --- provided you know, of course! I know some people just get drunk, stick on a funny hat and trust to luck (what do you mean, why am I wearing that funny hat --- hic!?) but anyone who is planning out sections or features can preview them here at their discretion.

Anyway, enough waffle (mmm... waffles!) from me, let's see what you've all been up to while I was staring at my monitor with "connection not found" blinking at me and screaming NO INTERNET! NO LIFE! NO HOPE! Okay, okay, I wasn't screaming, as such: it was more a high-pitched shriek...

The (one and only, accept no cheap imitations!) Batlord has been continuing his look at Electric Wizard's early incarnations, and also had a visit from Madball's lead singer, where they had, ah, a difference of opinion. He's still recovering. Read all about what happens in http://www.musicbanter.com/members-j...t-schemes.html and while you're there, don't forget to check out his other journal http://www.musicbanter.com/members-j...lks-about.html where he's wrapping up his first foray into the world of Country with Steve Earle and moving on to the Pixies.

Continuing his dissection of prog rock, you really have to read http://www.musicbanter.com/members-j...s-journal.html, where Big Ears shows us all (yeah, me too!) how it's done with an almost scholarly appreciation of my favourite genre. I'll be reading this one avidly! He also throws in a review of a Budgie album, presumably just for fun!

Goofle11 is enthusing over Death Grips in http://www.musicbanter.com/members-j...-sessions.html --- and it's NOT "The money store"!!

There's a welcome return for Ki's lady after a brief absence, and in her jounral http://www.musicbanter.com/members-j...ic-memory.html Ladyislingering is looking at those overlooked genius, Sparks. Personally I only know the one song, well, two, but if you're like me then she'll soon set you straight with an eclectic selection and some very funny videos!

Having found the pressure of reviewing albums he wasn't really interested in (we can't all be Jackhammer!) too much, Powerstars has ditched his original journal and in his new one http://www.musicbanter.com/members-j...sicalness.html, he's going to review the albums that he wants to. Good idea, man! Great to see his first review is one of my favourite bands, Bon Jovi's new one which, I must admit, I have yet to listen to. He seems to like it though, so the signs are good... nice review, Powerstars. :thumb:

Looking back at some serious http://www.musicbanter.com/members-j...ychedelia.html, PoorOldPo features Gong and the late great Syd Barret, definitely worth a look.

I may have missed his previous entry but Psychedub Dude is talking about his favourite funniest music videos and his top video game heroes this week, and http://www.musicbanter.com/members-j...ool-stuff.html is where you'll find his work.

I haven't listened to any of scleaves' music, but in his journal http://www.musicbanter.com/members-j...ic-career.html it's certainly provoking debate! Whether it's good or bad you can judge for yourself by checking it out...

There's some pretty psychedlic stuff being laid down in http://www.musicbanter.com/members-j...album-day.html, and an interesting little side-discussion on Bob Seger, which I really must read once I get a chance. Screen13 seems to certainly have an eclectic and interesting varied musical taste, so he's fitting right in here.

Now, like I say I'm using the excuse that I was offline most of the week to explain why my journals have been so poorly updated, but though I've plenty of stuff written in advance and ready for publication, once I got back online I didn't want to bombard the friendly mods with fistfuls of entries, so this is the best I could do. In http://www.musicbanter.com/members-j...d-journal.html there's another section to my piece on Rory Gallagher, on http://www.musicbanter.com/members-j...-emporium.html there's another part to season one of Babylon 5, and I've managed to crowbar in an entry on http://www.musicbanter.com/members-j...i-reviews.html too, where I'm reviewing another album by a band who are rapidly becoming my favourite Spanish metal band, Saratoga. Much more to come this week, I promise!

And once again Unknown Soldier leads us out, where http://www.musicbanter.com/members-j...y-history.html takes us deep into 1975, with reviews of albums by Deep Purple, Sabbath, Montrose and Rainbow! NOW we're cookin' with gas!

And so on to our Showcase for this week.
http://www.musicbanter.com/avatars/1...ine=1362974983

It would seem only appropriate that, as he won the award for best journal 2012 (fume, fume!) I should point you in the direction of Janszoon's wonderful and creative http://www.musicbanter.com/members-j...e-all-die.html, which has sadly slipped to the second page now, where it has no right to be, but it's finished now and journals that are no longer updated sadly slide down the pecking order. I'd like to propose a motion though that this be stickied either in the journals section, or, more appropriately, Editors Pick? Anyway, it's a stunning journal and well deserved its award (fume, fume!) so here I present just a small snippet from it, for those of you who have not yet read it, and for those who have, and want to re-read it. THIS is how it's done!


Quote:

Originally Posted by Janszoon (Post 870462)
http://images.amazon.com/images/P/B000003L1F.jpg


25. Land of the Loops—Bundle of Joy (1996)

When you first hear the news that the Earth-Moon collision is imminent this will be a good album for you to turn to for solace. Its warm cocoon of somewhat trippy lo-fi beats will be a comforting thing to wrap yourself up in as you await your impending doom.

Released in 1996 by Boston-area loop dude Alan Sutherland, this little gem of an album has never really received the recognition it deserves in my personal opinion. This is great rainy day music, something fairly uncommon among turntablists and beatmakers in the mid-90s. That's not to say it's a downer by any means—it's actually pretty happy and upbeat—it's just that it's filled with that reassuring nesting feeling you get sitting inside with a cup of hot chocolate when it's crappy outside. And there's something so incredibly innocent about it, that's one of the album's big draws for me. It always seems to conjure up vague childhood memories of summer storms and coloring books.

It's appropriate that the one single released from this album was entitled "Multi-Family Garage Sale" because there's something about the aesthetic of this album that is very garage sale like. A sizable chunk of the samples, for example, seem to be from old children's records or in some cases maybe even actual old toys. And when Sutherland isn't kicking it pre-school he's grabbing some pretty random samples from all over the place—retro sci-fi sound effects, a snippet of Motorhead, wobbly old answering machine messages, you name it. All of this is mixed together with a decidedly indie sensibility that was very much at odds with other beat-oriented music of the same era.

While I was writing this review, what started off as sunny late spring morning has gotten dark and cloudy, threatening rain. I think that's my cue to put on Bundle of Joy and get out the coloring books.

(Video is "Multi family garage sale" by Land of the Loops)

And so, later than intended, that's the update for this week. Again, apologies for the lateness of the hour, but sometimes your path is strewn with cowpats from the devil's own satanic herd, and there's nothing you can do about it. See you next Sunday at the proper time for the next update. Till then, keep writing (if you are) and don't feel shy about starting up if you feel you would like to.

Toodles!

Unknown Soldier 04-29-2013 02:10 PM

Shiiiiiit I wondered what happened to you last week! Hell you don't know Sparks.....this is a band (duo) with more than twenty albums. As for whether you'll like them I don't know, they're kind of too much off the wall for you perhaps.

Screen13 04-29-2013 05:24 PM

Quote:

Originally Posted by Trollheart (Post 1312959)

There's some pretty psychedlic stuff being laid down in http://www.musicbanter.com/members-j...album-day.html, and an interesting little side-discussion on Bob Seger, which I really must read once I get a chance. Screen13 seems to certainly have an eclectic and interesting varied musical taste, so he's fitting right in here.

Get ready for some WKNR survey talk as well! I found my notes I wrote down a couple of years ago based on the charts of the legendary AM Station that was the king of Detroit AM radio to cruise Woodward Ave. by way back in the day, especially pre-'67 riot and pre-FM Radio (WABX being the first king of that wave before WRIF took over the lead). There was an Oldies station that had a great Sunday Morning show featuring their charts that showed that songs that were misses nationally were pretty big in my local area then. Sadly as CKLW took over and despite a sister FM station that I think had Russ Gibb (much later someone behind the locally known New Wave/Punk TV show Back Porch Video that's still a great memory for people like me), WKNR quickly faded away by 1972.

To hint...the Parliaments single I posted a few days back was actually a #9 in The D. Also interesting to see Small Faces' "Tin Soldier" a #17, The Music Machine's "The People in Me" a #22 and a few local Seger including "East Side Story", "Persecution Smith", and even "Noah" gracing the WKNR Top 20 through those years!

ladyislingering 04-29-2013 09:05 PM

Quote:

Originally Posted by Unknown Soldier (Post 1313144)
Shiiiiiit I wondered what happened to you last week! Hell you don't know Sparks.....this is a band (duo) with more than twenty albums. As for whether you'll like them I don't know, they're kind of too much off the wall for you perhaps.

What I try to tell people about Sparks is that they've covered so many genres that anyone can find at least one of their albums to be to their liking; if you have an offbeat sense of humor, an appreciation for bizarre wordplay, and a whole lot of patience, they're a uniquely fulfilling duo.

Furthermore, the fanbase (though small) is filled with genuinely kind, interesting people. Nobody is turned away from the group for any reason; I've never witnessed any weird "you're not a real fan" elitism or bullying within the fandom.

Long story short, Sparks fans are the nicest freaks you'll ever know. :D

Trollheart 05-05-2013 05:30 PM

Update for week ending May 5 2013
 
We're into a new month already, amazingly, and the sun is beginning to show its face, even here in rainy old Ireland, so summer will hopefully soon be on its way. Over here that's three days in July with maybe the August bank holiday weekend if we're lucky, but hey, it's something to look forward to.

Something else to look forward to is a bunch of new updates to our members' journals, and as ever we go from A to Z, jumping over any of the letters inbetween that don't refer to members. Some of these entries have a definite sense of summer, while some, well, don't, but they're all worth checking out. We have returns for those long thought vanished off the face of the Earth, journal-wise, and even some new-ish journals, so let's get to it, shall we?

Our favourite lord of bats seems to be getting a little confused, as in http://www.musicbanter.com/members-j...t-schemes.html he's featuring a review of Death's "Human", which is all well and good, but it's in the style of his other journal. Time to clear those flying mice out of your belfry, my friend! Speaking of http://www.musicbanter.com/members-j...lks-about.html, this time he's listening to The Jesus Lizard and Velvet Underground. Oh, and Nico too. Though he doesn't seem to like her...

Big Ears is continuing his dissertation on Atomic Rooser, as part of his guide to progressive rock, in http://www.musicbanter.com/members-j...s-journal.html: check it out.

Bob
is back! No I an NOT joking! After almost a year --- that's right, I said a YEAR --- away, he's back with http://www.musicbanter.com/members-j...oise-rock.html and he's looking at a band called The Means. And they sure sound mean. Welcome back bob: don't leave it so long next time, huh? ;)

Ki has shut down his journal. But don't panic: he's opening up a whole new one. In http://www.musicbanter.com/members-j...nal-music.html he's already looking at his favourite game soundtracks (me, I haven't played anything since Doom II --- Halo what?) and introducing a section he calls "Song of the day", which he says will be interchangeable with the same section in his lady's journal. Sounds interesting. I like crossover episodes! Stay tuned: this could be good!

If you don't want a song stuck in your head avoid Ladyislingering's http://www.musicbanter.com/members-j...ic-memory.html, where she's trotting out her favourite earworms, among other songs she likes. I didn't heed the warning, and now all I can hear in my brain is I EAT CANNIBALS, FEED ON ANIMALS! Somebody HELP ME!!!

The Dog has become the Lion! At least, that's according to Mankycaant, and he'll explain more in http://www.musicbanter.com/members-j...er-abroad.html, so hurry along there now: his writeups are always worth reading, and you'll kick yourself if you miss this one!

In http://www.musicbanter.com/members-j...sicalness.html, the starry one is reviewing one of Queen's less respected albums, the disco-influenced "Hot space". Expect some harsh words, and it deserves them!

Screen13
has music from The McCoys, Terry Knight and the Pack (did you know they became Grand Funk Railroad?) and the unGoogleable ? and the Mysterians. Good stuff there Screen, and though the sixties ain't my bag I'm sure you're evoking memories for some around here! Check it all out in http://www.musicbanter.com/members-j...album-day.html

Bitesize has again had to take one for the team, as I've run out of pre-written material for it and need to get working on some more, but there's still plenty to keep you entertained over at http://www.musicbanter.com/members-j...d-journal.html where I continue to pay homage to the late great Rory Gallagher, talking about another album that changed my life, while also reviewing albums by China Crisis and Suzi Quatro. If television is more your thing then come to http://www.musicbanter.com/members-j...-emporium.html, where I'm beginning my reviews of the Onedin Line and throwing in another movie I love.

With a serious review of Thin Lizzy's "Fighting" as well as Nazareth's "Hair of the dog", http://www.musicbanter.com/members-j...y-history.html could be just the thing you need to cure that hangover you're suffering from. Or not. Either way, there's some powerful writing and oracle-like wisdom to be had from Unknown Soldier, as he continues to dissect rock music from 1975.

And finally, there's an odd conversation going on over at http://www.musicbanter.com/members-j...nal-stuff.html -- well, when isn't there? --- but this is really weird. Seems to concern Charlotte Church, the Fall and, er, Dana... Head bemusedly in Urban's direction to see what it's all about.

Now, before I get to this week's Showcase, I'd just like to set the record straight, because there are some people who are going to be saying "why wasn't my journal included? I updated this week!" Well yes, but some people are just putting up YouTube vidoes and while this is fine, and they're completely entitled to do that, I prefer to direct visitors towards those journals that are being a little more creative. I'm not getting at those who only put up YouTubes, but really, if you want people to read your journal and you're not just doing it as a sideline, interesting thing but don't care if people visit, then you need to draw visitors and the only way to do that is to have something for them to read, laugh at, be informed by, be entertained by. It's just a friendly piece of advice: put a little more thought and creativity into your journals and I'll certainly encourage people to go there and read what you've written.

But for now, any updates that consist purely of YouTubes with a line or two won't be included on the update. Maybe it'll give you the impetus to get those creative juices flowing. Maybe you'll sulk like a child in the corner. Maybe you're already loading a shotgun and buying a ticket to Dublin. You're not, are you? Come on, guys, I'm just doing my job here!

Anyway, that's the line I'm taking. Proper updates will be mentioned, one-liners won't. Oh, and as I think you already know, the update has to be by the author. Comments by others, including smilies, YouTubes or graphics don't qualify.

With that in mind, it's on to this week's Showcase.
And as he's been away for so long it seems only fair we should throw the spotlight on bob. And so we will.

http://www.musicbanter.com/avatars/4...ine=1366210007

This was the first real entry in his journal, written all the way back in November 2011. You know, again it's not my thing but this guy knows his noise rock!

Quote:

Originally Posted by bob. (Post 1125257)
it begins....


cop shoot cop formed in 1987 in New York City...originally a trio consisting of Tod A (Bass, vocals), David Ouimet (keyboards,sampler) and Phil Puleo (percussion).....Jack natz later joined as another Bass player and Ouimet was replaced with Jim Coleman on samplers....and Steve McMillen was added for their final release (Release) as their only guitar player

cop $hoot cop released four proper albums, six Eps, and four singles in their 9 year career....all of their albums are very much worth looking into....and honestly were extremely hard to find....until the internet came....still these album are highly collectable and very much out of print....their first single "Piece man" came splattered with real pigs blood!

there seems to be some question about the origin of their name....as to whether it has to do with cops killing each other....or (and what i prefer) the complete redundant behavior of a junkie....cop(drugs) shoot(drugs) cop(drugs).....

i would be willing its a little from a and b....but from what i can tell no one from the band has ever really stated exactly what their name is all about :)

for all but one album (their last) they did not have guitar....but rather a high end and a low end bass....actually the album i'm going to review....their debut full length Consumer Revolt is said to be the only rock album in the history of music to consist of two bass players, two samplers, and one percussionist (i saw that because he mainly banged on found objects)....i can honestly saw that only this band could pull that off this good....and although i do very much enjoy their last album....it really is nothing compared to the others and is more like a typical 90s alt rock band with witty lyrics....and lyrics is something that really stands out with this band....dark humor, sarcasm and the typical NYC attitude.....Tod A is an amazing writer....which in my opinion he carried over to his next band Firewater

http://991.com/newGallery/Cop-Shoot-...olt-471800.jpg
Consumer Revolt (1990)
"Low.Com.Denom." - 2:21
"She's Like A Shot" - 3:46
"Waiting for the Punchline" - 3:46
"Disconnected 666" - 2:18
"Smash Retro!" - 1:42
"Burn Your Bridges" - 5:01
"Consume" - 1:09
"Fire in the Hole" - 3:15
"Pity the Bastard" - 4:11
"Down Come the Mickey" - 3:26
"Hurt Me Baby" - 1:46
"System Test" - 2:33
"Eggs for Rib" - 5:03

first and foremost out all the albums i plan on reviewing in this thread....this album is the closest to an "industrial" sound...probably due to the insane drumming (often on what sounds like sheet metal and or shopping carts) and the extensive use of samplers.....still this is noise rock at its best....

right from the get go you can tell that this album is unique.....the bass playing is unlike anything i've ever heard and the drumming is ordered and chaotic at the same time and Tod's feverish vocal ramblings are just perfect....by the time She's Like A Shoot (a wonderful love song comparing a woman to heroin) starts you realize that you've been transferred into the filthy streets of NYC and are now experiencing all those things mommy and daddy tried to shelter you from....its the next track that does it for me.....Waiting For The Punchline is a perfect example of falling into a misanthropic madness.....both lyrically and musically.....seriously by the end of the song....and the amazingly great lyric "when insomnia is just another word for to much on the mind"....tension could be cut with a knife



next is the equally disturbing all sample song Disconnected 666....which is in all honestly the first Cop Shoot Cop song i had ever heard....having seen it on a 19 generation vhs copy of Richard Kern's short films....the short film is amazing


and straight into the pounding, angry Smash Retro....a wonderful song about letting the past just die (specifically the hippie movement)....next up is the Burn Your Bridges....which once again takes you down a loathing trip into despair......seriously great example of the amazing drumming....and you can see influence from other bands that were around at the time specifically Foetus and maybe a bit of Swans.....Consume is another interesting all sample "message".....Fire in The Hole sounds as much like Neubauten at their craziest as it does a thundering noise rock song....the percussion is just amazing on this track....and really helps along the disgusted lyrics...then comes my favorite track on this album....and probably my favorite Cop Shoot Cop song....and the title of this thread....Pity The Bastard.....just pounding like a hammer to your head....and almost psychotic horror moments.....this is a prime example of just what this band is capable of.....the jarring bass mixed with intense nonsensical percussion....and Tod's insane man ramblings....almost as if he were a crazed schizophrenic yelling back at the voices....just superb

and straight into Down Come The Mickey....which is in all honesty the track that closed this album for me as being the "essential" cop shoot cop album.....Hurt Me Baby is simply their take on the Culture Club hit....and System Test sounds more like a broken industrial machine that has gone mad and has been unleashed on the city.....the albunms ends with the surprisingly groovy Eggs For Rib....an almost fun song and truly fitting end to such a despondent album

hope you check this one out....there really is nothing that sounds like this album

(Note: Videos are "Disconnected 666" and "Down come the mickey")

So that takes us to the end of this week's update, the first for May. Remember, if you would like to start a journal there's literally nothing stopping you. Make a thread in the section and once it's approved you're officially a member of Journal-Land. But remember to update it as often as you can, cos once you slide off page one you may as well be a record by Leonard Cohen, as Neil once complained in "The Young Ones". The journal section is a place where you literally have to make sure you're always on top!

Mind you, you'll be doing well to achieve that, as I am ALWAYS updating! No, I have no life. Still, if you're up for the challenge...

Till next week,
Toodles!

Screen13 05-06-2013 12:38 PM

Thanks! There has been a bump in the road for my other blog due to a LOT of research being done for the next few installments, one focusing on one of my all time favorite bands, Devo. Shout from 1984 has been a cause for some discussion between fans and who's fall from the Pop Scene is seriously in perfect time to the falling down of the original New Pop era, with Shout being part of a long line of albums in Late 1984 that sounded the funeral horns for that era. Out of a love of their music, and knowing more in detail of how one can hear Shout as a big disappointment, the album certainly deserves more than the usual one-line statements from the critics that may have heard the album once without knowing the history - usually a bump in the road is just a bump in the road, but this is a look into a very influential band who's fall from grace has had it's share of people with wise-ass remarks just digging away. It has it's place with both Devo's history and the era of New Pop all together, and I even dig out the album from time to time to hear a couple of tracks that still deserve a play to have fun.

As for The 60's, I hope that people will get a good understanding of the under looked tracks of a decade that has had a lot of fandom, but still not too much understanding. There's a lot of great music that deservedly is highly regarded, no complaints there, but although some know about the lack of commercial acceptance of a lot of the music that is hailed today there's a lot that's still not heard as much. I love to at least introduce a lot of music to people and even bring in some local flavor in the process while also detailing about the radio business that was changing very fast as well.

I have mentioned about two of The Pack moving into GFR, with Terry Knight being the manager for their first few years. Actually, I forgot to mention that the Mel in GFR's equation was from ? and the Mysterians, which would have made it a perfectly themed post.

Unknown Soldier 05-07-2013 05:04 AM

Quote:

Originally Posted by Trollheart (Post 1315989)
Either way, there's some powerful writing and oracle-like wisdom to be had from Unknown Soldier, as he continues to dissect rock music from 1975

Anybody reading this, might actually think of me as being smart.

The Batlord 05-07-2013 09:29 AM

Quote:

Originally Posted by Unknown Soldier (Post 1316526)
Anybody reading this, might actually think of me as being smart.

Don't worry. I would never do that.

Powerstars 05-11-2013 07:08 AM

Quote:

Originally Posted by Trollheart (Post 1312959)

Having found the pressure of reviewing albums he wasn't really interested in (we can't all be Jackhammer!) too much, Powerstars has ditched his original journal and in his new one http://www.musicbanter.com/members-j...sicalness.html, he's going to review the albums that he wants to. Good idea, man! Great to see his first review is one of my favourite bands, Bon Jovi's new one which, I must admit, I have yet to listen to. He seems to like it though, so the signs are good... nice review, Powerstars. :thumb:

Thanks for the kind words. I'll keep checking back here man! Oh, and defiantly check out the new album, it's awesome!

The Batlord 05-11-2013 10:01 AM

Quote:

Originally Posted by Powerstars (Post 1318051)
Oh, and defiantly check out the new album, it's awesome!

How does one defiantly check out an album? Do you give your stereo the finger?

Trollheart 05-12-2013 03:40 PM

Update for week ending May 12 2013
 
It's Sunday (maybe) it's whatever o'clock, and time to take our usual trip to Journal Land and see what the busy inhabitants have been getting up to over the last week. Look at them all: you can just see if you look closely enough --- but not too closely! They scare easily --- little faces, pale from lack of sunlight, sitting at little desks strewn with empty crisp packets, bottles of energy drinks or water, stubbed-out cigarettes in the ashtrays of those who smoke and piles of CDs, like dangerously toppling Leaning Towers. This is where it all happens, this is where the magic is made. But be quiet if you want to observe them: some of them will run away like Trollheart or Big Ears, while others like the Batlord will come out angrily with a shotgun or baseball bat in hand, to enquire what the heck you think you're doing, spying on him (though he'll use much more colourful langauge than that!), and still others will just shut their curtains and jealously guard their creations.

But if you're very quiet, and don't disturb them, you can take a look at what these industrious little frustrated authors have been scribbling over the past seven days. Stick close now, and please, no cameras... No, no camcorders either.

It's to the Batlord we go first, and don't mind those signs he has up saying KEEP OUT THIS MEANS YOU MOTHERFUCKER! Just be quiet and don't startle him. Very carefully and softly, let us enter http://www.musicbanter.com/members-j...t-schemes.html, where it seems we find the Batlord is indeed sitting on his throne, but far from hatching any evil schemes, this time he's sad about the state of metal, and how it's being commercialised. Aw. NO DON'T GO NEAR HI--- Oh-kayyy.. does anyone know that guy's next of kin? I warned you, don't mess with these guys. No, there are no refunds. Insurance? Are you crazy? Let's try his other journal http://www.musicbanter.com/members-j...lks-about.html. Ah, this is more like it! He's listening to the Replacements, the Stones and the Sonics, as well as Judas Priest and Doctor Feelgood. Nice!

This one should be safe anyway: http://www.musicbanter.com/members-j...an-corner.html, where CanwllCorfe is making up for lost time by writing a lengthy entry about his entire development of music down through his life. It's so good it's been chosen for this week's Showcase!

The Crossover has begun! In Ki's journal http://www.musicbanter.com/members-j...nal-music.html he's featuring his Songs of the Day as well as those of his better half, Ladyislingering, and also looking at new releases due from Sabbath, Sigur Ros and Daft Punk. Mmmm.

And of course that brings us to said journal, where the lady is certainly lingering over many videos of songs that impress her, remind her of times or feelings, or that she just likes. You can catch it all in her http://www.musicbanter.com/members-j...ic-memory.html.

Powerstars is looking at what must be Paul McCartney's first solo album, which apparently has a lot of demos on it. Sounds interesting though. You can check it out at http://www.musicbanter.com/members-j...sicalness.html.

That brings us to my humble abode. Step 'cross the threshold, weary traveller, and rest your head. That'll be a tenner please. Coffee? Another fiver. Hey, we're all hurtin' from this financial meltdown y'know: gotta make it where ya can! Anyhoo, in my main journal, through here, http://www.musicbanter.com/members-j...d-journal.html you'll find reviews of albums by Jaki Graham, Nine Stones Close (who?) and a 200-word review of Sabbath's "Heaven and Hell", while over there, if you want to sit down in front of the TV, http://www.musicbanter.com/members-j...-emporium.html has the third episode of Love/Hate and beginning a new series, the superb House of Cards trilogy. No, NOT the Kevin Spacey one! This is the real deal! I've even had time to update http://www.musicbanter.com/members-j...i-reviews.html with a review of one of Tank's early albums. More to come soon! Don't forget to pay your tab on the way out. Thank-you-come-again!

Now, whatever you do don't disturb Unknown Soldier: he has a serious amount of work to do and all those facts and figures don't jsut write themselves you know! Deep into 1975 in http://www.musicbanter.com/members-j...y-history.html he's looking at albums by UFO and Alice Cooper, with more to come in the days ahead no doubt. No, leave him alone! Don't touch that green bubble: that's what's allowing him to communicate with the music of the seventies, and even the slightest touch could .... oh crap! Look, let's just get out of here before he notices ---- RUUUUNNNNNNN!!!!!

Quick! In here! We can take refuge in http://www.musicbanter.com/members-j...nal-sound.html --- he'll never think to look here! Oh look: Zero is talking about Ethereal Wave, isn't that interesting? Don't look out the window, US is passing and if he sees us --- phew! Looks like he went past. Man, he looked mean!

So let's just take a moment to settle our nerves, and read the Showcase for this week then, shall we? As already mentioned it comes from CanwllCorfe, and it is in fact this week's entry in his journal.

http://www.musicbanter.com/avatars/2...ine=1339702012

CanwllCorfe has been writing his journal on and off for four years now, though there have been large hiatuses, the most recent being a year-long gap since last March... Nevertheless, as Urban once pointed out, it's quality not quantity we look for here, and you certainly get the former in this journal. Here's this week's stunning contribution.

Note 1: I know I said at the beginning that these would be short extracts, but you can't shorten this, and you won't be able to deny the quality of the writing once you read it.

Note 2: I also know I said I'd refer to, but not post, the YouTube videos used, but there are so many here it's not gonna happen. Just go to the guy's journal: you won't be disappointed.

Quote:

Originally Posted by CanwllCorfe (Post 1317966)
The Beginning

Back before I had a say in what I was listening to, all I had was the radio. Being a little kid, I lacked the seniority to choose and the knowledge on how to use it. I do remember liking certain songs though. These just being a few of them.


The other big influence was what my brothers listened to. For whatever reason, I don't really recall what my older brother liked. I assume he shared a lot of taste with my younger brother, or vice versa. I enjoyed most of it as well, but not all of it (I don't think I was too keen on Nirvana). It was primarily made up of stuff like Deftones, Counting Crows, Korn, Dave Matthews Band, Green Day, 2Pac, and Snoop Dogg.

Developing Taste

The first sort of "separation" from what I was brought up with was my fondness for Native American music. Funnily enough, what I was buying was actually New Age music created by Germans.


Despite this, I actually do recall liking New Age as well, though at the time I had no idea what it was called. Enigma - The Return of Innocence is one track that definitely comes to mind. I remember also looking forward to the Pure Moods commercials.

To this day I still thoroughly enjoy Native American music, but finding real stuff online is tricky. Either it's an album of short, badly recorded songs from Pow-wows, or having to buy full on CDs for $15 + shipping. Without previews, that's a scary proposition. It probably wouldn't be if I wasn't poor.

Nowadays I have an affinity for most world folk music. I have a particular proclivity for African choir music, Bulgarian choir music, throat singing, and monk chanting. You know, the usual. Of course, this is just a small sampling. There's tons of stuff I like that falls outside of this, like the few Raï albums I have, Bhangra, Kapela ze wsi Warszawa, etc. The list goes on and on man. On and on. Man.

Getting Darker

Around the late 90s my brother had bought a Rage Against the Machine album. I had heard some aggressive stuff prior to that, but for some reason it struck a chord with me. From that point I started developing a like for aggressive music. My first purchase was actually Mudvayne's L.D. 50. I almost bought a Slipknot C.D., but I never got into them. I listened to it a LOT. I loved the fact that it was aggressive, but then some songs had light passages as well, like -1. Headbangers Ball on MTV 2 had opened up my eyes to what else was out there Metal-wise.

I don't know how, but that first episode I watched was filled with songs I ended up liking. It actually made me want to keep watching it in vain, just to hear those songs again. Funnily enough, I don't really remember liking any other songs from any of the other episodes. There was one song that struck me in particular though. It was the last one played.



Naturally I would go out and by Unhallowed immediately. It my first foray into "extreme" metal. The aggression and speed were so perfect. I loved it. Soon after this I would get into Rammstein (I remembered Du Hast from when I was a kid). One fateful day, I would bring Rosenrot into school. My friend said that Rammstein had started getting into Black Metal (in hindsight I realize how much bullshit that is). Hm... Black Metal? What's that? Well, needless to say, I was hooked. And not even with normal Black Metal, but DSBM, Blackened Death Metal, etc. Go Satan lol.

Techno Tim

My earliest memories of Techno were hearing small bits of it on the radio. Strangely, my dad's girlfriend seemed to listen to it a lot. At the time I didn't think much of it, but I don't know of many 40 year olds that listen to Electronic music. Well, not here in the U.S. of course.

The songs from that era were quite popular so I'm sure you're all quite familiar with them. What is Love?, Mr. Vain, This is Your Night, Where Do You Go (My Lovely)? I Wanna Know My Lovely By The 90s Hit Group No Mercy, Rhythm of the Night, Be My Lover, Rhythm is a Dancer, Better Off Alone, etc. The first one that made any impact on me was Blue Da Ba Dee. My sister even bought the cassette! :O

On Saturday Nights my dad would take us to the mall. On awesome nights he would take us to Lehigh, which is further away, but it's also bigger. Those nights we'd put on 106.9 and listen to all of the Techno they'd play. After hearing stuff on the radio, my sister decided to buy the Trance Classics CD (on the Moonshine label). If you're wondering why she did most of the buying, she's older than me, so she had that kind of power in the world.

With that CD it changed everything. We knew exactly what we liked. Once we got internet, forget about it. We made mix CDs all the damn time with whatever we could find. To this day I check up new Electronic releases online. Usually every other day, sometimes a few days in a row, or sometimes only once a week. It allllll depends.

Evolution of my Electronic Tastes

For quite awhile, I stuck to Trance. I had figured that's all there was, and then all that other weird stuff I'd download on accident. The first kind of stuff I heard and enjoyed that wasn't Trance, was Hardstyle. I only liked a select few tracks though, this being one of them.



When Tech Trance came out, I hated it. Hated it. They had those nice breaks I loved in MY Trance (Uplifting/Epic), but the melodies weren't nice at all! They were distorted and dark. No thank you. Slowly but surely I would develop a taste for it, but only for a small number of tracks (same story with Hardstyle), like Tiesto - Traffic.

In 11th grade metal shop class, my teacher loved Techno. He was in his 50s too, so that was awesome. This one kid always complained about it... until he heard Traffic. He asked me to keep playing that song. I converted him in a short period of time. Knowing what he liked, I gave him a mix CD of Tech Trance. I enjoyed doing it, but I hated the stuff I put on there. He, of course, loved it. One day he even asked to borrow my MP3 player to listen to it all. Now we're close friends and is just as into it as I am. He, like me, wants to DJ it.

Now, to abbreviate the further progression:

A few years after that conversion, we started getting into this weird stuff called Electro House. A song called Christopher Francis - Crystals in the Heaven (Electro VIP Mix) would be the first song I downloaded. Shortly after that came the creation of Trash Electro, which is far more aggressive, distorted, and awesome.



In around 2010 or so, we got into this Dubstep stuff. The first song being Bar 9 - Piano Tune. We enjoyed this guy named Skrillex, as well as random other tracks, like Richie August - Side 2 Side, Baconhead - Wookie, Kanedubstep & Budzak - Jabba, etc. After hearing a lot about "true" Dubstep, I would look into an artist called Burial. Holy. ****. The next time I found myself in an FYE I purchased Untrue and fell in love. Now, as for Pop Dubstep, I would grow to not like it so much, but I think Johnny still has a fondness for it.

In 2011 I was trying to broaden my horizons as much as possible, so when someone posted a Techno mix on Basenotes, I decided to check it out. Not so much piqued my interest, but out of nowhere I heard some insanely heavy kickdrums. I thought that was just in Hardstyle? The track was Tommy Four Seven's Sor.



It took some getting used to. There was no breaks, there was no real "melodies", at least what I think of as melodies, so at first I wasn't too keen on it. Little by little though, I would find myself listening to it more and more. Now I think it's one of my favorite Electronic genres, and is one I check up on more than any other.



So, this gives some insight to how I got to where I am now. There was quite a bit of discovery in 2011, but it all happened the same way. Like The Tallest Man on Earth, for example. I saw the album cover, thought it was interesting, downloaded it, enjoyed it. Same story for Sigur Ros - Takk, Hammock - Kenotic, and Arms & Sleepers - Warm. I found Modern Classical in that era too, thanks to Richard Skelton.

Okay then, everybody here? Headcount. Hmmm. Yes, other than him. Well, he should have read the t&c more carefully. No, he wasn't covered by insurance. Well, only one loss this time, getting better. Hope you all enjoyed your trip through Journal Land this week, and remember you too can join these hallowed ranks by, er, making a thread in the journal section. Who knows? Next time we could be looking at YOU through a window, or it could be YOU setting your dog on us and telling us to fuck off and leave you alone! You've got to dream! You've got to hold on to the dream!

Till next Sunday
Toodles!

Trollheart 05-12-2013 05:49 PM

On a personal note...
 
Just want to say thank you to all my viewers, as the Playlist of Life has just passed one hundred thousand views, a true milestone! Thanks again and I hope to continue entertaining you for another hundred thousand at least! :bowdown:

CanwllCorfe 05-13-2013 11:17 AM

Thank you so much for featuring me! :D

Unknown Soldier 05-13-2013 01:29 PM

Quote:

Originally Posted by Trollheart (Post 1318435)
Just want to say thank you to all my viewers, as the Playlist of Life has just passed one hundred thousand views, a true milestone! Thanks again and I hope to continue entertaining you for another hundred thousand at least! :bowdown:

I wish I never f*****g reminded you now.;)

Trollheart 05-13-2013 03:08 PM

Quote:

Originally Posted by Unknown Soldier (Post 1318693)
I wish I never f*****g reminded you now.;)

Oh believe me, I needed no reminding! I've been watching that sucker climb since Christmas, had the insane hope that I'd hit the magic number before then. Goddamn you all, where were you when I needed you? :band: ;)

The Batlord 05-14-2013 09:00 AM

Quote:

Originally Posted by Trollheart (Post 1318718)
Oh believe me, I needed no reminding! I've been watching that sucker climb since Christmas, had the insane hope that I'd hit the magic number before then. Goddamn you all, where were you when I needed you? :band: ;)

Reading better journals. http://www.atheistnetwork2.com/image...ace_smiley.png

Trollheart 05-16-2013 03:02 AM

Ye Who Have Not Updated: I'm gunnin' for ya!
 
Just a little note before the next update to advise I'm thinking of implementing a new section (what is this, a journal?) in which I'll be "going after" those who used to have or still have great journals but who have not updated in quite some time.

Now, before anyone gets on their high horse and demands why I think I can do this, bear this in mind: as with just about anything I write or purpose, none of this is meant to offend, so I hope it doesn't. What the intention is, is to draw attention to Great Journals We Miss and try to convince their authors to pick them up again. I of course realise there are many reasons why people stop updating, and very many of these reasons are valid. Life has a way of intruding. But sometimes it's just that people have become bored, see their work as stagnating, have run out of ideas or perhaps lost the will to continue writing as they believe nobody is reading.

This section will address a journal I pick out which I have particularly enjoyed, explain a little about what it's about, maybe take an extract, I haven't decided yet, and encourage the author to try to update. Of course, you're free to tell me to go boil my head, but maybe this could be the incentive/impetus you've been waiting for. Maybe it's time to drag out that dusty folder from under the coffee table, read your hastily-scrawled notes and think about maybe giving it another go.

I am under no illusions that people will just start writing again because I think they should, but there are some amazing journals here which have not been updated in months, some even longer, and it would be nice to see them come to life again. Hell, if only one in ten, one in twenty decide it's a good idea to try again I'll consider it worth the others I annoy who ignore me.

So watch out! I'm heading down into the dusty vaults of Journal Land (there must be a better name: Journalia? Journalopolis?) to see if I can pry open some of the forgotten, neglected coffins down there and pull out the stakes that have been pinning them to the earth for so long. Maybe I'll get my neck bitten, but hey, it's worth the risk, I feel.

Now, where's my crucifix and holy water....?

bob. 05-16-2013 01:26 PM

hey trollheart....i just wanted to say thank you for the kind words and the nod....i sincerely appreciate it....and will try my hardest to update at least once a week :)

i just finished my piece on Unsane

and thanks man....and i truly appreciate what you do here :)

Big Ears 05-19-2013 04:15 AM

http://www.popularvirals.com/images/...tions-0906.gif

. . . TH, on the 100,000 mark.

Trollheart 05-19-2013 07:14 PM

Update for week ending May 19 2013
 
Good to see a resurgence in updates people! No time for a snappy intro this week as I'm way behind schedule, so let's get right to it.

Now, as I've pointed out before there are loads of genres of music I personally am not interested in, but I will always read a well-written article, even if it's about something I have little or no stake in. A very good example is Antonio's truly incredible review of Tyler the Creator's "Wolf" album. I'll be honest: this was slated for this week's Showcase, and it's only the amount of time and energy Gavin B has put into his latest entry that has pushed it to next week's instead. But it will feature next Sunday. If you want to read it before then (and you should) here's where to go: http://www.musicbanter.com/members-j...ng-ground.html

Nothing in the Batcave this week, for perhaps the first time ever, but there's a good reason for that. More in a moment, but don't forget to check out http://www.musicbanter.com/members-j...lks-about.html where the batty one is currently on, er, a Britney kick! Yeah, if you thought his forays into the world of Country (no doubt he'd drop the "o"!) were off the all for the Batlord, well just experience his views on Ms. Spears, where he seems to be determined to make it through her entire catalogue. Rather you than me, man! As for the reason there's no update to the Batcave, well, seems he's started a new journal, making now three in all. This one's different. He's reading Nick Hornby's seminal "High Fidelity", and so has created http://www.musicbanter.com/members-j...-fidelity.html, where he's already looked at ... er, nothing yet. But I'm sure the songs will start pouring in once he gets this going.

Gavin B is back! And has he got a treat for us. Now that the gates of http://www.musicbanter.com/members-j...use-songs.html have been reopened, he's kicking off a huge essay on soul music, which really has to be read to be believed. It's going to be massive, and just to underline that, I've chosen an extract from it as this week's Showcase. Yeah, it's that good!

And speaking of the Showcase, bob is no doubt flushed with success from his being featured last week, and it seems to have galvanised him to write more! Yeah man! That's why I decided to start up this whole thing! Good for ya! Now keep it up... The next band to enter his crosshairs are apparently one of his favourite, if not his absolute alltime favourites, Unsane. He certainly knows his stuff. If you're into noise rock, and you're NOT reading bob's journal, I have only one question: why?

Ki's been doing a considerable amount of writing this week too, and in http://www.musicbanter.com/members-j...nal-music.html he's looking at albums from Iron and Wine and Streetlight Manifesto, as well as "Sixteen albums you should listen to", beginning with A Swarm of the Sun, Agalloch and Pendulum. Oh yeah, he's also starting a new section in which he asks the question "Worth the hype?" Worth the read? You know the answer to that!

Looking for your fix of Motown music? Head to http://www.musicbanter.com/members-j...ic-memory.html, where Ladyislingering has everything you need, and more!

Powerstars
is branching out! He's taking a break from rock albums to look at something called ... Chiptune? Hmm, I dunno: maybe an explanation as to what that is? Anyway, the album is called "The early attampts" and is by Fearofthedark, so make of that what you will. Also, delighted to see he took my advice and reviewed the album I sent him, Richie Sambora's excellent "Aftermath of the lowdown". Cool review. Oh, and he's having a rant against Windows Media Player --- who ever thought that piece of bloated software was a good idea?? All this and more at http://www.musicbanter.com/members-j...sicalness.html

And so we come back around to me. I've been trying to keep updates going this week, and in http://www.musicbanter.com/members-j...d-journal.html you'll find my next bit of "History set to music", with the release of Nelson Mandela, also my second Roll of the Dice, featruing Cancer Bats, as well as a review of Yes' s"Union" album. Oh, and we just passed one hundred thousand views! First time ever for a journal, as far as I can see. Thanks everyone!

Meanwhile, over at http://www.musicbanter.com/members-j...-emporium.html there's another episode from "The New Statesman" and the introduction to Michael Dobbs' political dark thriller "House of cards", the original one starring Sir Ian Richardson. There's also another update of "Supernatural" on the way; it may be posted by the time you read this, it may not, but it's certainly coming. And in http://www.musicbanter.com/members-j...i-reviews.html there's a review of Belgian (I thnk) AOR band Frozen Rain's album "Ahead of time".

That takes us to Unknown Soldier, who's still http://www.musicbanter.com/members-j...y-history.html and rocking up 1975, where he has reviews of seminal albums from Led Zep and Aerosmith.

And normally that would be it, but we're favoured by the presence of the lovely Vanilla, who has an update to http://www.musicbanter.com/members-j...-eargasms.html, where she's letting us all in on her musical tastes. An essential read.

So on that pleasant note we end another update. Not a bad week overall: new journals, resurrected journals and a whole lot of interesting and eclectic music to choose from. Where else would you get it only here, at Music Banter, the home of music. And banter. And music banter too, obviously.

And so to this week's Showcase. As mentioned, it was originally to be the amazing review of Tyler the Creator's "Wolf" by Antonio, but I've put that back just one week because I've been so impressed by this new article that Gavin B has started working on.
http://www.musicbanter.com/avatars/2...ine=1292787017
It looks like it's going to be one hell of a read: educational, fun and entertaining. This is just the intro; he's already written two updates to this. I suggest you head to his journal and avail yourself of his knowledge, particularly if you're a soul aficionado, but even if you're not, as I said at the start, a good article is always worth reading.

Quote:

Originally Posted by Gavin B. (Post 1320129)
For the next week, I'll be devoting my journal to a history of soul music viewed from the historical, cultural & regional perspective of the three leading soul music record companies of the '50s & 60's era.
  • Chapter I will cover Atlantic Records founded in New York City at the dawn of the R&B era in 1947.
  • Chapter II is a history of the Stax Record label founded in Memphis Tennessee ten years later in 1957.
  • Chapter III is a profile of Barry Gordy who founded the soul music powerhouse label Motown in Detroit Michigan in 1959.
  • Chapter IV will focus on four soul music superstars; Curtis Mayfield, Sam Cooke, James Brown & Al Green. These four artists either owned their own record labels or recorded on smaller labels outside of the Atlantic/Stax/Motown axis.
I'm currently writing an additional adjunct chapter which picks up on the soul music story in the '80s with the rise soul influenced artist like Prince, Terence Trent D'Arby, Seal & August Darnell's eclectic soul/funk ensemble Kid Creole & the Coconuts. Chapter V will also survey neo-soul revival which began in late '90s and continues to be a force to reckon with in contemporary black music. The neo-soul descriptor has been used to describe a wildly diverse menagerie of American & British artists including Erykah Badu, Alicia Keys, Janelle Monae, Eli "The Paperboy" Reed, Mayer Hawthorne, Sam Sparro, Raphel Saadiq, Jose James, Sharon Jones & the Dap Kings, Amy Winehouse, Alice Russell & Duffy. This chapter is a work in progress and I'm not sure when I'll finish it since my Music Banter posts are sandwiched between writing projects I do out there in the real world of journalism.

==========

Sources

My sources for this history of soul music extravaganza include the following books, news articles & websites:

Books

Dorothy Wade & Justine Picardie's biography of Atlantic Records founder Ahmet Eretegen: Music Man: Ahmet Ertegen, Atlantic Records and the Triumph of Rock & Roll, (W. W. Norton, New York, 1990)

Rob Bowman's history of Stax Records: Soulsville U.S.A: The Story of Stax Records. (Prentice-Hall, New York, 1997)

Gerald Posner's book on Motown Records: Motown: Music, Money, Sex, and Power (Random House, New York, 2005)

Chris Woodstra,Vladimir Bogdanov & Stephen Thomas Erlewine: All Music Guide to Soul: The Definitive Guide to R&B and Soul (Backbeat Books, Montclair New Jersey, 2002)

Websites

The official Atlantic Records website @ Atlantic Records

The official Motown Records website @ Motown

The Stax Records museum website @ Home » Stax Museum

New Articles

Obituaries written in tribute to Ahmet Ertegen upon his death at Rolling Stone & Billboard websites.

Various album reviews & biographies of soul music artists & producers at the All Music website @ AllMusic : Music Search, Recommendations, Videos and Reviews


Field Research

I've visited and collected information from the archives of the both the Stax Records Museum in Memphis & the Motown Museum in Detroit in the early '90s to do research on my undergrad thesis on the sociological & cultural impact of the blues, soul music & reggae music.

=================

There's a reason that I've posted my sources at the beginning of the article instead of the end. My journal on MB is written without the benefit of an editor to discover errors of fact and point out any attributed or unattributed quotes in the article. Since many Music Banter forum members are passionate followers of contemporary music, I invite them to point out any errors of fact in the content and I will correct them. I also wanted to list my sources prior to to posting the article to give the reader an idea of the research framework I used in advance, since the article will be serialized in four or five different posts and won't be read in one sitting.

Now that most readers are sufficiently bored to tears with my overly long preface & I offer them hope. I will post Chapter I The Atlantic Records Story as soon as this introductory post is cleared and approved by admin for posting...Hopefully that will be sometime tomorrow which is Saturday May 18th in my little corner of the galaxy.

http://img.photobucket.com/albums/v8...soul-music.jpg

So that's this week's Showcase. My apologies to Antonio, but you're definitely in for next week, mate. Superb review. (By the way, you people don't have to wait till next week: check out his article now. Nothing's stopping you. Look: it's just a few clicks of a mouse away!)

Till next week, remember to check out the journals and consider starting one yourself if you're not already doing so.

Oh, wait just a tension-popping moment... I almost forgot!
http://www.trollheart.com/crypt2.png
There are of course many reasons why people stop writing their journals. After all, it's not exactly a top priority for most people, and it's hardly the most important thing in their life. Assuming you have a life, unlike me. But there have been some truly amazing journals in the past few years, many of which have not been updated for a long time, and have consequently slid off page one and into the nether realms of Journal Land, never to be seen again except for those with too much time on their hands (yes, again, guilty!) who go looking for them.

This is a cry for those journals to be resurrected, or if not, to at least draw attention to them so that, even if their authors have no intention of getting back into them, or are unable to, or have even left our community, they can be read and enjoyed.

So, with the hope that maybe this spotlight being shone into the dark and cobwebbed recesses of the latter pages of the journal section may revitalise or even lead to the rebirth of some journals which don't deserve to die and be forgotten, here's the first in a series of journals I was really impressed with, and hope someday maybe to see back in the land of the living.

http://www.musicbanter.com/avatars/2...ine=1338181179
While I know he is still very much around, and busy with his other journal exorting people to give int to the temptations of smooth jazz (also worth a look at http://www.musicbanter.com/members-j...ed-masses.html), I miss http://www.musicbanter.com/members-j...s-obscure.html, which for a time I considered Anteater's main journal. In this he reviewed some pretty weird and eclectic stuff, though from what I read a lot of it was AOR and prog, two of my favourite genres, and his. Here's just a small sample, with the quiet hope that if he gets a spare moment we might see this excellent journal drag itself back onto page one, which I believe is its rightful place.

Quote:

Originally Posted by Anteater (Post 598321)
Now that you mention it, I was actually considering picking Entropia over Remedy Lane, but since I consider the latter more varied and less of a story-based concept album, I ended up with my previous review. :laughing:

Now, on to the main attraction!! Today's obcure prog. gem review has to do with...*drumroll*.......SATAN!

Black Widow - Sacrifice (1970)
http://img333.imageshack.us/img333/8...crifice4su.jpg

Track Listing

1. In Ancient Days (7:40)
2. Way to Power (3:58)
3. Come to the Sabbat (4:56)
4. Conjuration (5:45)
5. Seduction (5:38)
6. Attack of the Demon (5:37)
7. Sacrifice (11:10)

Ah, the occult. Demons and Satan and the damnation of the human soul...all of which unfortunately become part of a great cliche which pervaded so much heavy metal from the 80's onwards and has since become a thing of derision for those who despise the era. And, if you ask who gave rise to this trend which became prevalent in bands who formed at that time, you will receive the same answer from almost anyone who thinks they know a thing or two about music: "Black Sabbath".

The funny thing about common knowledge, however, is that there for every time something holds true, there are twice as many supposedly "common" facts which are DEAD WRONG. For although Black Sabbath were the first commercially successful group to incorporate the kind of Satanic imagery you'd hear talked about in Church back in 1968, there was one forgotten band in the woodwork who formed long before ol' Ozzy picked up the mike, a group who took such themes to a far darker and more interesting place with this 1970 LP, Sacrifice, a little known bunch who originally formed in 1966 as Pesky Gee!, incorporating devilish themes into their various shows until they broke up and reformed in 1969 as....

Yep, you guessed it. Black Widow. One of the best bands of that time period...who nobody really knows about. But then again, that is why this review is here, to inform the masses that they existed and are waiting to be listened to!! :yeah:

The Review: This album actually hit #32 on the U.K. Albums Chart back in '70, but it was quickly forgotten within a week or so despite how different it was from anything else being done at the time. Flute, sax, a little bit of organ, and plenty of crazy keyboard and guitar antics all about Satan and Hell and all sorts of controversial things pervade this album....and yet its all so upbeat, anthemic even, despite the occult edge and ensuing controversy that this album's release caused upon release...before being forgotten anyway.

Well anyway, I would consider this album very proggy in places (especially the title track), a route Sabbath wouldn't take at all unfortunately. The arrangements defy the chorus-bridge structure for the most part, and there's lots of jazzy interludes amidst the sort of drumming, flute, and guitar playing you'd associate with Krautrock bands of that time. Lyrically its nothing to write home about, as I'm not a Satanist and find that whole thing humorous for the most part. Still, my enjoyment of the album is not lessened because, on the instrumental and delivery side of things, its ****in' jamming!!

So, if you're interested in what Satanic proto-prog/jazz-rock sounded like back in the day, I'd give Sacrifice a whirl for the...hell of it. Its fun, instrumentally and compositionally sharp/inventive, and it leaves quite the impression on a would-be listener like a good record should. Highly recommended.

Album Verdict: 5/7

Here is a YouTube vid of my favorite track from the album, In Ancient Days. Bon apetit'.

Okay, so that's it for another week. Don't forget, if you're reading journals, it does pay to move beyond page one, as there is some amazing stuff there. And also remember, even a comment by you can bring that journal back onto the first page, which could be the first step towards its eventual rebirth. Come on: you know it's your civic duty!

Until next week, Journalads and Journalasses
Toodles!

Powerstars 05-20-2013 02:35 PM

Quote:

Originally Posted by Trollheart (Post 1321100)
Good to see a resurgence in updates people! No time for a snappy intro this week as I'm way behind schedule, so let's get right to it.

Now, as I've pointed out before there are loads of genres of music I personally am not interested in, but I will always read a well-written article, even if it's about something I have little or no stake in. A very good example is Antonio's truly incredible review of Tyler the Creator's "Wolf" album. I'll be honest: this was slated for this week's Showcase, and it's only the amount of time and energy Gavin B has put into his latest entry that has pushed it to next week's instead. But it will feature next Sunday. If you want to read it before then (and you should) here's where to go: http://www.musicbanter.com/members-j...ng-ground.html

Nothing in the Batcave this week, for perhaps the first time ever, but there's a good reason for that. More in a moment, but don't forget to check out http://www.musicbanter.com/members-j...lks-about.html where the batty one is currently on, er, a Britney kick! Yeah, if you thought his forays into the world of Country (no doubt he'd drop the "o"!) were off the all for the Batlord, well just experience his views on Ms. Spears, where he seems to be determined to make it through her entire catalogue. Rather you than me, man! As for the reason there's no update to the Batcave, well, seems he's started a new journal, making now three in all. This one's different. He's reading Nick Hornby's seminal "High Fidelity", and so has created http://www.musicbanter.com/members-j...-fidelity.html, where he's already looked at ... er, nothing yet. But I'm sure the songs will start pouring in once he gets this going.

Gavin B is back! And has he got a treat for us. Now that the gates of http://www.musicbanter.com/members-j...use-songs.html have been reopened, he's kicking off a huge essay on soul music, which really has to be read to be believed. It's going to be massive, and just to underline that, I've chosen an extract from it as this week's Showcase. Yeah, it's that good!

And speaking of the Showcase, bob is no doubt flushed with success from his being featured last week, and it seems to have galvanised him to write more! Yeah man! That's why I decided to start up this whole thing! Good for ya! Now keep it up... The next band to enter his crosshairs are apparently one of his favourite, if not his absolute alltime favourites, Unsane. He certainly knows his stuff. If you're into noise rock, and you're NOT reading bob's journal, I have only one question: why?

Ki's been doing a considerable amount of writing this week too, and in http://www.musicbanter.com/members-j...nal-music.html he's looking at albums from Iron and Wine and Streetlight Manifesto, as well as "Sixteen albums you should listen to", beginning with A Swarm of the Sun, Agalloch and Pendulum. Oh yeah, he's also starting a new section in which he asks the question "Worth the hype?" Worth the read? You know the answer to that!

Looking for your fix of Motown music? Head to http://www.musicbanter.com/members-j...ic-memory.html, where Ladyislingering has everything you need, and more!

Powerstars
is branching out! He's taking a break from rock albums to look at something called ... Chiptune? Hmm, I dunno: maybe an explanation as to what that is? Anyway, the album is called "The early attampts" and is by Fearofthedark, so make of that what you will. Also, delighted to see he took my advice and reviewed the album I sent him, Richie Sambora's excellent "Aftermath of the lowdown". Cool review. Oh, and he's having a rant against Windows Media Player --- who ever thought that piece of bloated software was a good idea?? All this and more at http://www.musicbanter.com/members-j...sicalness.html

And so we come back around to me. I've been trying to keep updates going this week, and in http://www.musicbanter.com/members-j...d-journal.html you'll find my next bit of "History set to music", with the release of Nelson Mandela, also my second Roll of the Dice, featruing Cancer Bats, as well as a review of Yes' s"Union" album. Oh, and we just passed one hundred thousand views! First time ever for a journal, as far as I can see. Thanks everyone!

Meanwhile, over at http://www.musicbanter.com/members-j...-emporium.html there's another episode from "The New Statesman" and the introduction to Michael Dobbs' political dark thriller "House of cards", the original one starring Sir Ian Richardson. There's also another update of "Supernatural" on the way; it may be posted by the time you read this, it may not, but it's certainly coming. And in http://www.musicbanter.com/members-j...i-reviews.html there's a review of Belgian (I thnk) AOR band Frozen Rain's album "Ahead of time".

That takes us to Unknown Soldier, who's still http://www.musicbanter.com/members-j...y-history.html and rocking up 1975, where he has reviews of seminal albums from Led Zep and Aerosmith.

And normally that would be it, but we're favoured by the presence of the lovely Vanilla, who has an update to http://www.musicbanter.com/members-j...-eargasms.html, where she's letting us all in on her musical tastes. An essential read.

So on that pleasant note we end another update. Not a bad week overall: new journals, resurrected journals and a whole lot of interesting and eclectic music to choose from. Where else would you get it only here, at Music Banter, the home of music. And banter. And music banter too, obviously.

And so to this week's Showcase. As mentioned, it was originally to be the amazing review of Tyler the Creator's "Wolf" by Antonio, but I've put that back just one week because I've been so impressed by this new article that Gavin B has started working on.
http://www.musicbanter.com/avatars/2...ine=1292787017
It looks like it's going to be one hell of a read: educational, fun and entertaining. This is just the intro; he's already written two updates to this. I suggest you head to his journal and avail yourself of his knowledge, particularly if you're a soul aficionado, but even if you're not, as I said at the start, a good article is always worth reading.



So that's this week's Showcase. My apologies to Antonio, but you're definitely in for next week, mate. Superb review. (By the way, you people don't have to wait till next week: check out his article now. Nothing's stopping you. Look: it's just a few clicks of a mouse away!)

Till next week, remember to check out the journals and consider starting one yourself if you're not already doing so.

Oh, wait just a tension-popping moment... I almost forgot!
http://www.trollheart.com/crypt2.png
There are of course many reasons why people stop writing their journals. After all, it's not exactly a top priority for most people, and it's hardly the most important thing in their life. Assuming you have a life, unlike me. But there have been some truly amazing journals in the past few years, many of which have not been updated for a long time, and have consequently slid off page one and into the nether realms of Journal Land, never to be seen again except for those with too much time on their hands (yes, again, guilty!) who go looking for them.

This is a cry for those journals to be resurrected, or if not, to at least draw attention to them so that, even if their authors have no intention of getting back into them, or are unable to, or have even left our community, they can be read and enjoyed.

So, with the hope that maybe this spotlight being shone into the dark and cobwebbed recesses of the latter pages of the journal section may revitalise or even lead to the rebirth of some journals which don't deserve to die and be forgotten, here's the first in a series of journals I was really impressed with, and hope someday maybe to see back in the land of the living.

http://www.musicbanter.com/avatars/2...ine=1338181179
While I know he is still very much around, and busy with his other journal exorting people to give int to the temptations of smooth jazz (also worth a look at http://www.musicbanter.com/members-j...ed-masses.html), I miss http://www.musicbanter.com/members-j...s-obscure.html, which for a time I considered Anteater's main journal. In this he reviewed some pretty weird and eclectic stuff, though from what I read a lot of it was AOR and prog, two of my favourite genres, and his. Here's just a small sample, with the quiet hope that if he gets a spare moment we might see this excellent journal drag itself back onto page one, which I believe is its rightful place.



Okay, so that's it for another week. Don't forget, if you're reading journals, it does pay to move beyond page one, as there is some amazing stuff there. And also remember, even a comment by you can bring that journal back onto the first page, which could be the first step towards its eventual rebirth. Come on: you know it's your civic duty!

Until next week, Journalads and Journalasses
Toodles!

Chiptune is like video game styled music. This album in particular sounds like it's coming from a Super Nintendo. I highly recommend it.

Janszoon 05-20-2013 09:37 PM

Hey TH: Sorry for the late response, but thank you for profiling my journal a few weeks ago! It's always nice to hear some positive feedback. :)

Scarlett O'Hara 05-20-2013 10:45 PM

Yeah Trollheart thanks for the mention!

Trollheart 05-26-2013 05:17 PM

Update for week ending May 26 2013
 
And so we're into the final update for May, as summer should be winging its way towards us --- unless you live in Ireland of course! Interesting and encouraging to see that the entire first page of the journals section is this week up for grabs, with a whole fistful of new entries and some resurrected journals too. So let's dive right in then.

Until Anteater makes his presence known in the journals again, it's at B we start and so to the Batlord, where in http://www.musicbanter.com/members-j...lks-about.html he's still on a female pop kick, with Britney already reviewed, now he's checking out Kylie and Ke$ha. Careful man: you're in danger of losing your post as Hardest Metal Guy on the Forum! Still, he does also review Lou Reed''s "Metal machine music", though he seems as bemused about it as most of us are.... Over in http://www.musicbanter.com/members-j...t-schemes.html he's looking at Dark Angel, the perfect antidote to those "up-and-at-em" mornings, apparently, and in http://www.musicbanter.com/members-j...-fidelity.html he's started talking about the songs, with Neil Young, The Smiths, Aretha Franklin and more!

Gavin B continues his musical journey while talking about The School, April March and Aquaserge, Caro Emerald, The National.... look, there's just too much to note it all here. Just rest assured that you'll find something to interest you in http://www.musicbanter.com/members-j...use-songs.html, okay?

Goofle11
is talking about that Catherine Wheel album again! Check out what he has to say at http://www.musicbanter.com/members-j...-sessions.html

Another journal coming out of the archives is Hermione's http://www.musicbanter.com/members-j...ised-fire.html which seems to have had its last update in 2011. But now she's talking about Britpop, in particular the Stone Roses, so head her way to discuss.

Delight knows no bounds! Janszoon is back to tell us more about http://www.musicbanter.com/members-j...sible-man.html and as usual you'll get not only great and strange music here, but incredible prose. This time our insubstantial friend is listening to Byetone, "Death of a typographer". Cool. You need to check this journal out. And Jansz, you need to update more!

Ki's taking a short break from his journal, but before he does he's taking a look at the new album from Daft Punk, which everyone seems to love. Not my thing, you understand --- disco, vocoders, all that --- but it's a pretty fine review. Catch it before he heads off on his holidays at http://www.musicbanter.com/members-j...nal-music.html

And of course we then come to Ladyislingering, where she's paying tribute both to the late Ray Manzarek of the Doors, who died earlier this week, and legend Marc Bolan, who seems to be something of an obssession with her. They're all in her http://www.musicbanter.com/members-j...ic-memory.html, along with a lot of other cool stuff.

Pedestrian has completed her pilot script for a TV comedy! :beer: And it's pretty damn good, too. Check it out at http://www.musicbanter.com/members-j...sswalking.html
and tell her what you think.

And Powerstars is widening his focus in http://www.musicbanter.com/members-j...sicalness.html with reviews of the Beatles (no, wait...) Sonny Moore aka Skrillex apparently, an album I sent hs way by 3 and, er, Super Mario Brothers. Hey look: if you can't find something there to pique your interest there's something wrong!

Another to return to us this week is Screen13, always welcome, and in http://www.musicbanter.com/members-j...album-day.html you'll find a feature on the movie Mondo Bizzaro: I don't know it but apprently it's very famous. Sixties nostalgia, eh?

I've been doing what I can to update my journals as regularly as possible, though I am currently writing a lot of material that won't see publication for some time. In http://www.musicbanter.com/members-j...d-journal.html there's a review of one of what I consider a-ha's greatest albums, a new section called "Two sides of the same coin", along with a new "Words get in the way" and one of the closing few entries on my Rory Gallagher special. Red Dwarf season one comes to an end in http://www.musicbanter.com/members-j...-emporium.html, and Supernatural is getting there too: two more episodes from that as well as another from Spooks, with the announcement too of yet another new series due soon, this being the much-loved comedy Frasier. What about http://www.musicbanter.com/members-j...i-reviews.html? Yeah, I've managed to throw in a review there too, well sort of. Just have a look, you'll see what I mean.

And so on to http://www.musicbanter.com/members-j...y-history.html, where Unknown Soldier introduces us to Angel, plus two live albums and a bunch of other albums that again, didn't make the cut for this year. So much to read, so little time...

But before US has the chance to lock the door Vanilla is sliding in (stop that, all of you!) and telling us all about the Pretty Reckless in http://www.musicbanter.com/members-j...-eargasms.html. What a way to end!

Now, last week I promised Antonio I would feature his review on Tyler the Creator as the Showcase and, well, here it is.
http://www.musicbanter.com/avatars/2...ine=1304145234

Whether you're into this sort of music or not (I'm firmly in the latter camp) you really should read this because it is one hell of a great review. Sadly Antonio's journal has slipped off the front page, mostly I think because so many people are suddenly updating this week, but if you go to read this and his other material you'll be helping him by moving him back to page one, where he deserves to be.

Quote:

Originally Posted by Antonio (Post 1318477)
ALBUM REVIEW
Tyler, The Creator-WOLF

http://cdn2.pitchfork.com/news/50138/021544fb.jpg

If you have any of a handle on music today, then I don't think I have to tell you who Tyler, The Creator is or how WOLF is his third solo release following BASTARD and GOBLIN.

The thing with Tyler's solo releases is that much of the narrative and content focus on his personal life, both past and present. What makes it different from a number of other self reflective rappers is that Tyler doesn't necessarily go out of his way to explain everything. Alot of the tracks are wrapped up in subtle references to close friends, previous albums, and the OF collective itself. This may be confusing for some people who are just listening to Odd Future now; you may be wondering who this guy he's mentioning is or if he's talking about himself but differently or if what he's talking about is something that happened on a previous album. That being said, Wolf isn't exactly the first album I'd recommend to someone trying to get into Tyler's music or OF in general. I will say though, that there's this article written that more or less explains the "backstory" if you will of this trilogy and has some interesting clues and tid bits that make listening to this all the more intriguing. While I can't completely say that everything here is true, it's still an interesting read.

The themes central to this release are definitely a shift from some of the subject matter Tyler became well known for on Bastard and Goblin. There's still plenty of expletives and insults thrown towards everyone and plenty of "GOLF WANG, WOLF GANG, etc" calls that tells you you're listening to an Odd Future release. What changes here though is how much of Tyler is put in here. You can definitely map the change between the 3 albums from the more brazen and crude tracks that center around rape and cutting up bodies to the tracks that contain much more personal things like Tyler's estranged father, his past relationships and his feelings of isolation and loneliness. These were elements present in Goblin, and while some really good tracks were made it never really reached it's full potential musically. This is why tracks like Answer, Awkward, and IFHY(I ****ing Hate You) are great and the high point of this album; they really do well to convey the guy behind all the OF shoutouts and the Supreme clothing. IFHY and Answer especially, the instrumentals have this sort of broken melancholy to them, like a childhood toy that has been damaged beyond repair. That, along with his uneasiness and frustrations present in his rapping really do well to covey Tyler's sensitivity to these subjects and are two of the most introspective parts of the album.

It's clear that Tyler is a guy who makes music for himself and his friends, and whether you'll like the lyrical content of this album is highly dependent on whether you're interested or even know about Tyler's background or the inner workings of Odd Future. For people who are just looking for good lyricism though, you'll be able to find some really clever and even funny lines, but in terms of raw rapping it's a bit underwhelming compared to something like Bastard offered up. There's also a bit of overuse of those magical cursewords(f*ck, motherf*ck, who gives a f*ck, f*ggot) that Tyler just loves to use to the point of crutching it. Still, I always felt that his rapping, while pretty good in some points, was just half of what makes him who he is.

Where this release really shines is in its production. Even from the opening track Wolf, you can tell that the production has really improved and is starting to take shape with what he wants it to convey. The type of sounds you would expect from a release by him are still present(alot of synths, pianos and "cheap" sounding effects) but are more refined and have a certain cohesiveness to them. While some may see this and hate those types of sounds and find them mediocre, I find it as Tyler nailing down his own production style. Jamba comes up right after and is a pretty good following track, if not already expected, type of song befitting Odd Future. The chorus especially delivers this really cool arpeggio that really brings it together. Plus this is probably the best verse Hodgy Beats has ever done. No seriously; I actually didn't think it was him till I saw the feature, haha.

Slater and 48 both have these smooth RnB chords and sounds, and both feature OF alum Frank Ocean. Slater is a really chill, and to be honest aimless in a (good) way and 48 is something that I enjoy seeing Tyler doing; a legit RnB/rap track. While it talks about dealing drugs and it's less than good repercussions, it still has this nice feel to it that I have no problem playing in my car while I'm out on the town. Tyler has some aggression here, but in a way it's undercut by the production and really nice chorus.

A surprisingly good track on here is the 3 song PartyIsntOver/Campfire/Bimmer. Normally I'm not into multiple song tracks; I feel that most of the time the pauses between tracks breaks the flow and alot of the times the two tracks don't belong anywhere near each other, but the way these songs come together really works. They have a really nice set of instrumentals that are backed by Tyler's bassy monotone voice, as well as a few features that spice up the songs by adding some really nice melodies. My personal favorite is the group of kids singing on Campfire. At first this didn't really catch my attention but after a few more listens it really grew on me.

Now, don't think that this album is just a bunch of mellow, slow songs and that Tyler has just lost it or something. When Pigs and Parking Lot crash through, they deliver an anger laden and rough at best trip, outlining acts of violence with these sinister and almost unsettling beats. Rusty follows them up and diffuses some of the aggression, but still has it's own aggression to spare. In a way, Rusty really comes through and becomes one of the best parts of this album. Domo Genesis really delivers on his verse and Tyler has some good lines, but Earl Sweatshirt's feature felt underwhelming, where there wasn't as much of a personality that you had on his Earl album. It almost sounds like he's not really all there.

There's also tracks like Domo 23, Trashwang and Tamale which are tracks made to be the offensive and brazen OF you've come to know and love, and while I do enjoy Domo and Tamale, I fully acknowledge that the lyrical content is more shock oriented than clever or thought provoking. Still, Domo 23 is more or less a standard OF song, a la Rella from The OF Tape Vol 2, and Tamale offers a surprisingly catchy hook and the horns with the sample really add to the ferocity, especially when they go to a more sinister set of melodies halfway through. The fact that one of the first lines in this is "Tell Spike Lee he's a f*cking n*gger" really shows that this kid still has some teeth among the more reflective songs.

Trashwang is a different story. Listening to it I felt that they made it to be the Bitch Suck Dick of this album, but while BSD was a sharp and hilarious satire of rapping bravado and flashy posturing, Trashwang comes off as sort of limp. There's definitely some funny lines here, but the beat itself comes off as kind of lazy and too on the nose for something trying to make fun of "going hard" with a song.

That's not the only weak spot of this album, either. There's Colossus, which is pretty much meant to be Tyler's Stan, concerning an obsessive TtC and OF fan, but compared to the story with Stan who was obsessive to the point of fearing for your life, this fan just comes off as kind of creepy but ultimately harmless. The beat/composition of the song is nice, but the lyrics and the gravity Tyler is trying to give it come off as slightly pretentious and just ineffectual. I'm not too big of a fan of the song Cowboy either, it's beat just seems more paltry than purposefully minimalistic, and the chorus gets in your head, but I would just as soon kick it out once it reared it's ugliness.

There's also a point where a couple of songs aren't really that great of a fit for this release. Treehome95 is an RnB track that features Erykah Badu, but it's tone compared to the rest of the album is too different in my opinion. I like it, mind you, but it feels like this would have been better as a separate single. The closer Lone is an interesting track too, the production is much more jazzier than previously and almost seems unlike Tyler, but hey, that just means he's really spreading out his influences, right?

In the end, I really enjoyed this album. This wasn't a mindblowing release though(listen to Chance The Rapper's Acid Rap for that *wink wink*), but this was definitely a fine release from Mr. The Creator.

So I give it an 7/10.


Favorite Tracks-Jamba, Awkward, Domo 23, Answer, 48, PartyIsntOver/Campfire/Bimmer, IFHY, Rusty, Tamale
Least Favorite Tracks-Cowboy, Colossus, Trashwang

So that's it for another week. Great to see so many updates, renewals of journals and really top-notch writing all round. Keep it up, everyone!

Until next week,
Toodles!

Powerstars 05-26-2013 09:49 PM

lol I liked what you wrote about mine.

Screen13 05-27-2013 06:50 AM

Thanks for the mention. Mondo Bizarro is an Exploitation Movie fan's favorite, especially that of those who look into the pre-MPAA Rating era of Exploitation and Sexploitation which started in Nov. 1968, when a couple of the first X ratings were for Greetings, Directed by a young Brian De Palma and starring Robert De Nero, and Girl on a Motorcycle starring Marianne Faithful and later called Naked Under Leather in a early 1971 re-issue (In '69, small cuts would turn the film into an R).

Mondo Bizarro was certainly an inspiration for the Ramones to call their 1990 album by that title, proven by their covers album a couple of years later being called the Acid Eaters, a film Produced and Distributed through David F. Friedman who was a friend and competitor of Olympic International's Bob Cresse. You can point to The Psychotronic Encyclopedia of Film as being a spark for a lot of interest in these films in The 80's and Something Weird Video's growth in the Early 90's.

"Back in the Day", it was a hit in Adult/Sexploitation film circles, and even was part of Olympic's 1970 campaign to get it's films into the growing Adult Theater business after the X Rating made these films more playable, although it certainly would have got an R today (it was from 1966, keep in mind). It's enjoyable, although some of Cresse's humor in the fake mondo scenes will be certainly be tasteless to some. This does not mean it was well known in mainstream circles, but it played well enough for many to remember both it's tasteless fake mondo scenes, fake credits, and the inclusion of some real captures in LA '66.

Actually, one of the background music selections was also used in Ray Dennis Steckler's flick Rat Phink a Boo Boo! Credited, too!

Trollheart 06-02-2013 05:29 PM

Update for week ending June 2 2013
 
Ah, June is upon us! Two days into the new month, halfway through the year already and here we are with another look at what the residents of Journal Land are up to this week.

Antonio beats the Batlord to the opening review this week, and he's looking at another rap/hip-hop album in http://www.musicbanter.com/members-j...ng-ground.html, this time Chance the Rapper, whom he says is what could be possibly described as a "nice" rapper. Interested? Head his way: his reviews are always detailed and informative, and well-written.

Champing at the bit to go, but held back by Antonio's incredibly clever decision to have a username beginning with A, we had better let the Batlord loose, for he doth have much wisdom to impart! In http://www.musicbanter.com/members-j...lks-about.html he's continuing his girlpop kick and checking out Madonna's work, as well as more Ke$sha and, just to redress the gender imbalance (or more likely because he's getting bored), REM. In http://www.musicbanter.com/members-j...-fidelity.html he's up to page 37 and seems to have developed an unexpected appreciation for Bob Dylan...

Gavin B meanwhile is moving on to the Stax Records story and if you're not interested in that (and why not, I ask?) then poke around http://www.musicbanter.com/members-j...use-songs.html and you'll also find a band called Piano Magic who have ... no piano in their music. There! Didn't I tell you there's always something different and interesting going on here? Don't doubt me in future, it makes me angry, and you wouldn't like me when I'm angry. Actually, you probably wouldn't like me when I'm calm. But enough of me, on we go...

Ki is next, and as he said, http://www.musicbanter.com/members-j...nal-music.html However, he and I have a disagreement. He thinks Asia's "XXX" is brilliant, I think it's ... not. Well to be honest I think it's terrible, but there you are: the world wouldn't be half as interesting and forums like this would certainly not exist if everyone thought the same. Still, you should know that he is wrong. ;) Check out what he has to say above.

And of course that takes us alphabetically to his better half, where Ladyislingering has once again astounded us with her http://www.musicbanter.com/members-j...ic-memory.html, where you'll find music form Heart, Squeeze and Weird Al (remember him?) as well as her opinion on legendary producer Phil Spector (she thinks he's a douchbag. She's right.) :pssst:

Been a while since Plankton favoured us with an update, but then when you consider the quality of music he produces himself you can understand that. If you haven't already read my review of his album then head to my journal post haste, and thence to his website, there to download and enjoy! However, in http://www.musicbanter.com/members-j...um-bucket.html he's getting back to talking about his musical influences growing up, particularly those that impacted on his later guitar playing. Here he's paying homage to Rush, and with a guitarist like Alex Lifeson, who would question that?

Powerstars has started going through his brother's record collection, and selected some gems to review. It says here. Anyway, in http://www.musicbanter.com/members-j...sicalness.html the particular nugget he's decided on this week is Nirvana's "Nevermind". Not my thing, but he does a great review, and if you like Kurt and the boys then head his way.

Screen13 has also been busy this week. In the eerily-titled http://www.musicbanter.com/members-j...ies-other.html he's talking about a film called Times Square which, though something of a flop commercially, gave birth to a great soundtrack.

And so to me. What have I been up to? Nothing that could be proven beyond reasonable doubt in a court of law, I assure you! Oh, you mean in my journal! Well, let's see. In http://www.musicbanter.com/members-j...d-journal.html there's a return for "More than words", as well as "Run for cover" which features Pulp and, er, William Shatner? I kid you not! There's also a new section in which I drone on about the albums I'm currently listening to, while http://www.musicbanter.com/members-j...i-reviews.html has a review of an album by Images of Eden, with the final episode of season one of "Love/Hate" and an announcement of the soon-to-be-commenced reviews of "Frasier" in http://www.musicbanter.com/members-j...-emporium.html.

Unknown Soldier
is looking mostly at live albums in http://www.musicbanter.com/members-j...y-history.html with albums by Kiss, BOC and Grand Funk, but he also has time to talk about Uriah Heep and some band called Armageddon. All this, and sleep too! Amazing!

And everyone's favourite grump shows us all how it's done with his new journal, http://www.musicbanter.com/members-j...79-2000-a.html, with albums already reviewed by Ry Cooder, The Undertones, Neil Young and Gang of Four. Shaping up to be one of THE journals to read!

Finally, Zero is no doubt contemplating summer in Ireland, as in his journal http://www.musicbanter.com/members-j...nal-sound.html he's considering three albums for walking in the rain. Ooh yeah, bring on the summer, man! :rolleyes:

And now, this week's Showcase...

I've criminally ignored this journal for weeks now, so it's time to put this to rights.
http://www.musicbanter.com/avatars/5...ine=1350245575
Although he only began his journal last October, Big Ears has put an amazing amount of information, research and time into http://www.musicbanter.com/members-j...s-journal.html, and I can only really compare his writing, in terms of research and knowledge of his subject, to that of Unknown Soldier. Yeah, I know: it's that good. Here's an excerpt:

Quote:

Originally Posted by Big Ears (Post 1240643)
Hearing Earring: A Biography of Golden Earring




Golden Earring was formed as The Tornados by George Kooymans and Rinus Gerritsen, with guitarist Hans van Herwerden and drummer Fred van der Hilst, in the Hague, the Netherlands, in 1961. When the Tornados discovered their name was already being used by Billy Fury's band, the name The Golden Earrings (in the plural) was adopted. With Frans Krassenburg on vocals, Jaap Eggermont replacing Van der Hilst on drums and Van Herweden jettisoned, their debut single 'Please Go' was also the first hit, reaching number eight in the Netherlands' chart in 1965. An album, Just Earrings, produced by manager Fred Haayen, was released in the same year (Peter de Ronde also plays rhythm guitar). Haayen arranged for the next single, 'That Day', to be recorded at the Pye Records studios in London, a decision which paid off, as it reached number two in the Dutch charts in 1966. 'That Day' was only kept from the number one spot by The Beatles' 'Michelle'. Augmented by session piano player, Cees Schrama, the Golden Earrings recorded the Winter Harvest album, which was released in January 1967.

Original singer Frans Krassenburg was replaced by Barry Hay in 1967 and a year later, the band finally achieved their first number one hit in the Netherlands with the typically Euro-titled, 'Dong Dong Diki Digi Dong'. The same line-up of Hay, Kooymans, Gerritsen and Eggermont recorded the Miracle Mirror, which was released in 1968. On the Double, in 1969, was the last album to feature Eggermont, with Sieb Warner replacing him on drums for Eight Miles High in the same year (released under the name The Golden Earring - singular). Eggermont switched mainly to production work and later became known for the 'Stars on 45' dance medley records of the early 1980s. DJ Neil Kempfer-Stocker began playing the band on US East Coast FM radio and they embarked on two North American tours in 1969, however the Perception Records label in New York failed to capitalise on the Golden Earring album, aka Wall of Dolls, with the Back Home single, in 1970. Golden Earring is the first album credited to 'Golden Earring' and introduces drummer Cesar Zuiderwijk. This 'classic' line-up would remain intact for more than 40 years.

During this period with Barry Hay, Golden Earring evolved into a hard rock band. They enjoyed brief international superstardom in 1973-74 when the shortened version of 'Radar Love', from the Gold-certified album Moontan, became a hit single in both Europe and the USA. For a while, Cesar Zuiderwijk was a minor celebrity for jumping over over his drum-kit at the end of TV performances of 'Radar Love'. Between 1969 and 1984, Golden Earring completed 13 US tours. They performed as the opening act for such luminaries as Santana, King Crimson, The Doobie Brothers, Rush and .38 Special. When 'Radar Love' was a hit, they even had Kiss and Aerosmith as their opening acts. Being signed to Track Records, a UK label, the band hired the quadraphonic sound system used by The Who. Indeed, because of their successful transition from makers of hit singles in the early sixties to full rock band in the seventies, they were compared to The Who.

Eelco Gelling joined Golden Earring, as a second guitarist alongside Kooymans (replacing occasional keyboardist, Robert Jan Stips of Supersister), in 1973, and first appeared on Contraband (1976) which was released in the US as Mad Love. Gelling's haunting slide work is highlighted on a number of tracks, particularly on the single Bombay. The group released its first live album, Golden Earring Live, in 1977, on which Kooymans's and Gellng's dual guitars breath new life into extended versions of the classics, including 'Radar Love'. An edited version of the latter returned Earring to the UK singles charts in 1977. Gelling also played on the group's Grab It For A second album of 1978. During a tour of the United States, he left the band, following differences over improvisation, and after his favourite guitar (a Gibson Les Paul Custom) was stolen from a cab in New York. Returning to the Netherlands, he played in several bands including his own Eelco Gelling Band.

Golden Earring enjoyed a short period of US stardom but were unable to secure further chart success until 1982's Twilight Zone. An accompanying music video, directed by Dick Maas, was one of the first rock videos played on the recently launched MTV and helped the song become a top ten single. 'When the Lady Smiles' was an international hit in 1984, reaching number 3 in Canada and becoming the band's fifth number one hit in their native country, but it received a disappointing reaction in the United States. The reason for this lack of success was attributed to the promotional video being banned from MTV, due to nudity and a scene portraying the rape of a nun. An edited version of the video was shown, but to little avail. While touring the US, the band played at the Great Arena of Six Flags Great Adventure on 11th May 1984, when a fire at the Haunted Castle began on the opposite side of the theme park, killing eight teenagers. Following this tour, Golden Earring returned their focus towards Europe, where they continued to attract large audiences.

In 1991, Golden Earring released the excellent Bloody Buccaneers album and scored another hit in the Netherlands with 'Going to the Run', about a motorcycling friend of the band who who was killed in a road crash. A 'run' is motorcycle jargon for a group of motorcyclists riding to a particular destination. Until recently, Golden Earring were performing over 200 concerts a year, mainly in their home country and occasionally in Belgium, Germany and the UK. These performances have been released on several live albums: the aforementioned Live, recorded at London's Rainbow Theater in 1977; 2nd Live, 1981; Something Heavy Going Down, 1984 (also released on DVD as Live from the Twilight Zone); and Last Blast of the Century, a live recording of their last concert of the 20th century (available on both CD and DVD). Furthermore, there are the band's acoustic live albums including: The Naked Truth (1992), Naked II (1997) and Naked III (2005). Their latest live album, Live from Ahoy 2006, is a DVD with bonus CD.

Golden Earring have not toured outside Europe since 1984. However, the Millbrook USA album was recorded at Frank Carillo's studio in New York. They performed two gigs in the UK, for the first time in 30 years, with one concert on 14th March 2009 at The Shepherd's Bush Empire in London and another on 13th March at Ipswich Regent Theatre. Golden Earring celebrated their 50th anniversary in 2011 and have been performing almost continuously since their formation in 1961. From 1970 onwards, they have had the same core of four musicians, occasionally augmented with keyboardist, Robert Jan Stips of Supersister, and of course for a while, Eelco Gelling, making them one of the longest surviving unchanged lineups. Barry Hay relocated to the Dutch Antilles island of Curaçao in the Caribbean.

On 10th October 2011, at the Historical Museum of The Hague, PostNL presented the first postage stamp with music, issued in honour of Golden Earring's 50th anniversary. When the stamp is held up to a smartphone with a special app, Golden Earring’s 'Radar Love' plays. This stamp is the first in a series of music stamps with real sound, highlighting the most successful pop albums released in the Netherlands. PostNL was the first post office in the world to initiate this concept. Band member and co-founder Rinus Gerritsen accepted the first sheetlet from PostNL. The 50th anniversary was also celebrated at the museum, with a special temporary exhibition on the band, called 'Golden Earring - Back Home', featuring their music, background and influences.

Originally written in March 2012

A good way to wrap up the first journal update of June indeed, and with summer peeping over the horizon there are bound to be plenty of outdoor festivals and gigs happening, so if you're looking for something to start a journal about, there's an idea.

See you all next week!
Toodles!

Screen13 06-03-2013 04:49 AM

One question...is there any way I can change the title of the journal just to Screen 13's 80's Cut Out Memories? It seems like the original title was way too long.

Trollheart 06-03-2013 09:48 AM

Oh don't do that! If you have to shorten it call it "Ghost Mall": that was the phrase that attracted me to the journal originally. It will lose a lot of its character if you take that away. Either way, I'm sure one of our friendly mods will help you out. Or maybe Urban... ;)

The Batlord 06-03-2013 10:58 AM

Quote:

Originally Posted by Trollheart (Post 1327464)
In http://www.musicbanter.com/members-j...lks-about.html he's continuing his girlpop kick and checking out Madonna's work, as well as more Ke$sha and, just to redress the gender imbalance (or more likely because he's getting bored), REM.

Even I can only listen to so much emotionally vapid music before I feel the need for some substance.

Screen13 06-03-2013 11:16 AM

Many, many thanks (Double Double Good! There's a "Happy" reference for Monday!)!

A request to shorten my journal name to Ghost Mall Music, please. That will bring more ficus on what I'm trying to steer it to. Through the last few weeks, I have been thinking it many times over, and right now I have seen quite a few used albums that have both sold very well and went C/O - Devo's classic Freedom Of Choice being one of them (C/O on the upper right hand side, possibly due to maybe the band discontinuing the catalog that was in the original pressing and the label trying to get rid of them!). I thought that it was going to be an all too easy task, as my used album shopping was made easy for me looking for the dot or cut, but once I started to see albums like Rod Stewart's Tonight I'm Yours (C/O in The US possibly due to overpressing), it was going to be a crazy ride.

So, yes, give "Cut Out" the Cut, due to over-planning so that I can seriously focus on 80's Music in general. My used album buying still has that focus and I have some general articles about the business in the plans.

Please make my journal Ghost Mall Music. Thanks.


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